CHART-TOPPING SINGER RETURNS TO HIS ROOTS WITH THE LATEST RISHI RICH PRODUCED TRACK
by ASJAD NAZIR
POPULAR singer Jay Sean has been on a remarkable musical voyage that has taken him all over the world and enabled him to cross new frontiers.
Game-changing collaborations with ace music producer Rishi Rich in 2003 started that journey and what followed were songs that inspired a generation. The two friends have remained connected since lighting up the scene together and recently surprised fans by teaming up again for newly released song Nakhre.
Like the other hits they did in the past, this latest offering from the dream musical team offers up something different, which includes soul star Jay singing verses in Punjabi for the first time. The hit song showed Jay is still very much at the top of his game, and he was happy to speak to Eastern Eye about Nakhre. He also discussed his journey, future hopes, inspirations and new podcast.
Have you had a chance to look at your musical journey during lockdown?
You know it’s funny you say that. I was just talking to my DJ the other day on FaceTime reminiscing about all of the wonderful experiences we’ve had over the last 17 years of touring. So, if it weren’t for this lockdown, we probably wouldn’t have taken the time to pause, reflect on those wonderful moments and appreciate the incredible journey so far.
Looking back, would you have done anything differently?
I’ve never been a believer in regret. Even mistakes teach you lessons often, valuable ones that you need to take a different path to get you to where you want to be.
What keeps you musically motivated today?
What’s amazing about music is that you can forever create something that never existed before. All of a sudden that one song could impact not only your life, but millions of others around the world. It’s that notion that always keeps me motivated; you’re always just one song away from something incredible.
What has kept you connected to Rishi Rich for so long?
I don’t look at Rishi as a producer or even a friend. He is my brother. The love and respect we have for each other is so deep-rooted in years of life experience that no one can take it away from us. It’s so much more than music.
How proud are you of the fact that songs you created all those years ago are so loved?
The thing about those songs from that era is that they are synonymous with nostalgia. They evoke memories and emotions when you hear them, and transport you back in time to an era that most people remember fondly. I think that’s probably why they are still loved today and of course, that makes me so proud and happy.
What are your fondest memories of recording your early singles and album with Rishi?
I think it had to be the excitement and naivety of creating music. We were writing songs and creating something magical without even realising it. It was so organic and real – nothing about that process was contrived. We were just having fun and vibing. We weren’t trying to create hits; it was just flowing.
What made you both want to collaborate once again?
Rishi and I have always wanted to consistently make music together, but it just became a little more difficult since he moved to Mumbai and I moved to America. The thing about the way that we work together is that we have to be in the same room and vibe together. The magic doesn’t happen by him sending me tracks over email and me writing a song in my studio at home alone. The vibe has to be there in person.
What led towards your latest song?
We actually wrote Nakhre after a night out in Mumbai. We were actually celebrating a different song that we had written that day. We were on such a high about that song that we wanted to go out and have fun. We came back and it was like 4 or 5 o’clock in the morning – we were sitting in the studio listening to music and classic Bollywood feels. That’s when we found the sample from Baazigar and Rish laced up the beat in like 10 minutes. Before you knew it, I was on the mic free-styling melodies and within a couple of hours, we had written a brand new song as the sun was coming up. It was an amazing vibe. Those kind of moments are priceless.
Who are you hoping connects with the new song?
Since it was just made on such a vibe, I am hoping to create a feeling of nostalgia, what with the sample and all. Something to make you smile and feel good. It’s like an Eyes On You part two. That’s why the music video for it was a nod to Eyes On You – when I was walking along the streets of Southall. In Nakhre, I am walking through the streets of the Little India of New Jersey, Edison. It is those kinda feels, but with modern and current production.
What was it like singing in Punjabi and why have you waited for so long?
I love singing in Punjabi and Hindi, but it was never my primary as a vocalist. I absolutely love coming up with Punjabi and Hindi melodies. (Laughs) Often I have to ask Juggy D to help me with the correct Punjabi wording though. Don’t get me wrong, I’m fluent in Punjabi, but sometimes I might not get the exact phrasing right, so Juggy and our friend Kiranee make sure I get it sounding perfect. Kiranee is also the female vocal you hear on the song.
Has the way you and Rishi work together changed over time?
What’s amazing is that no matter how many years have passed, our vibe together and our way of working has remained exactly the same. We have such chemistry and magic in the way that we bounce off each other musically. We never clash. We love the same things and disregard the same things. We both know what is the vibe and what’s not, and that’s why it works.
Musically, what can we expect next from you?
More music! I am trying to release as much music as I can without necessarily each one being a single, just great music for my fans and putting good stuff out there as often as I can.
You have achieved a lot in your career, but do you have any big unfulfilled musical ambition?
When it comes to making music, I like to cross genres. Although r’n’b has been my primary love, I enjoy borrowing sounds and influences from all genres of music, which allows me to still keep moving forward and trying new things.
How do you feel about having influenced so many artists?
That will always be something that I am truly grateful for. When I started, I was up against it all. When it’s all said and done, I want to be able to look back and say that I did some good. If I positively impacted people’s lives and also inspired other artists, that is the greatest accomplishment of all.
What key advice would you give aspiring artists?
As cliché as it may sound – be the best version of you that you can be. Not a replica of someone else. What will make you stand out in this day and age is your unique selling point. What can you offer that other artists aren’t giving the masses? What’s your sound?
So, what made you want to do a podcast?
The thing about music is that the majority of my songs are fictional. They are just made up stories. It’s very rare to get to really know an artist through the music, quite often they are just stories. I felt I had so much more to give, so many stories to tell, and so much life experience to share. It doesn’t get more personal than an hour of unfiltered, raw conversation on this podcast.
Tell us about your podcast?
I like to have fascinating and interesting guests on, from comedians like Russell Peters and Romesh Ranganathan, to health and wellness personalities like Deepak Chopra and Jay Shetty. The banter is what it’s about. So much of that banter is insightful, super honest and full of gems. Full of laughs too, so it’s really fun. The feedback so far has been amazing.
What music is dominating your personal playlist?
I always listen to a broad range of music. I like to discover music through playlists on Spotify. Depending on what mood I’m in, I will pick a playlist in that genre and discover so much new music.
Today, what inspires you?
Newness. I have a drive to try new things always. To see what else I can do. What other ventures can I take on? For there are so many adventures to be had.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Angelina Jolie stuns in a strapless nude gown on the Cannes 2025 red carpet
After a long break from the Cannes spotlight, Angelina Jolie stepped back onto the red carpet, quietly commanding attention without theatrics. It’s been nearly 14 years since she last appeared at the French film festival, but her recent appearance shows she never really left the scene, she just chose when to re-enter it.
At the premiere of Ari Aster’s Eddington during the 78th Cannes Film Festival, Jolie arrived in a strapless white and silver gown designed by Brunello Cucinelli, a label she often turns to for its classy, minimalist elegance. The look was elevated with diamond accessories from Chopard, adding just enough sparkle without overwhelming her understated style.
Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
The nude-toned dress was detailed with subtle embroidery and featured a structured A-line silhouette. Its fitted bustier, square neckline, and flowing hem were all about clean lines and classic femininity: nothing flashy, just well-crafted. Her choice of accessories followed the same theme: a pear-shaped diamond pendant, teardrop earrings, and a striking ring.
Her hair was styled in soft waves, parted to the side, and her makeup was balanced with wine-toned nails, muted smoky eyes, a soft pink lip, and feathered brows that framed her face.
The actress makes a graceful return to Cannes after 14 years awayGetty Images
Jolie took on the role of Trophée Chopard godmother this year, an honour that involves presenting an award to two emerging talents in cinema: Marie Colomb and Finn Bennett. The award celebrates the future of film, and Jolie’s presence felt fitting. Over the years, stars like Julia Roberts, Cate Blanchett, and Charlize Theron have taken on this role, and Jolie now joins that distinguished list.
For the Trophée Chopard dinner, Jolie wore a simple one-sleeved gown with a slit, paired with ankle-strap heels and silver earrings. She kept her makeup light and her hair down, opting for ease over excess.
Angelina Jolie interacting with fans Getty Images
Though she’s been away from the Cannes red carpet, Jolie hasn’t been out of sight. Her recent film Maria, based on opera legend Maria Callas, kept her on the awards circuit earlier this year. She also made headlines as a producer of the Broadway musical The Outsiders, which went on to win big at the 2024 Tony Awards.
Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.
The buzz around King, Shah Rukh Khan’s upcoming action-thriller, just got bigger. Rani Mukerji is officially part of the film, stepping in for a role that’s brief but deeply important. Shooting begins on 20 May in Mumbai, with an international schedule to follow.
King is being helmed by Siddharth Anand, the director behind Pathaan and War. This film will not only mark SRK’s return to a high-action role, where he plays an assassin, but also introduces his daughter, Suhana Khan, to the big screen. The cast includes Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Jaideep Ahlawat, and Abhay Verma, making it one of the biggest star-studded projects in recent memory.
The iconic duo returns to the screen after more than a decadeGetty Images
Rani Mukerji joins the cast in a special cameo as Suhana Khan’s mother. While she’s expected to shoot for just five days, her role is far from minor. Insiders say her character is central to the story’s emotional arc and serves as a turning point in the larger action narrative.
This is also Rani and Shah Rukh’s reunion after more than a decade. The two have a long list of hits together, from the iconic Kuch Kuch Hota Hai to Kabhi Khushi Kabhie Gham, and their on-screen chemistry is considered the gold standard. Their scenes in King are expected to tap into that nostalgia while adding a fresh layer to the story.
Sources say it didn’t take long for Rani to say yes. The part, though short, left a strong impression on her. “She heard the story and agreed instantly. It’s a powerful role that holds the emotional thread of the film,” one source shared.
Rani Mukerji will join Shah Rukh Khan for the much-awaited KingGetty Images
Interestingly, earlier buzz suggested that Deepika Padukone might play Suhana’s mother in the film, but the final decision went to Rani. This change seems to have added an extra edge to the film’s casting.
Currently in pre-production, King is aiming for a release sometime between October and December 2026. With a cast this strong and a fresh mix of family, action, and suspense, the film is shaping up to be a major event not just for Shah Rukh fans, but for Bollywood itself.