The Indian Open has been postponed due to the coronavirus threat, the European Tour and Asian Tour announced on Wednesday.
The event had been due to take place on March 19-22 at DLF Golf and Country Club in Gurugram, New Delhi.
Organisers said they were looking into the possibility of rescheduling the tournament later in the year.
The move follows the previous cancellations of the China Open, Maybank Championship and Kenya Open.
The next regular European Tour event, the Andalucia Masters, is due to start on April 30.
Keith Pelley, chief executive of the European Tour, said: "In these difficult global circumstances, we fully understand and appreciate the recent restrictions introduced in respect of travel into India.
"As these new measures now prevent many members of both Tours being able to play in the tournament. Everyone involved in the staging of the Hero Indian Open felt it was the correct decision to postpone the tournament."
Cho Minn Thant, Asian Tour commissioner and CEO, said: "We will continue to take advice from the World Health Organisation (WHO) and local health authorities while monitoring the situation in relation to the possibility of rescheduling the event later in the year."
A FAMOUS photograph taken by Cecil Beaton of an Indian princess features in an exhibition of his work, Fashionable World, at the National Portrait Gallery.
Beaten made his name by taking pictures of the English upper classes and also Hollywood stars, but some of his most striking – and evocative – images are of Indian royalty.
One taken in 1935 was of Sita Devi, Princess Karmajit of Kapurthala, who was also known as Princess Karam and eulogised as “the Pearl of India”.
She was the muse of several photographers, including Beaton, and considered “one of the most beautiful women in the world”. Born into the Hindu Rajput royal family of Kashipur in 1915, she embarked on a remarkable journey at the age of 13 when she married Prince Karamjit Singh, the younger son of Maharajah Jagatjit Singh I of Kapurthala in Punjab. She died in 2002.
According to one report, “her frequent visits to Paris saw her rubbing shoulders with the crème de la crème of European society, enchanting the Parisian elite with her exquisite blend of traditional Indian elegance and European haute couture. Her sartorial choices were a seamless fusion of her royal Indian heritage and the avant-garde fashion of Paris, making her a muse for esteemed designers like Mainbocher and Madame Grès. She effortlessly carried saris with the same grace as she did the luxurious gowns and fur coats designed by these fashion legends, often accessorised with jewels from Cartier and Boucheron.
“At the age of 19, Vogue hailed her as a ‘secular goddess’, a title that reflected her transcendent appeal and impeccable fashion sense. Her influence extended beyond borders, captivating the imagination of the Italian designer Elsa Schiaparelli, who was so inspired by the princess’s saris that she dedicated her 1935 collection to them. This collection was a homage to the traditional Indian garment, reimagined through the lens of European haute couture. Schiaparelli’s designs captured the fluidity and grace of the sari, while infusing it with the avantgarde spirit of the time, thus bridging two distinct cultural aesthetics. The princess’s impact on the fashion world was profound, as she brought the elegance of Indian attire to the forefront of the Parisian fashion scene, influencing styles and trends across continents.”
Gayatri Devi, Maharani of Jaipur at Rambagh Palace
Fashionable World will be the first exhibition to exclusively explore Beaton’s pioneering contributions to fashion photography. “From Hollywood stars and titans of art, to high society and royalty, the exhibition will feature portraits of some of the twentieth century’s most iconic figures, including Marilyn Monroe, Audrey Hepburn, Elizabeth Taylor and Marlon Brando; Queen Elizabeth II and Princess Margaret; as well as Lucian Freud, Francis Bacon and Salvador Dalí,” the NPG has announced.
The exhibition is curated by photographic historian and contributing editor to Vogue, Robin Muir.
In 2020, he curated another Beaton exhibition, Bright Young Things, at the NPG but this had to be closed because of the pandemic. That, too, had a photograph of Princess Karamjit.
The caption to her photograph then read: “A fixture on the social scene in the pre-war years, the Princess was in demand, frequently for jewellery stories, not least because her husband commissioned extravagant pieces from Cartier and Van Cleef and Arpels. Cecil photographed her in diamond bracelet by Cartier, emblazoned with an emerald, which he recalled, was ‘the size of a small fruit’. The princess’s credentials as a style leader were cemented when (Italian fashion designer) Elsa Schiaparelli based a collection on her colourful saris.”
She also merited a whole page in the 2020 catalogue which explained: “Beaton had been transfixed by one Indian in particular, the beautiful Sita Devi, Princess Karam of Kapurthala.
“Her mondaine chic inspired Ira Gershwin’s lyrics to Maharanee(A Night at the Races in Paris), a number from the Broadway revue, The Ziegfield Follies of 1936.”
The lyrics went: Even if you were just half as sweet, /It would still be like heaven to meet/Such a gay Maharanee/Paris is at your feet!
Fashionable World, which will open next month, will display around 250 items, including photographs, letters, sketches and costumes.
Muir commented: “Cecil Beaton needs little introduction as a photographer, fashion illustrator, triple Oscar-winning costume designer, social caricaturist, elegant writer of essays and occasionally waspish diaries, stylist, decorator, dandy and party goer. Beaton’s impact spans the worlds of fashion, photography and design. Unquestionably one of the leading visionary forces of the British twentieth century, he also made a lasting contribution to the artistic lives of New York, Paris and Hollywood.”
Victoria Siddall, director of the NPG, pointed out: “The National Portrait Gallery has a long and distinguished history with Cecil Beaton. His work was the subject of the NPG’s first dedicated photography exhibition in 1968, made in collaboration with Beaton himself, as well as being the first solo survey accorded any living photographer in any national museum in Britain. We are honoured to be working with Vogue’s Robin Muir, whose exhaustive research, vision and flair will guide us through Beaton’s innovative and storied influences on the fashion world.”
Actress Elizabeth Taylor, 1955
The exhibition catalogue will explain why “Cecil Beaton (1904–1980) was an extraordinary force in the 20th century British and American creative scenes. Renowned as a fashion illustrator, Oscarwinning costume designer, social caricaturist, essayist, and decorated writer, Beaton’s impact spans the worlds of fashion, photography, and design.”
The NPG added, “Known as ‘The King of Vogue’, he elevated fashion and portrait photography into an art form. His eradefining photographs captured beauty, glamour, and star power in the interwar and early post-war eras.
“Through several interwoven themes, the world of Cecil Beaton will be examined in detail. The exhibition will follow Beaton’s career from its inception, as a child of the Edwardian era experimenting with his first camera on his earliest subjects, his two sisters and mother (c. 1910), his years of invention and creativity as a student at Cambridge University, to his first images of the high society patrons who put him on the map. Including Stephen Tennant and the Sitwell siblings.
“The exhibition will journey through the London of the 1920s and 1930s, the era of the Bright Young Things and Beaton’s first commissions for his greatest patron, Vogue, to his travels to New York and Paris in the Jazz Age. Drawn to its glamour and star wattage, Beaton photographed the legends of Hollywood in its Golden Age. Cecil Beaton’s first royal photographs appeared in the late 1930s. As the Second World War loomed, he defined the notion of the monarchy for a modern age. Appointed an official war photographer by the Ministry of Information, his wartime service took him around the globe.
Beaton at the opening of his painting exhibition in London, 1966
“The war’s end ushered in a new era of elegance and Beaton captured the high fashion brilliance of the 1950s in vivid, glorious colour. The exhibition will end with what many consider his greatest triumph and by which he is likely best known: the costumes and sets for the musical My Fair Lady, on stage and later on screen.
“Almost entirely self-taught, Beaton established a singular photographic style; a marriage of Edwardian stage portraiture, emerging European surrealism and the modernist approach of the great American photographers of the era, all filtered through a determinedly English sensibility.”
In India he also photographed Gayatri Devi, the Maharani of Jaipur; the Maharani of Pratapgarh, Chimnabai II; and Maharani Kusum Kunwarba of Chhota Udepur in Gujarat.
Photographing Indian royals helped Beaton obscure his own middle-class origins, which greatly embarrassed the photographer. In 1923, he admitted: “I don’t want people to know me as I really am, but as I am trying and pretending to be.”
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The deal makes Microsoft’s pledges legally binding for at least 7 years
The European Commission accepted Microsoft’s commitments to unbundle Teams from Office 365 and Microsoft 365.
The deal makes Microsoft’s pledges legally binding for at least seven years, avoiding a heavy antitrust fine.
Changes include reduced-price Office suites without Teams, easier switching for long-term customers, and improved interoperability.
The case followed a 2023 complaint by Slack, now owned by Salesforce.
Critics say Microsoft’s bundling harmed competition and denied customers choice.
The European Union has accepted binding commitments from Microsoft to unbundle its Teams communication platform from its Office software suites, sparing the company a potentially heavy antitrust fine. The move follows a lengthy investigation triggered by a complaint from rival service Slack.
EU decision
On Friday, the European Commission confirmed that Microsoft’s commitments would become legally binding under EU competition rules for a period of at least seven years. Regulators had accused the company of “abusive” tying practices by packaging Teams with Office products, a move that they said prevented rivals from competing fairly.
“With today’s decision, we make binding for seven years or more Microsoft’s commitments to put an end to its tying practices,” said Teresa Ribera, the Commission’s executive vice-president for clean, just and competitive transition.
Microsoft’s commitments
The commitments, first announced in May, require Microsoft to:
Offer Office 365 and Microsoft 365 suites without Teams at a reduced price.
Allow long-term licence holders to switch to versions without Teams.
Ensure better interoperability between Teams rivals and Microsoft products.
Facilitate the transfer of data from Teams to competing services.
Following a market test of its initial pledges, Microsoft also agreed to widen the price gap between bundles with and without Teams by 50% and to display alternatives without Teams more clearly on its websites.
“We appreciate the dialogue with the Commission that led to this agreement, and we turn now to implementing these new obligations promptly and fully,” said Nanna-Louise Linde, Microsoft’s vice-president of European government affairs.
Slack’s complaint and industry reaction
The case originated from a July 2023 complaint by Slack, which was acquired by Salesforce in 2021 for $27.7 billion. Salesforce executives argued that Microsoft’s bundling had distorted the market.
Sabastian Niles, Salesforce’s chief legal officer, welcomed the EU’s announcement, saying the ruling confirmed that Microsoft’s practices “harmed businesses, denied customers fair choice, and resulted in many years of lost competition.”
“This settlement is a meaningful step forward, and we applaud the Commission’s efforts to hold Microsoft accountable,” he added.
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Charli XCX stuns in sheer Danielle Frankel dress at second wedding to George Daniel in Sicily
Charli XCX and George Daniel celebrated their second wedding in Scopello, Sicily.
The pop star wore a sheer custom Danielle Frankel gown with pearls and chiffon layers.
Guests included Troye Sivan, Amelia Dimoldenberg and The 1975’s Matty Healy.
The couple first tied the knot in Hackney, London, in July.
Charli XCX embraced modern bridal fashion once again as she married George Daniel for the second time, this time in Sicily. The Brat singer chose a sheer Danielle Frankel gown for the romantic seaside ceremony, making her ‘Charli XCX wedding dress’ one of the most talked-about celebrity bridal looks of the year. The wedding followed their first civil ceremony in London earlier this summer.
Charli XCX stuns in sheer Danielle Frankel dress at second wedding to George Daniel in Sicily Instagram/billboarditalia
What did Charli XCX wear for her Sicilian wedding?
The singer’s gown was a custom ivory silk chiffon slip by New York designer Danielle Frankel. Bias-cut with delicate spaghetti straps, it featured a contouring internal bustier visible beneath a transparent overlay. Ribbons of chiffon draped across the bodice and back, while the elongated train was embroidered with organza petals and baroque pearls. She paired the look with white silk stiletto Kennedy pumps from the same label and minimal jewellery, letting the gown’s ethereal detail shine.
The look was completed with a simple bouquet of eucalyptus, baby blue and gypsophila. George Daniel matched the understated elegance in a light suit without a tie, paired with black Oxford shoes.
Who attended Charli XCX and George Daniel’s second wedding?
The guest list was starry and happening. Among those spotted were Troye Sivan, presenter Amelia Dimoldenberg, influencer Devon Lee Carlson, and avant-pop artist Shygirl. The 1975’s frontman Matty Healy, a close friend of Daniel, also attended alongside fiancée Gabbriette Bechtel.
The intimate ceremony took place in the small coastal village of Scopello, particularly known for its dramatic cliffs and historic buildings, providing a perfect backdrop to the celebration.
How does this dress compare to her first wedding look?
In July, Charli married Daniel at Hackney Town Hall in London wearing Vivienne Westwood’s Nova Cora mini dress. That outfit, with its sweetheart neckline and corseted bodice, channelled classic bridal chic. She accessorised it with a short veil and Jimmy Choo heels for a simple yet classy nod to tradition.
The Sicilian gown, by contrast, leaned fully into contemporary bridal design, focussing on transparency, layering and statement embellishment. Fashion insiders called it another defining moment for Danielle Frankel, who has quickly become a favourite for high-profile brides.
Charli XCX and George Daniel\u2019s wedding photos spark a new alt-pop moodboard Instagram/charli_xcx
Why is the Charli XCX wedding dress making headlines?
The unique mix of celebrity influence, designer prestige and bold styling has made Charli XCX’s dress a key talking point. Bridal fashion searches around “Charli XCX wedding dress” and “Danielle Frankel sheer gown” surged following the ceremony. Frankel, who founded her label in 2017 and was the first bridal designer included in the CFDA Fashion Fund, has been celebrated for merging structure with fluidity.
Charli XCX carried a bouquet of eucalyptus and gypsophila while George Daniel opted for a light suitInstagram/glowupmag
Her designs have been worn by stars such as Julia Garner and Lucy Williams, and Charli’s choice further heightens her status as a tastemaker and popular choice among modern brides.
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Starmer talks with Mandelson during a welcome reception at the ambassador's residence on February 26, 2025 in Washington, DC.
PRIME MINISTER Keir Starmer is facing questions within the Labour party after the sacking of US ambassador Peter Mandelson.
Mandelson was removed last week after Bloomberg published emails showing messages of support he sent following Jeffrey Epstein’s conviction for sex offences. The dismissal comes just ahead of US president Donald Trump’s state visit.
Labour MPs have expressed frustration with the prime minister’s leadership. Labour backbencher Richard Burgon told BBC Radio 4’s Today programme that Starmer would be “gone” if May’s elections in Scotland, Wales and England go badly. “If May’s elections go as people predict and the opinion polls predict, then I think Starmer will be gone at that time,” he said.
Helen Hayes told BBC Radio 4’s Westminster Hour that if the dismissal affected Labour’s performance in the May 2026 local elections, questions about Starmer’s leadership would follow. She said she felt “devastated” about Mandelson but argued he should not have been appointed.
Baroness Smith defended Starmer, telling BBC Breakfast that Burgon had never supported him. She admitted Mandelson’s sacking was “not what we would have wanted” before Trump’s visit but said the prime minister was doing a good job.
Meanwhile, Conservative MP Alex Burghart demanded the release of documents related to Mandelson’s appointment, calling Starmer’s judgement “appalling.” He said the PM ignored warnings about Mandelson’s links to Epstein. Downing Street has said Starmer only learned of the emails on Wednesday and acted immediately.
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Emmy Awards 2025 winners list as Stephen Graham, Seth Rogen and Owen Cooper shine
Netflix’s Adolescence dominates with six wins including best limited series
Owen Cooper makes history as youngest male Emmy winner at 15
Seth Rogen’s The Studio sets comedy record with 13 trophies
Stephen Colbert gets standing ovation as cancelled Late Show wins talk series
Netflix drama Adolescence and Apple TV+ satire The Studio led the 2025 Emmy Awards winners list, with British star Stephen Graham, Seth Rogen and teenage newcomer Owen Cooper among the biggest names of the night. The ceremony at Los Angeles’ Peacock Theatre also saw The Pitt and Severance secure major prizes, while Stephen Colbert returned to thunderous applause despite his late-night show’s cancellation.
Emmy Awards 2025 winners list as Stephen Graham, Seth Rogen and Owen Cooper shine Getty Images
Who were the biggest winners at the Emmy Awards 2025?
Adolescence, Netflix’s breakout drama, claimed six trophies including best limited series, directing and writing. Stephen Graham took home two awards, best actor in a limited series and writing honours, securing his place as one of Britain’s most respected talents. His co-star Erin Doherty won best supporting actress, while 15-year-old Owen Cooper made history as the youngest male acting winner for his supporting role.
Seth Rogen’s The Studio dominated comedy, becoming the most awarded in Emmy history with 13 trophies. Rogen himself won best comedy actor, plus directing and writing, a rare hat-trick for one night.
Owen Cooper was the night’s breakout, calling it “just so surreal” in his emotional speech after winning at just 15. Noah Wyle earned his first Emmy after decades in television, winning best actor in a drama for The Pitt. His co-star Katherine LaNasa delivered another surprise by clinching supporting actress in drama.
In Severance, Britt Lower’s best drama actress win and Tramell Tillman’s supporting actor triumph became historic firsts for both, with Tillman becoming the first Black man to win in his category.
Jean Smart extended her dominance in comedy, winning best actress for Hacks for the fourth time, while her co-star Hannah Einbinder celebrated her first Emmy as supporting actress.
The cancellation of The Late Show earlier this year did not stop Stephen Colbert from having one of the night’s most powerful moments. His show won best talk series, receiving a standing ovation as the audience chanted his name. Colbert’s wry stage joke: “Is anyone hiring?” perfectly captured the tone of his farewell.