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India has every reason to be proud: Shahana Goswami on Santosh’s Oscar entry

In Santosh, UK’s entry in Oscar 2025, Goswami plays the role of a cop

Santosh-shortlisted-for-Oscar-2025
A still from Santosh
A still from Santosh

Director Sandhya Suri’s Santosh, a movie set in rural north India, has been shortlisted for Oscar 2025 in the International Feature Film category from the UK. Shahana Goswami, who plays the role of a widow who inherits the job of her husband as a cop in the film, says, “I feel really happy, proud, and encouraged by this selection. It’s a moment of celebration for (director) Sandhya Suri (and) for all of us.”

The movie is an international co-production of the UK, India, France and Germany. Though Santosh is the UK’s official entry to the Oscars, Goswami feels India deserves to be proud of it regardless.


"I don't believe in the segregation of this is mine and that is yours. There is a huge Indian team involved. India has every reason to be proud of it as well. I don't think it is a country-specific thing. It's more thematic. It's about storytelling and diversity. It doesn't matter where the film comes from, the story is still rooted in India," Shahana says.

In the next step, Santosh will compete against 14 other films to get nominated for the 97th Oscars. Goswami, 38, is optimistic about winning and says, “I will be very happy if it plays out that way, and if it doesn’t, then it’s okay. But I do have a gut feeling about the film going through the nominations.”

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5 mythological picks now streaming in the UK — must-watch

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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