Skip to content
Search

Latest Stories

I enjoy being clicked, says TV actress Smiriti Kalra

A big hue and cry has been made about selfie culture in India. While some call it narcissistic, others claim that it has become quite an obsession amongst the youth. However, as she observes No Selfie Day today, actor Smiriti Kalra disagrees with this.

“I enjoy being clicked. My objective of clicking selfies is saving on typing because a picture says a thousand words. I use it in my WhatsApp conversations with my friends. Rather than writing, ‘I am not feeling very bright’, I click a selfie making a sad face or puppy face and send. Another example is when I am very happy, I click a happy face with a thumbs up sign and send,” she says.


The actor adds, “In the story of Cinderella, Cinderella's evil stepmother used to ask the mirror, ‘Mirror mirror on the wall, who's the fairest of them all’. And then the mirror used to reply, ‘You’. That is also a selfie, as you're seeing yourself. The tradition of selfies has been going on since those days.”

Smiriti says that it is not a big deal if someone enjoys clicking themselves, and it should not be made into one. “If someone enjoys clicking selfies, so be it. The purpose of a camera is to capture moments. It's just that now the camera is a frontal camera and here the subject happens to be you, so be it. But yes, everything which we do has to be done with precaution. While clicking a selfie, just be a little aware and careful of your surroundings and be alert. This is important so that you don't land yourself in trouble. There are reports of people trying to click selfies on a mountain cliff and they fall off. It’s important to be present both physically and mentally while being clicked,” she says.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less