Ramayana is surely one of the most talked-about films from the day it has been announced. The movie, which is said to be mounted on a budget of Rs 500 crore, will be directed by Nitesh Tiwari. There have been several reports about the casting of the film.
Earlier, there were reports that Hrithik Roshan and Deepika Padukone are approached to play the role of Ram and Sita respectively. Then a few weeks ago, it was said that Shraddha Kapoor will be seen as Sita and Prabhas will portray the role of Raavan. Well, Shraddha cleared that he has not been offered the film, and now, Hrithik has denied the reports of Ramayana being offered to him.
The actor told a daily, “All these reports are not true at all. I have not been offered any such film.”
Shraddha had earlier stated, “Contrary to the rumours, I’ve not been approached for either of the films (Ramayana and Luv Ranjan’s next). However, I have just worked with Nitesh sir in Chhichhore and he has been a dream to work with so I would love to work with him again.”
While talking about the casting of the film, Tiwari had earlier said, “I have not yet started thinking about the cast yet. First, we are trying to get it right on paper, with our execution, and with our thought process.”
Meanwhile, Hrithik is currently riding high with the success of War. The movie, which also stars Tiger Shroff, has collected Rs 128.85 crore in four days. This year, Hrithik starred in two films, Super 30 and War, and both the films have turned out to be a super hit at the box office. While there were reports that the actor will next be seen in Satte Pe Satta remake, Hrithik confirmed that he will be soon starting the work on Krrish 4 along with his father.
Two leading AI tools shaping digital art, Seedream 4.0 and Google’s Gemini Nano Banana
Seedream 4.0 generates high-resolution imaginative visuals in multiple styles
Nano Banana transforms selfies into retro Bollywood-inspired portraits
Viral on Instagram, TikTok, and X, with global audiences engaging
Experts highlight data privacy, authenticity, and ethical concerns
AI-powered creativity is sweeping social media, with Seedream 4.0 and Nano Banana AI capturing the imagination of users worldwide. Seedream 4.0 is designed for digital artists and hobbyists who want to create detailed, high-quality visuals in a wide range of styles, from realistic landscapes to abstract scenes. Nano Banana, on the other hand, allows users to turn selfies into 1990s Bollywood-inspired portraits, often featuring traditional South Asian attire and nostalgic retro backdrops.
A global viral phenomenon
Both tools have seen rapid adoption in 2025. Seedream 4.0 attracts those seeking versatile, high-resolution creative outputs. Nano Banana has gone viral for its playful, culturally resonant edits. Social media platforms like Instagram, TikTok, and X are flooded with creations from influencers, celebrities, and everyday users, showing the broad appeal of AI-driven art.
Why creativity matters
Seedream 4.0 highlights the technical potential of AI, giving users precise control over the artistic process. Nano Banana blends nostalgia with identity play, offering a visually striking way to connect with cultural heritage. Together, the platforms illustrate how AI can be both a tool for experimentation and a medium for cultural expression.
Data privacy and safety concerns
Experts warn that uploading personal images or creative files to AI platforms carries privacy risks. Questions around image storage, consent, and potential misuse are increasingly important for younger audiences and online communities. Governments and digital safety advocates in India, the UK, and beyond have emphasised caution.
Beyond the trends
Seedream 4.0 and Nano Banana each cater to different creative goals but highlight the expanding ecosystem of AI art. Users are exploring everything from high-resolution imaginative scenes to retro Bollywood portraits, showing that AI-driven experimentation is not only here to stay but also shaping global digital culture.
As these trends grow, they are influencing both digital aesthetics and social media engagement while fostering creative expression across cultures in 2025.
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The live-action Street Fighter film will release in October 2026 via Paramount Pictures
Indian star Vidyut Jammwal plays Dhalsim in the multicultural ensemble cast
The film is directed by Kitao Sakurai and shot for IMAX
Set in 1993, the story follows Ryu and Ken returning for a high-stakes World Warrior Tournament
The upcoming Street Fighter movie is gearing up for a worldwide release in October 2026 under Paramount Pictures, and the buzz around Vidyut Jammwal in Street Fighter is already hyping fans. Bringing together a diverse international line-up, this live-action adaptation aims to reintroduce the beloved gaming saga to a new generation while tapping into the nostalgia of its 1990s arcade roots.
Street Fighter is now in production Instagram/streetfightermovie
What is Vidyut Jammwal’s role in Street Fighter?
Indian action star Vidyut Jammwal joins the cast as the mystical fighter Dhalsim, marking his first major Hollywood studio film. Known for his intense martial arts skills and dynamic screen presence, Jammwal’s casting adds South Asian representation to the franchise.
Dhalsim is famed among gamers for his yoga-inspired combat style, teleportation abilities and fiery attacks, making him a challenging yet memorable character. Seeing Jammwal bring these distinctive moves to life on the big screen could offer audiences a fresh take on the classic fighter.
Vidyut Jammwal prepares to unleash Dhalsim’s iconic fire attacks in the new Street Fighter movie Getty Images
When will the Street Fighter movie release?
The film is scheduled to hit cinemas in October 2026 and will be distributed globally through Paramount Pictures under a new partnership with Legendary Entertainment. The production is currently underway and is being filmed for the IMAX format to amplify its large-scale, action-heavy sequences.
This release is also the first title to launch under Legendary’s new global distribution deal, signalling high expectations from both studios. The date positions it for a lucrative autumn slot, often seen as a prime window for blockbuster releases.
Who else stars alongside Vidyut Jammwal in Street Fighter?
The ensemble features a multicultural mix of stars. Andrew Koji portrays Ryu, while Noah Centineo plays Ken Masters. Callina Liang takes on Chun-Li, with Joe Anoa’i (Roman Reigns) as Akuma, David Dastmalchian as M. Bison and Cody Rhodes as Guile. They are joined by Andrew Schulz, Eric André, Curtis Jackson (50 Cent) and Jason Momoa among others.
Set in 1993, the story reunites estranged fighters Ryu and Ken when Chun-Li recruits them for the next World Warrior Tournament, a brutal, globe-spanning contest. However, beneath the spectacle lurks a deadly conspiracy that forces them to confront both each other and their troubled pasts.
Directed by Kitao Sakurai, the film promises to capture the spirit of the original game while building an emotionally driven narrative for today’s viewers. With Hadoukens, roundhouses and dramatic face-offs, it aims to bring the nostalgic fan service with cinematic spectacle.
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This Girl Can calls out erasure of south Asian Muslim women from UK sport
New ‘We Like the Way You Move’ campaign launched by Sport England initiative This Girl Can.
Focus on improving representation of South Asian Muslim women in sport and physical activity.
Research highlights stark under-representation of women of colour in public sports imagery.
Campaign calls on providers to create inclusive, women-only and culturally sensitive spaces.
This Girl Can has unveiled a powerful new campaign spotlighting South Asian Muslim women in sport, aiming to redefine what being active looks like and tackle deep-rooted barriers. The We Like the Way You Move drive, launched by Sport England, uses strong visuals with community-driven storytelling to encourage participation and promote inclusivity. It comes alongside new data exposing how women of colour remain overlooked in public representations of physical activity.
This Girl Can calls out erasure of south Asian Muslim women from UK sport www.easterneye.biz
Why does the new This Girl Can campaign matter?
The We Like the Way You Move campaign seeks to correct years of invisibility for South Asian Muslim women in British sport and physical activity. While they make up 6.8% of the population, a study analysing over 4,000 publicly available images from gyms, parks, swimming pools and sports clubs found only 61 featured South Asian women.
Almost half of those rare images came from London facilities, with many other regions showing none at all. This lack of representation, campaign organisers say, contributes to feelings of exclusion and reinforces barriers to participation for women who already face cultural and logistical challenges.
What barriers do South Asian Muslim women face in sport?
Findings from Sport England reveal that cultural and structural obstacles discourage South Asian Muslim women from getting active. Forty-seven per cent of respondents said they would feel more comfortable attending women-only sessions, while 31% cited the need for greater flexibility around clothing and dress codes, and 25% called for staff who understand their specific needs.
These women also emphasised holistic health benefits, such as improved sleep, social connection and self-empowerment as major motivators. Campaign leads stress that inclusive, culturally sensitive environments are crucial to helping more women take their first steps towards sport and fitness.
Structural obstacles discourage South Asian Muslim women from getting active
Who is featured in the campaign?
Thirteen women from across England, street-cast for their authentic stories, appear in the We Like the Way You Move advert. Their activities show real life, from family bike rides and dancing in the kitchen to wheelchair rugby, pregnancy yoga, boxing and walking football.
Thirteen women from across England, street-cast for their authentic stories
One participant, Sara from Walsall, is a 32-year-old mother of three who wears a headscarf and is reclaiming movement for her mental health. “After struggling with my mental health, I realised I needed to look after myself as well as my family,” she said. “Movement has lifted me, whether that’s cycling with my kids or carving out time on my own, it boosts my energy and reminds me that health is wealth.”
Yashmin Harun, founder and chair of the Muslimah Sports Association, welcomed the campaign and highlighted the need for safe, supportive environments where Muslim women can be active without compromising their cultural or religious values.
Founder and chair of the Muslimah Sports Association Yashmin Harun
“South Asian Muslim women have long faced barriers to being active, from a lack of women-only spaces to limited flexibility with clothing,” she said. “When provided with the right environment, many women are motivated to overcome their barriers and get active. With This Girl Can’s campaign bringing to light what South Asian Muslim women need, it’s an exciting time to create spaces where we can move, belong, and thrive on our own terms.”
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Apple Intelligence adds features such as Live Translation and Image Playground
iPadOS 26 introduces Apple’s Liquid Glass design, the biggest aesthetic overhaul in a decade.
Windowing and multitasking bring MacBook-like usability to the iPad.
Productivity gains include a new Files app, Background Tasks and a Menu Bar.
Apple Intelligence adds features such as Live Translation and Image Playground.
Reviewers say the update makes the iPad more powerful, though with a learning curve.
Apple has released iPadOS 26, a free update for compatible tablets, and early reviews describe it as one of the most significant overhauls in the iPad’s history. With a striking new design language and laptop-style productivity tools, the software pushes the iPad closer than ever to being a true alternative to the MacBook.
Liquid Glass wins over critics
The most visible change is Apple’s new Liquid Glass aesthetic. First revealed at WWDC 2025, the design uses translucent layers and fluid animations to create the effect of glass surfaces shifting across the screen. Critics say it looks especially impressive on the iPad’s larger display, where the Control Centre, Lock Screen and Camera app now feel more modern and dynamic.
Reviewers note that performance has not been compromised, with the animations running smoothly even on mid-range iPad models. Many describe it as Apple’s boldest visual refresh since the move to flat design a decade ago.
Windowing and multitasking narrow the gap with Mac
The headline functional upgrade is windowing. Apps can now be opened in separate, resizable windows that can be moved and grouped on the screen. Combined with multitasking, this allows multiple apps to run side by side — making it easier to write, browse and use productivity tools simultaneously.
A new Menu Bar at the top of apps, complete with familiar File, Edit and View options, adds further Mac-like usability. The inclusion of the familiar red, yellow and green window buttons makes managing the screen more intuitive.
Analysts say these changes will appeal particularly to creative professionals and productivity users who have long wanted the iPad to behave more like a laptop.
Productivity and pro-level features
The redesigned Files app makes locating and organising content simpler, with list views, custom folders and drag-and-drop integration. Background Tasks mean large video or image files can continue processing while users move on to other apps, a feature aimed squarely at professionals.
Paired with Apple’s M-series chips, reviewers say iPads now rival many laptops in performance, while remaining lighter and more portable.
Apple Intelligence and other additions
iPadOS 26 also extends Apple’s suite of AI-powered tools. Live Translation works across FaceTime, Messages and Phone, while Image Playground allows users to generate custom visuals and emoji. New Shortcuts expand automation, while an updated Games app introduces an overlay for adjusting settings without leaving play.
Other changes include improved audio recording for professionals and expanded options in Apple Music, such as lyric translation. While some reviewers believe Apple is still behind rivals in AI, most agree the additions add useful creativity and communication options.
A learning curve for users
Not all feedback is uncritical. Reviewers highlight a learning curve in adjusting to gestures and swipes required for window management. Those accustomed to macOS may also find themselves trying to apply laptop shortcuts that do not carry over directly to iPadOS. For casual users who rely mainly on streaming and gaming, some of the professional tools may feel excessive.
Despite these challenges, the consensus is that iPadOS 26 represents the most significant step forward for Apple’s tablet in years. The combination of Liquid Glass design and MacBook-like multitasking makes the iPad more versatile than ever. For professionals, creatives and productivity-minded users, the update transforms the device into a true laptop competitor, while even casual users benefit from the refreshed design and expanded features.
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Piyush Goyal with Jonathan Reynolds at Chequers during the signing of the UK–India Free Trade Agreement in July
IN SIR KEIR STARMER’S cabinet reshuffle last week, triggered by the resignation of Angela Rayner, the prime minister shifted Jonathan Reynolds from business and trade secretary and president of the board of trade after barely a year in the post to chief whip, making him responsible for the party.
The move doesn’t make much sense. At Chequers, the UK-India Free Trade Agreement was signed by Reynolds, and the Indian commerce and industry minister, Piyush Goyal. They had clearly established a friendly working relationship.
Reynolds apparently bought Goyal an ice cream some weeks ago when they were walking in London’s Hyde Park and ironed out the last remaining problems.
Goyal will have to start all over again with Reynolds’s replacement, Peter Kyle.
At least, Lisa Nandy, who managed to sign a cultural agreement with India, remains culture secretary, despite persistent reports she was due for the sack. I have high hopes of Kanishka Narayan, who has been appointed parliamentary under-secretary in the Department for Science, Innovation and Technology. Crucially, chancellor Rachel Reeves has not been given another job.
But, in his heart of hearts, Starmer must know he cannot win the next general election if she remains his chancellor. Her vindictive VAT raid on private schools has ruined the lives of many children and forced school after school to close. And the rules on inheritance tax and non-doms have driven many Indian entrepreneurs to flee to Dubai. Starmer should be “pragmatic” – a word he likes – and reverse these policies for the good of the country.