INDIA’S congested cities are awarding new rail projects at a record rate, creating a boon for companies such as Siemens to Larsen & Toubro Ltd in a sector forecast to offer $5.8 billion worth of orders next year.
India currently has about 300 km (186 miles) of operational metro track laid across seven cities in a country with an urban population of 400 million, a network that is smaller than the size of London’s Tube network which serves a city of nearly nine million.
In a bid to boost public transport, Prime Minister Narendra Modi’s government last week said it would boost the budget to expand the Delhi metro by almost a third on the previous year, as well as provide more funding for other state authorities.
Analysts at Axis Capital estimate India will award construction of 650 kms of track worth 2 trillion rupees ($30 billion) over the next three to five years. Annual metro rail-related orders in India have totalled about 200 billion rupees in each of the last three years.
Even if some of those projects remain on paper, the potential for manufacturers and engineering firms like Germany’s Siemens, France’s Alstom SA and locals like BEML Ltd and Larsen & Toubro Ltd is too big to ignore.
“The way metro rail boomed in China is about to happen in India,” said Tilak Raj Seth, the head of Siemens India’s transport business, which is supplying signalling and electricification for projects in Delhi and Chennai.
Bombardier India’s unit, part of the Canadian group, has a backlog of 160 metro coaches and forecasts demand for another 3,000 by 2021.
Alstom India Ltd is on course to double the revenue earned from metro projects to $220 million this financial year and is targeting 1 billion euros a year by 2021, its managing director said.
“What India completed (in laid tracks) in the last 20 years, I would expect that we will complete that in the next 2-3 years,” managing director Bharat Salhotra told reporters.
He said Alstom would spend 25-30 million euros over the next few years to expand its Indian factories, after winning orders to supply carriages for the cities of Jaipur and Kochi.
India’s rush to build more metros is a late one: booming populations and rising car ownership have created traffic-choked cities, slowing movement of goods and people in the places where most of India’s future economic growth will be made.
China has built metro rail networks in about 25 cities spanning more than 2,000 kilometres, largely in the last two decades, while India has barely managed 300 kilometres, most of it in Delhi, in 13 years.
It’s a rate of construction India needs to quickly up as its urban areas are expected to become home to an additional 200 million people by 2030.
As well as the projects in 19 cities completed or approved, at least eight more cities including Patna and Agra, have drawn up plans - although experts caution at least some of the schemes will remain on paper.
Other cities have struggled. Mumbai, the second most densely populated city on earth, has managed to build just 11 kilometres of track in a decade, after problems acquiring land and contractual disputes. A new line in the southern tech hub of Bengaluru has missed a series of deadlines for completion.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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