Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
For those who missed out on securing a ticket to Glastonbury Festival 2025 during the initial sale, a limited resale will take place this week. This provides a final opportunity for fans to attend one of the UK's most iconic music festivals.
What is the Glastonbury resale?
The upcoming resale features a small number of tickets that were initially purchased but not paid for in full before the payment deadline. These now become available to the public once again in two separate phases.
According to the festival organisers, the quantity of tickets available in resale is a "very limited amount," although exact figures have not been disclosed.
Key resale dates
The ticket resale will take place on two separate days:
Thursday 25 April – Coach travel packages, which include festival entry, go on sale at 18:00 BST.
Sunday 27 April – General admission tickets will be released from 09:00 BST.
Sunday 27 April from 11:00 BST – Additional options, including accommodation choices, such as Worthy View, Sticklinch, and campervan passes, will become available.
These options provide festivalgoers with a chance to customise their stay, though availability is expected to be highly competitive.
Do you need to register?
Yes. In order to purchase any Glastonbury ticket, whether during the initial sale or the resale, all buyers must be registered with the festival. This is a long-standing requirement aimed at preventing ticket touting.
Those who have previously registered can use their existing registration number and postcode to book tickets.
Registration closed on Tuesday 23 April and will not reopen before the resale. New registrations are therefore no longer possible ahead of this ticket release.
Can you use the deposit scheme?
No. The deposit scheme for 2025 tickets is now closed, meaning anyone buying tickets in the resale must pay in full at the time of purchase. There is no option to secure a place with a deposit during this round.
How many tickets can you buy?
The number of tickets available per customer depends on the resale day:
For the coach travel ticket sale on Thursday, buyers can purchase up to two tickets per transaction.
For the general admission resale on Sunday, buyers can buy up to four tickets per transaction.
If you're planning to buy for a group, make sure to have all participants' registration details and postcodes ready. This ensures a smooth and efficient booking process.
Tips
Given the limited number of tickets available, competition is expected to be fierce. Here are a few helpful tips:
Be online and ready ahead of the announced time.
Ensure all your registration details are accurate and accessible.
Prepare payment information in advance to avoid delays during checkout.
The Glastonbury 2025 resale offers a final window for fans to attend what promises to be another memorable edition of the legendary festival. Good luck to those attempting to secure tickets.
At a time when more and more of us are feeling the overload of restlessness, stress, and anxiety – caused by work, family, and mass media – Rishab Sharma’s Sitar for Mental Health is just what is needed.
His show isn’t just a performance – independent of the audience – but an interactive movement that explores the intersection of sound, consciousness, and wellbeing. From the outset, the audience become part of the music and its hypnotic qualities.
To create this effect, Sharma draws upon the ancient raga system to tap into the therapeutic essence of Indian music, using tone, rhythm, and resonance to restore balance to the audience’s psyche.
In effect, the concert is – in parts - a trace-like meditation to the inner consciousness, a dialogue between the body and the soul. In other parts, it’s a raucous fusion of classic ragas and hits from popular culture – there’s even a quick nod to The Game of Thrones. It’s this modern fusion with just the right mix of spirituality and pop that makes the show an extraordinary blend that is soothing, serene, and tranquil.
Glimpses from Rishab Sharma's concert
The show opens with a short biographical film that highlights Sharma’s own battle with anxiety and depression, and the way the sitar has helped him to fight those mental demons. Sharma (a fourth generation of satarists) refers to his music guru, the late Ravi Shanker, his isolation during the lockdown, and the numerous international accolades he has received over the last few years (he’s still only 27).
After a light-hearted introduction, Sharma begins with a short pranayama (breathing exercise) to prepare the audience for the transcendental experience. The show is clearly a focus on mental health and wellbeing aspects which in recent years, have highlighted in social policies.
It’s no hyperbole to say that Sharma’s ragas unfold with astonishing grace and artistry. Though they are all beautifully composed, some of the pieces are particularly moving. For instance, Kailashon Ke Vaasiis a powerful work inspired by Lord Shiva’s cosmic abode. The slow-burning tune is spiritually rich, and as the other instruments joined in, the performance lifted into another realm. Every pluck and pause of the sitar is measured as if Sharma knows what the audience is feeling. With some members brimming with tears, the auditorium becomes a collective experience of shared memory. It’s as if the music and his strumming of the sitar is like a wormhole into our deep consciousness.
Other pieces seem more delicately composed – quiet and personal. Roslyn for instance, has a certain restraint, melancholy, and vulnerability. The silence between the notes speak as loudly as the notes themselves.
The sitar, with its shimmering overtones and elastic glides, becomes a tool for emotional release. The interplay between sitar and tabla creates a pulsating energy that gently realigns the listener’s attention inward, offering an experience that is simultaneously grounding and transcendent.
Glimpses from Rishab Sharma's concert
The finale ShivTaandav is, of course, a beautiful and emotional tribute to Sharma’s Hindu roots and the audience – all standing – felt a certain religious and cultural pride in seeing the passion with which this was delivered. Sheer poetry in motion.
In the end, Sharma’s performance leaves the listener not just musically enriched, but spiritually and emotionally renewed. This is entertainment and therapy at its finest – a rare and beautiful gift in our restless age of modernity and cacophony of life. If you are to see one classical performance this year, this is it.
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