Jammu & Kashmir is hosting the 3-day long G20 Tourism Working Group (TWG) meeting in Srinagar. It is the first big event to be organised in Kashmir after the Indian government revoked Article 370 in 2019. As the G20 summit gets underway and around 60 delegates and 20 journalists from different parts of the world reach Srinagar amid tight security, here are five must-watch Indian films shot extensively in Jammu & Kashmir.
1. Roja (1992)
Starring Arvind Swami and Madhoo in lead roles, Roja is considered one of the best films of veteran Indian filmmaker Mani Ratnam. The film is modelled on the widely popular tale of Savitri and Satyavan of the Hindu epic, Mahabharata. Madhoo plays a Tamil girl who goes all out to find the whereabouts of her husband who has been kidnapped by terrorists whose agenda is to separate Kashmir from India and free their leader, Wasim Khan, from judicial custody. The film performed extremely well at the ticket window and went on to receive three National Awards including the Nargis Dutt Award for Best Feature Film on National Integration. The soundtrack of the film was composed by AR Rahman and has been listed in Time magazine’s “10 Best Soundtracks” of all time.
2. Mission Kashmir (2002)
Set against the backdrop of the Kashmiri insurgency, director Vidhu Vinod Chopra’s Mission Kashmir features Hrithik Roshan, Preity Zinta, Sanjay Dutt, and Jackie Shroff in primary roles. The film revolves around Altaaf who loses his entire family as a young kid as a result of police firing. The very police chief responsible for the massacre adopts him. All hell breaks loose when the child finds out the details of the massacre and sets out to avenge the brutal killing of his family.
3. Haider (2014)
Set in 1995 Kashmir, Haider is a Vishal Bhardwaj directorial featuring an ensemble cast of Shahid Kapoor, Tabu, Shraddha Kapoor, Kay Kay Menon, and Irrfan Khan, among others. The film is an adaptation of William Shakespeare’s Hamlet and Basharat Peer’s Curfewed Night and revolves around Haider, a student, and a poet, who returns to Kashmir to find out the truth about his father’s disappearance. The film very beautifully portrayed various locations of Jammu & Kashmir.
4. Bajrangi Bhaijaan (2015)
It won’t be an exaggeration to say that Bollywood superstar Salman Khan delivered one of his career’s finest performances in Kabir Khan’s Bajrangi Bhaijaan. He plays a simpleton who leaves no stone unturned in reuniting a mute girl with her family in Pakistan after she gets lost while traveling back home with her mother. A major portion of the film was shot in Kashmir’s Sonmarg and Zoji La Pass.
5. Raazi (2018)
Directed by Meghna Gulzar, Raazi stars Alia Bhatt in the role of a young Indian spy who marries a Pakistani man during the Indo-Pakistan War of 1971. The film is shot in the Valley of Kashmir and was shot in Srinagar and Pahalgam, the most beautiful places in Jammu and Kashmir. Bhatt won the Filmfare Best Actress award for her riveting performance in the espionage thriller.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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