VIR DAS TALKS ABOUT COMEDY AND HIS EDGY NEW STAND-UP SHOW
by ASJAD NAZIR
ONE of the big breakout live international comedy stars of recent years has been Vir Das.
The talented actor is now widely hailed as the king of stand-up comedy in India and has the statistics to back that up.
Having performed in 32 cities across the world, including sold-out shows in North America, Australia and Europe, he is the highest grossing English language comedian to emerge out of India.
He has also delivered acclaimed Netflix specials and is looking forward to bringing his latest show Loved to UK next month, which attempts to explore what it truly takes to love in a world of friends, partners, parents, God, fellow man and iPhones.
Eastern Eye caught up with Vir Das ahead of his London show to discuss Loved, the meaning of love, comedy and why the UK is so special to him.
What connected you to comedy?
I was in a debate while in class four, and there was an interjection round. There was a class 12 senior who was my prefect in the class, and I went up to them and asked a stupid question that made the entire school laugh. It was at that moment that I realised the power of a microphone – he had authority over me until we were on stage and I had a microphone in my hand, and people were laughing. When that mic was in my hand and people were laughing, that was the most democratic set up in the world.
What was your first live gig like?
The first time I did stand-up was performing 90 minutes in front of my friends. It was a show called Brown Men Can’t Hump – don’t judge me for the title! It was a play on the movie White Men Can’t Jump, which was out around that time. It was so terrible! The show was just me telling inside jokes and stories about my friends. It kind of made me think I was good at it, and then I went to Chicago and began open micing and realised I didn’t have even 30 seconds of material. So, my first gig was pretty liberating to go up with a lot of time, but followed quickly by an extreme reality check.
You have had an amazing rise in recent years. Have you had a chance to enjoy the success and take it all in?
I don’t think of myself as successful yet. I don’t look behind and just look ahead. To me success is the amount of time that passes between you having an idea and being able to execute that idea. I’ve had 10 ideas in my head every single morning since I was 20 years old, and not enough people to listen to those ideas. So maybe once I have 10 people to listen to 10 ideas through the day, and think they’re good, then I’ll be successful. Right now, I’m just trying to get as good as I can at this art form. There is nothing more exciting and exhilarating than being at a lower rung of the ladder, knowing that there’s still so much space to go up.
How have you evolved as a stand-up comedian?
I don’t know! I mean, that’s something the audience usually tells you. I think if you get stuck thinking about that too much, you can start second-guessing yourself and writing with a goal in mind other than being funny. I’m just trying to be funny and hopefully, I’m getting funnier. I do feel more like myself on stage than ever before, which means if you like who I am, that’s good news. If not, I imagine that’s not great.
How much are you looking forward to your London show?
There’s nothing that I look forward to more than a UK show. You have the greatest crowds, you drink cider at the end of the gig and you can get a nice pie from the pub. I love that whole thing. The UK is often where I’m happiest in the world.
What can we expect from you this time around?
The show is about love, but strangely enough the most personal and edgy material I’ve written. It’s about love for your country, your government, your fellow man, your spouse, your pet, your family and really question if you’re good or bad at that love. I think it is a fair question for a comedian to ask themselves, and hopefully, you’ll leave the show asking some of those questions too.
Why did you title the show Loved?
Because I feel loved, but I don’t know if I’m particularly loving – that’s the journey of the show. Can someone who is loved assess how loving they are?
How much of the material is based on personal experiences?
Pretty much 100 per cent. It starts with personal experiences but builds to something broad everybody can relate to. You go from my view on the government to the government in general; from my view on my relationship to your relationship.
What do you really love in life?
My wife. My bulldog. His name is Doctor Watson. I love music too. These I genuinely love. I took the decision a few years ago that I wasn’t going to spend money on ‘things’ anymore, so I was going to spend it on my family, travel, music and experiences.
What don’t you love?
Censorship, silence and papaya! I don’t see any good reason for papaya to exist.
Are you always on the look-out for material in everyday life?
No. I’m juggling movies, a series and acting and comedy. My comedy brain tends to switch off a little when I’m working on an acting project. It’s a good vacation as I come back refreshed, even if it’s not intentional.
Who is the funniest person you know?
The funniest person I know is my bulldog Doctor Watson, even though he’s not a person. He’s caustic and dry, even more so than me. If I had to pick a human being, then I’d say the people I work with at my production company. I have a bunch of young people who are talented and work incredibly hard, and they’re filled with salt. I quite like how salty this new generation is.
Has being funny helped you in your life?
Absolutely not! It does not help you with your wife, the police or politicians. It definitely does not help you on social media. I’m not in the kitchen telling jokes to people and just doing the dishes.
What about with the ladies?
Put it this way, I’ve never laughed a woman into bed and thankfully, I’ve never laughed one out of bed.
You are fast becoming a comedy hero, but who is your comedy hero?
There are so many. George Carlin, Richard Pryor, Johnny Lever, Gene Wilder and Steve Carrell to name a few.
What is your master plan?
You’re really giving me a lot more credit than I deserve. There is no plan! I’m just jumping from piece to piece of the broken iceberg right now and I know that it’s a matter of time before the whole thing is flooded.
Today what inspires you?
Music really inspires me. I try and listen to one piece of new music each day. It inspires me and gives me ideas.
Why should we come see you live?
Because if you don’t, I will hunt you down! I have a very special set of skills and you will suffer. Also, I’m really funny, and the show’s about love and you should come and see it.
Vir Das: Loved is on at O2 Shepherd’s Bush Empire in London on December 4.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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