A female Islamic State supporter on Friday (21) pleaded guilty to terrorism charges, including a plot to bomb London's famous St Paul’s Cathedral landmark.
Safiyya Amira Shaikh, a 36-year-old Muslim convert who was born Michelle Ramsden, was arrested in October last year following an undercover operation by counter-terrorism officers during which she sought the supply of bombs from them.
At a hearing at the Old Bailey court in London on Thursday, she admitted to two terrorism offences and was remanded in custody to be sentenced at the same court on May 11.
“She made contact with a person she believed to be able to assist in preparing explosives; researched methods and decided on a plan to carry out a terrorist act," the Metropolitian police said.
Police said she travelled to central London and stayed at a hotel in order to conduct reconnaissance, selected the hotel as a target for an explosive device; attended St Paul’s Cathedral to scope it, for security and for the best place to plant a second explosive device.
“She met a person and supplied her with two bags, with the intention and belief that explosive devices would be fitted into the bags; prepared the words of a pledge of allegiance to Daesh, also known as Islamic State (ISIS),” police said.
Over the two months before her arrest in October 2019, Shaikh built up a relationship with two undercover officers who she believed were a husband-wife extremist team and exchanged messages through the encrypted social media app Telegram.
She shared an image of St Paul’s Cathedral with one of the two undercover officers and expressed a keenness to kill a lot of people in a place like that.
The west London based UK-born woman converted to Islam in 2007 after being impressed by the kindness of her Muslim neighbours but seemed to have turned towards more extremist violent ideology of ISIS by 2015.
Shaikh now faces life imprisonment after pleading guilty to one count of preparation of terrorist acts under the UK’s Terrorism Act 2006 between 19 August 2019 and 10 October 2019, with the intention of committing acts of terrorism and engaging in conduct in preparation for giving effect to that intention.
The second terror charge covers a count of dissemination of terrorist publications, by providing a service to others that enabled them to obtain, read, listen to or look at terrorist publications via ‘Telegram’.
Prosecutors in the case say her social media activity was intended as a direct or indirect encouragement or other inducement, or to constitute the provision of assistance, to the commission, preparation or instigation of acts of terrorism under the Terrorism Act.
“Every year thousands of reports from the public help police tackle the terrorist threat. If you see or hear something that doesn’t seem right, trust your instincts and ACT by reporting it to police,” the police said in a statement, in reference to its Action Counters Terrorism (ACT) campaign.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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