A FEW weeks before the release of the 2018 film Zero I went for dinner with a famous Bollywood actor friend, who was praising the trailer and saying it was a sure-fire blockbuster.
I disagreed and predicted it would be a huge disaster, even if the movie miraculously turned out to be a masterpiece, which it wasn’t.
That is because I knew Hindi audiences wouldn’t accept a hero they adore like Shah Rukh Khan playing a dwarf.
Apart from the odd exception, Bollywood audiences want their heroes to play larger-than-life figures, and Zero didn’t offer that, so became a big box-office failure. It did so badly, despite having a lucrative Christmas release date and state-of-the-art special effects, that Khan retreated from playing a lead role for just over four years. Many started predicting his career as a frontline hero was effectively over.
Although the failure of the film had initially hit Khan hard, it turned out to be a big blessing in disguise because it made him re-evaluate a glittering career that had been in a dramatic decline. After a series of self-indulgent misfires, that period of reflection was perhaps long overdue.
The superstar actor took a step back, to do something he hadn’t done for a long time, which was to see what was working with audiences and how to re-invent himself.
The biggest trend in Indian cinema has been the resurgence of the action genre, which has led to regional language movies overtaking Bollywood. Audiences are no long accepting ageing heroes in their fifties playing young romantic roles.
Shah Rukh Khan in Pathaan
Khan teamed up with Yash Raj Films (YRF), the banner he has had the most success with, for his comeback project Pathaan and Siddharth Anand, who had reinvented himself as a director with the successful action film War (2019). Pathaan was then connected to the YRF banner’s massively successful Tiger action film franchise, with its lead star Salman Khan brought in for a cameo to play the same title character.
Pathaan was also made part of a new spy universe, that has the two Tiger movies and War. Current Bollywood queen Deepika Padukone was roped in to play the leading lady and the story tapped into the patriotic fervour, that has swept across India in recent years.
Khan also reinvented himself with a new age-appropriate action persona and backed up the movie with a huge budget. Despite all this meticulous planning there was no guarantee of success because Bollywood has been going through the worst phase in its history. So, there was a lot of pressure in the lead up to Pathaan releasing globally. The film failing would have dealt a hammer blow to the actor and plunged him into an epic career crisis, along with doing catastrophic damage to Bollywood. But everything did fall into place and Pathaan has become a blockbuster success.
The action movie exceeding all expectations to clock up huge box office figures, has brought the former king of Bollywood back in from the wilderness.
After a decade of flops, the Pathaan success has potentially set up what could be the greatest year of the 57-year-old’s career. His next film Jawan, due in cinemas on June 2, is a unique action entertainer helmed by successful director Atlee and will present him to a Pan-Indian audience. Then he will round off the year with December release Dunki, which is written and directed by Rajkumar Hirani, who has a 100 per cent hit rate across the last 20 years, which has included multiple record-breakers. In between all that, he has a cameo in Salman Khan starrer Tiger 3, which is a third part of a hugely successful franchise.
These films will confirm that Khan is truly back and ready to reclaim his crown. It will also give much-needed hope to a Hindi movie industry that desperately needs it.
Debattama Saha
TOP TV STAR SAHA MAKES FILM DEBUT
ONE of the most interesting aspects of the February 17 Bollywood release Shehzada is the presence of Debattama Saha. The multi-talented TV star makes her movie debut with a supporting role in the remake of 2020 Telugu action-drama Ala Vaikunthapurramuloo. This first step could be the beginning of something special for the highly rated actress, and accomplished singer.
She enjoyed working in writer/director Rohit Dhawan’s movie headlined by Kartik Aaryan, Kriti Sanon and Paresh Rawal. She told me: “My experience shooting for Shehzada was one of a kind. It was a pleasure working with Rohit sir. He is an amazing director and so wise. Paresh (Rawal) sir is undoubtedly an outstanding actor, and was nothing but humble and warm towards me. With Kartik, he is very professional and punctual about his work and cool to work with too!”
Masaba Gupta (R) with Satyadeep Misra
MASABA MARRIES AGAIN
TOP fashion designer turned actress Masaba Gupta tied the knot with actor Satyadeep Misra at an intimate ceremony, attended by close family and friends. Interestingly, the happy couple met on the sets of her show Masaba Masaba and it is the second marriage for both of them. Gupta was previously married to producer Madhu Mantena and Misra to actress Aditi Rao-Hydari.
NEW BOLLY NEPO KIDS
INDIAN TV has amazing young talents with up to a decade of acting experience and huge fan bases, yet a struggling Bollywood industry regularly ignores them and carries on going down a disastrous nepotism path. The latest newcomers to benefit from family connections are Raveena Tandon’s daughter Rasha Tandon (right) and Ajay Devgn’s nephew Aaman Devgan. They will make their acting debut in an Abhishek Kapoor directed film later this year.
A scene from Joyland
JOYLAND MAKES BIG IMPRESSION
IT MAY not have got an Oscar nomination, but Joyland broke new ground by becoming the first Pakistani film to get onto the shortlist of the Best International Feature Film category and should be applauded. The powerful drama, along with smash hit film The Legend Of Maula Jatt, has launched an exciting new era for Pakistani cinema. UK audiences will get a chance to see Joyland when it is out in cinemas on February 24.
POLITE SOCIETY LOOKS LIKE A MOVIE HIT
ONE of this year’s most interesting movies isn’t from India, Pakistan, or Hollywood, but British action-comedy Polite Society. Award-winning writer/director Nida Manzoor has followed up her hit Channel 4 comedy series We Are Lady Parts with this unique film about a British-Asian woman trained in martial arts, who decides to pull off a wedding heist. She has assembled a talented cast that includes Ritu Arya, whose impressive credits include mega-budget Hollywood film Red Notice and popular drama series The Umbrella Academy. The movie, due to be released on April 28, is backed by powerful producers behind countless all-time classics, so looks like being a sure-fire winner.
Chand Ali Khan
RAPID RISE OF A BRITISH QAWWAL
WHETHER it is bhangra, Bollywood, ghazals or classical music, UK artists have regularly stepped up to sing sub-continental genres really well, but that hasn’t been the case with qawwali. Rising star Chand Ali Khan (above) is changing all that by spearheading a great qawwali group that regularly delivers explosive live performances around the UK.
The hard working artist is connecting Sufi classics to a younger generation and showing audiences that Britain can produce a great qawwali artist. Perhaps the greatest thing about him is that he will get even better and that makes him one to watch. Rahat Fateh Ali Khan also made him his first UK musical disciple. The group has concerts lined up in the coming months, including at the Beck Theatre in Hayes on February 18.
Instagram: @chandalikhanqawwal
Mindy Kaling
FIRST BIG MINDY MISTAKE
AFTER flying high in Hollywood with huge successes, Mindy Kaling has come crashing back down to earth with the biggest failure of her career so far. Velma, her six-part reimaging of iconic cartoon Scooby Doo, has been savaged by audiences and is now the lowest-rated animated series on IMDB. She produced and provided the voice for the title character, which she turned into a bisexual of South Asian heritage. Whilst some have appreciated the contemporary swagger she tried to bring to the series, most agreed that it just didn’t work and why there likely won’t be a second series.
MITRA SWAPS FAME FOR URUGUAY FARM
MOST people don’t realise that successful Hollywood actress Rhona Mitra is British Asian and likely aren’t aware of an incredibly life-changing decision she took. The 46-year-old, born in London to a Bengali Indian father and Irish mother, gave up her plush life in Los Angeles to go live alone on a 400-acre farm in a remote part of Uruguay. She raises animals, grows her own food, tackles the harsh terrain, and has never been happier. You can find out more about her fascinating story and see her stunning home in nature by watching a recent episode of Channel 5 show Ben Fogle: New Lives in the Wild, which is available on catch up. You can also follow her adventures on Instagram: @IamRhonaMitra
INDIA IS IN LOVE WITH CAMERON
AMERICAN director James Cameron is currently a firm favourite with Indians. His smash-hit sequel Avatar: The Way of Water has become the highest grossing Hollywood film of all-time in India and outperformed pretty much all the Bollywood releases of recent years. Cameron’s conversation at an awards ceremony, heaping praise on director SS Rajamouli for his film RRR was caught on camera and went viral on social media. He also intriguingly offered Rajamouli the chance to work in Hollywood, which has everyone excited.
The first look trailer of Alia Bhatt’s Hollywood film Heart Of Stone has received a positive response. The action thriller headlined by Gal Gadot will have a direct to Netflix release on August 11.
Forthcoming Bollywood film Afwaah will be released on February 24. The thriller stars Nawazuddin Siddiqui, and Bhumi Pednekar.
Netflix film Mumbai Mafia: Police vs Underworld is well worth watching. It gives a fascinating insight into the battle between ruthless gangsters and trigger-happy police officers in Mumbai.
Now that RRR track Naatu Naatu has got a Best Original Song Oscar nomination, audiences can look forward to a stunning live performance of it at the ceremony on March 13. It has won multiple awards including a Golden Globe, so will be a hot favourite.
Look out next week for a special feature on the top Bollywood remakes of Telugu movies, across the decades.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Angelina Jolie stuns in a strapless nude gown on the Cannes 2025 red carpet
After a long break from the Cannes spotlight, Angelina Jolie stepped back onto the red carpet, quietly commanding attention without theatrics. It’s been nearly 14 years since she last appeared at the French film festival, but her recent appearance shows she never really left the scene, she just chose when to re-enter it.
At the premiere of Ari Aster’s Eddington during the 78th Cannes Film Festival, Jolie arrived in a strapless white and silver gown designed by Brunello Cucinelli, a label she often turns to for its classy, minimalist elegance. The look was elevated with diamond accessories from Chopard, adding just enough sparkle without overwhelming her understated style.
Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
The nude-toned dress was detailed with subtle embroidery and featured a structured A-line silhouette. Its fitted bustier, square neckline, and flowing hem were all about clean lines and classic femininity: nothing flashy, just well-crafted. Her choice of accessories followed the same theme: a pear-shaped diamond pendant, teardrop earrings, and a striking ring.
Her hair was styled in soft waves, parted to the side, and her makeup was balanced with wine-toned nails, muted smoky eyes, a soft pink lip, and feathered brows that framed her face.
The actress makes a graceful return to Cannes after 14 years awayGetty Images
Jolie took on the role of Trophée Chopard godmother this year, an honour that involves presenting an award to two emerging talents in cinema: Marie Colomb and Finn Bennett. The award celebrates the future of film, and Jolie’s presence felt fitting. Over the years, stars like Julia Roberts, Cate Blanchett, and Charlize Theron have taken on this role, and Jolie now joins that distinguished list.
For the Trophée Chopard dinner, Jolie wore a simple one-sleeved gown with a slit, paired with ankle-strap heels and silver earrings. She kept her makeup light and her hair down, opting for ease over excess.
Angelina Jolie interacting with fans Getty Images
Though she’s been away from the Cannes red carpet, Jolie hasn’t been out of sight. Her recent film Maria, based on opera legend Maria Callas, kept her on the awards circuit earlier this year. She also made headlines as a producer of the Broadway musical The Outsiders, which went on to win big at the 2024 Tony Awards.
Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.
The buzz around King, Shah Rukh Khan’s upcoming action-thriller, just got bigger. Rani Mukerji is officially part of the film, stepping in for a role that’s brief but deeply important. Shooting begins on 20 May in Mumbai, with an international schedule to follow.
King is being helmed by Siddharth Anand, the director behind Pathaan and War. This film will not only mark SRK’s return to a high-action role, where he plays an assassin, but also introduces his daughter, Suhana Khan, to the big screen. The cast includes Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Jaideep Ahlawat, and Abhay Verma, making it one of the biggest star-studded projects in recent memory.
The iconic duo returns to the screen after more than a decadeGetty Images
Rani Mukerji joins the cast in a special cameo as Suhana Khan’s mother. While she’s expected to shoot for just five days, her role is far from minor. Insiders say her character is central to the story’s emotional arc and serves as a turning point in the larger action narrative.
This is also Rani and Shah Rukh’s reunion after more than a decade. The two have a long list of hits together, from the iconic Kuch Kuch Hota Hai to Kabhi Khushi Kabhie Gham, and their on-screen chemistry is considered the gold standard. Their scenes in King are expected to tap into that nostalgia while adding a fresh layer to the story.
Sources say it didn’t take long for Rani to say yes. The part, though short, left a strong impression on her. “She heard the story and agreed instantly. It’s a powerful role that holds the emotional thread of the film,” one source shared.
Rani Mukerji will join Shah Rukh Khan for the much-awaited KingGetty Images
Interestingly, earlier buzz suggested that Deepika Padukone might play Suhana’s mother in the film, but the final decision went to Rani. This change seems to have added an extra edge to the film’s casting.
Currently in pre-production, King is aiming for a release sometime between October and December 2026. With a cast this strong and a fresh mix of family, action, and suspense, the film is shaping up to be a major event not just for Shah Rukh fans, but for Bollywood itself.