The conversations on nepotism in Bollywood can never go out of fashion, but the topic gets some incredible amount of traction just before a star-kid is about to dive into showbiz. If that has always been the case, then how can Ananya Panday be left alone? The daughter of well-known actor Chunky Panday debuts in Hindi cinema with Student of the Year 2. The teen drama has been produced by movie mogul Karan Johar, who has always been accused of nepotism. But the newcomer is not worried about who thinks what about her. She just wants people to accept her and her talent.
Ahead of the release of Student of the Year 2, Eastern Eye sat down with Ananya Panday for a conversation on her dream launch, her idol and ex-student of SOTY franchise Alia Bhatt and, of course, her upcoming projects.
The debutante also reacts to the success of other star-kids like Janhvi Kapoor and Sara Ali Khan.
The first question to you is that what is that one question you don’t want people to ask you?
Hopefully, about nepotism. I hope people don’t ask me about that, because I want them to accept me and my talent in general. I want that the audience loves me. So, I hope people don’t ask me about nepotism, even after the release of the film.
Do you think that SOTY 2 is the best launch-pad for you?
I couldn’t have asked for anything better. I remember I was just 15-year-old when I watched the first Student of the Year. My parents were going to the screening of the movie. It was scheduled for 11 p.m. I wasn’t allowed to go, but I begged my parents to take me along. I was sitting on the floor at the screening and then I saw Alia on the screen. In that very moment, I decided I wanted to be this. I wanted to be Alia. I wanted to be Shanaya (the character played by Alia Bhatt in Student of the Year). I wanted to do a film like Student of the Year. I wanted to be a Dharma Productions’ heroine. I prayed so much to Universe that one day I finally got to audition for the film.
What was your reaction like when you were told about being finalized for the film?
After my first audition, I had to do another audition. At the same time, I was doing some workshops with Puneet Malhotra. Frankly speaking, they did not tell me in one go that I was finalized for the film. The project got delayed too, for a year or so. But as they were about to begin production, it started sinking in slowly and slowly. So, it took a lot of time to believe that, actually. I still can’t believe I am a part of this film.
Was it tough to match up to Tiger Shroff’s energy level?
I am not even half of Tiger; he practises so much. When we were in our teen, we used to be a part of the same dance class. However, his talent did not rub off on me. He is indeed a brilliant dancer. When you see him practise, you also kind of feel motivated to do some practice. But even then I won’t ever be able to match up to his level. However, I tried my best.
Do you think you can match up to ex-student Alia Bhatt’s talent?
I don’t think so. Alia is a flawless actor. She has given so many phenomenal films like Gully Boy (2019), Raazi (2018) and Highway (2014). I cannot compete with her. When she joined the industry, she was also very raw. People liked her rawness and unpreparedness. So, I think, I am also raw. Alia and I haven’t done any acting classes. Tiger is a huge star; he has done so many hit films. Tara has also done Disney shows. But I haven’t done anything. So, that rawness makes us similar in some ways.
How did you train yourself before entering films?
As I said, I haven’t taken any acting classes. But I opted for Hindi instead of Spanish in my school because by that time I had realized that Hindi would help me in the long run in life. I have also learnt Kathak, something that I like a lot. But like the previous students, I didn’t assist anybody on a Dharma film’s set. I have assisted only in one film and that is Raees (2017). It’s an Excel Entertainment film. I was working as a runner. My job was to get the secondary cast from their van and take them to the set. I enjoyed doing that. I did that job in between my board exams.
Whose idea was that?
It was very much my idea because I had never gone to my father’s sets. I had not interacted with many directors in childhood. So, I wanted to know what I see on the screen, how is that made. That experience helps you a lot in life.
How did your parents react to the trailer of the film?
My dad never visited me on the sets. Even my mom came only once, just to see my first shot. After that, she never visited again. They didn’t even see the rushes. The first content which they saw was the trailer of the film and that too on YouTube. Before that, they hadn’t seen anything. At the trailer launch, I was attending the event, while they were watching it on YouTube. They are very sweet. They watch the trailer of my film around 12-13 times a day. They have downloaded it. Before going to bed, they watch it and when they get up in the morning, they watch it again. Their reaction is very sweet.
My dad has not given me any advice, because he wants me to handle things my way. He feels whatever I am doing is just right. Having said that, I have learnt a lot from his behaviour. After observing him, I have realised that he never let the success or failure affect him much.
Before I was born, he was a huge star. And after my birth, he took a break from films. He has seen a lot of phases in his life, but nothing changed him as a human being. He has been so nice to everyone. So, that’s what I want to learn from him.
What have you inherited from him?
I think I have inherited his sense of humour. His Hindi is very good, but I lag there.
How do you feel when you see star-kids like Janhvi Kapoor and Sara Ali Khan, who were launched last year, have been accepted so well by the audience?
I feel charged up. They are my friends. So, when my friends do well, I also feel motivated. I think it’s very important that new faces are launched in the industry. It brings a lot of freshness. So, when I see them doing well, I feel I should do well too. Talking about competition, it’s fun. Look at the Student of the Year franchise! It’s about competition and it’s so much fun. Competition is motivating.
Tell us about your friendship with Suhana Khan (Shah Rukh Khan’s daughter) and Shanaya Kapoor (Sanjay Kapoor’s daughter)?
So, Suhana, Shanaya and I have grown together. We are like siblings. When we were kids, we used to play acting games. I used to copy my mother; Suhana would copy hers. We used to gossip about one another’s moms.
Is Suhana also joining films?
Suhana is a brilliant actor. I think you can watch her plays’ videos on YouTube. I hope she comes into films because she is so talented.
Tell us something about your next film, Pati Patni Aur Woh.
Yeah, so the film is coming in December. The basic idea of the film has been taken from B.R. Chopra’s Pati Patni Aur Woh (1978). There are Kartik (Aaryan), Bhumi (Pednekar) and I. It’s not a remake. Just the basic idea has been taken from the original film. The same production house is producing it. It’s going to be today’s film, a very relatable and young film.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.