Bollywood superstar Ajay Devgn has shown no signs of ageing since exploding onto the scene some three decades ago. Age is just a number for him. The actor, who hit the half-century mark just a couple of weeks ago, has no inhibitions about playing his age on screen. In fact, in his latest film De De Pyaar De, he is not only playing his age but also accepting it with full pride and no qualms.
Ahead of the release of the family entertainer, Eastern Eye caught up with the two-time National award-winning actor in Mumbai and tried to know more about his role in De De Pyaar De, what persuaded him to pick up it and how mainstream Hindi cinema is catching up with the evolving taste of Indian audiences.
The superstar also reveals secrets about his chemistry with Tabu, his co-star in De De Pyaar De and several other past films, and why we never see him at glitzy award ceremonies Bollywood hosts in abundance.
You have starred in very few romantic films lately. What is the reason?
No, there is nothing like that. There should be the right script for me to do a romantic film, right? I have done my share of romantic films in the past. Nowadays, not many people come to me with romantic scripts that I like. De De Pyaar De was something that I really liked.
What persuaded you to take it on?
I liked the whole concept of the film and its screenplay. It is a very new age movie. It is today’s film. It has some really strong characters; some very, very strong women characters. Aside from all of that, the film also gives an important message. So, if everything is put together, De De Pyaar De is a complete entertainer.
How important it is to play your age on the screen?
I try my best to play my age. Obviously, when I talk about my age, I play characters between the age brackets of 40-50. You will never see me playing a 25-year-old man.
But from your generation, you are the only actor who is playing his age and that too quite openly.
No. All the other actors have also played older characters. They have played fathers on the screen. The only difference here is that my character in De De Pyaar De is saying unabashedly that he is 50.
As an actor, you have become more realistic now. You are opting for characters which are more real.
That is because there are characters for our age people today, who are also being accepted. Scripts are being written keeping this age bracket in mind. So, there is a lot of scope, you know. Earlier, there used to be a fixed pattern for a film: the hero was always romancing a young girl, dancing around with her, no matter what her age was. A film had to have at least four songs. Those things used to work big time back then. But now, everything has changed.
Is the plot of De De Pyaar De anywhere similar to your 1999 release Dil Kya Kare?
No, not at all! When you see the film, you will realize it is completely different. This is a humorous film. We have not revealed too many things in the trailer of the movie. You don’t even know if Manju (Tabu) is his wife or ex-wife. That you will come to know after watching the film.
You and Tabu have known each other since the beginning of your careers and have done several films together over the years. Does that help you when you team up with a frequent collaborator?
There is a comfort zone between us. We are very comfortable working with each other. We know each other for so many years. We can say anything to each other. Even that chemistry works on the screen.
How was it sharing the screen space with Rakul Preet Singh?
It’s been very nice. When I started working with her, I did not expect her to do so well. The script of the film demands an intense performance, and she has performed really, really well in the movie.
Does it make any difference when the director of the film has a vast experience of editing around 40 films?
No. He did not behave like an editor on the sets of the film. He took extra shots, just like every other filmmaker does. He behaved like a director only. He took loads of shots and cut the film on the editing table.
Akiv is very capable. It did not feel like it was his first film. He has edited so many films in the past and has gone through the whole process of filmmaking. In a nutshell, he knows his job well.
With audiences’ taste evolving so rapidly, what are the challenges that you are facing with the mainstream cinema?
It is just that everybody has become more conscious about picking up good scripts and doing quality work, which was not the case before. Earlier, we used to do 8-8 films and most of them used to fare well. But now, the audience is not accepting every film that is coming their way. They want just good films. We, as actors, are now concentrating on only one film at a time and ensuring that it is a good film.
Earlier, you used to do films which were quite ahead of their times, be it Zakhm (1998) and Raincoat (2004). We don’t see you in those films anymore.
As I said, I don’t get such scripts anymore. Having said that, I did Raid (2018). So, whenever someone comes to me with a script like that, I do it. Everybody else is also doing it now, which is good. I started it back then and now everybody is doing it.
You always maintain a safe distance from Bollywood award nights. Why?
Yes, I do not attend award functions, forget performing. I do not go to them. Except for the Nation Film Awards, I do not believe in any kind of awards. The rest of the awards are nothing else but just software for television. People who attend these award ceremonies, they get awards. The organizers call you beforehand to confirm whether you are going to attend the function or not. If you agree to attend, you will get an award. Who does not come, does not win. It is not authentic. Have you seen anybody getting an award who has not attended the function? They ask you first. If you say no, they will change the award.
Written by Luv Ranjan and directed by Akiv Ali, De De Pyaar De is successfully running in cinemas.
There’s no question who ruled the night at the 2025 BET Awards. Kendrick Lamar walked away with five trophies, including Album of the Year for GNX and Video of the Year for Not Like Us. The ceremony, held at the Peacock Theatre in Los Angeles, paid tribute to Black excellence in music, acting, and sports, and Kendrick made sure his voice and message were front and centre.
Kendrick Lamar accepts Best Album for GNX at the BET Awards in Los AngelesGetty Images
Lamar, Doechii, and a moment that mattered
The GNX rapper also won Best Male Hip-Hop Artist and shared the Video Director of the Year award with Dave Free. Accepting his award, Lamar reflected on his long-standing relationship with BET, saying, “They’ve always kept the culture at the core and put me in the middle of it.”
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Rising rapper Doechii also made headlines, not just for winning Best Female Hip-Hop Artist but for calling out former US President Donald Trump. In a fiery speech, she criticised the use of military force to break up protests in LA following ICE raids in Latino communities. “Every time we stand up for our rights, the military is sent in. What kind of leadership is that?” she asked the crowd.
A night of icons and throwbacks
The night wasn’t just about current stars. The BET Ultimate Icon Award honoured Mariah Carey, Snoop Dogg, Jamie Foxx, and gospel star Kirk Franklin for their decades of influence in music, entertainment, and community action. Stevie Wonder presented Foxx’s award as he opened up about his recovery from a 2023 stroke. “When I saw the ‘In Memoriam’ segment, I thought that could’ve been me,” he said.
Mariah Carey celebrates her Ultimate Icon Award with a rare live performanceGetty Images
Mariah Carey, presented her award by Busta Rhymes, lit up the stage with a brief but heartfelt speech. “If you're going to win one of these, it might as well be the Ultimate Icon,” she joked, hinting at the ups and downs of her legendary career.
With Lamar and SZA heading back on tour and voices like Doechii’s rising louder, the 2025 BET Awards proved it is a stage for change.
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Harris Dickinson debuts as Rhode’s first male model in new Glazing Mist campaign
Rhode, Hailey Bieber’s rapidly growing skincare label, has chosen Babygirl actor Harris Dickinson as the face of its new product, the Glazing Mist. Known for his understated performances and growing fashion presence, Dickinson is the first male model to front a campaign for the brand. The new mist, priced at £24 (₹2,520), goes live on 24 June exclusively at rhodeskin.com.
A surprising choice that feels just right
The campaign, shot in stark black-and-white, features close-up visuals of Dickinson misting his face with the Glazing Mist, designed to refresh skin and deliver a natural glow. With ingredients like ectoin, ceramides, and magnolia extract, the formula offers both hydration and barrier support. It has also earned a stamp of approval from the National Eczema Association.
Hailey Bieber explained her choice simply: she watched Babygirl, loved Dickinson’s performance, and sensed he could bring the kind of quiet edge she wanted. “I didn’t want it to feel too ‘on-the-nose’ with the film,” she said. “It had to be chic and sporty.” The internet, however, couldn’t resist the connection to Dickinson’s now-infamous milk scene in the film, and fans were quick to point out how the dewy mist echoed that very vibe.
Rhode expands, without changing its DNA
Since its 2022 launch, Rhode has stood out for sleek, limited product drops and a focused digital presence. Its recent £790 million (₹82,950 crore) acquisition by e.l.f. Beauty has only amplified interest in where the brand goes next. While introducing a male face might suggest a shift, Bieber was clear: this isn’t about launching a men’s line but widening the brand’s appeal. “I want everyone to see themselves in Rhode,” she said.
Dickinson’s inclusion reflects a subtle repositioning. Best known for roles in Beach Rats, Triangle of Sadness, and now Babygirl, he has also been a regular in fashion, working with Dior and Loewe.
With this campaign, Rhode continues to evolve clearly, without losing the minimalist identity that made it stand out in the first place.
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HBO’s Harry Potter reboot slammed for casting Italian actress as Indian character Parvati Patil
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
The tense deliberations in Harvey Weinstein’s New York sex crimes retrial have descended into open conflict. Jurors are reportedly attacking each other, pressuring hold-outs, and improperly considering the disgraced movie mogul’s notorious past, information explicitly banned from their discussions. This internal strife forced the jury foreperson to urgently alert the judge on Monday morning about a “situation which isn’t very good”, casting serious doubt on their ability to reach a fair verdict.
Infighting and forbidden arguments taint deliberations
According to a court transcript, the foreperson painted a grim picture for Judge Curtis Farber. Jurors are “not on the same page”, with some actively “attacking” others in a bid to change minds. Crucially, they are “pushing people” by bringing up Weinstein’s public history, details not presented as evidence during this specific trial.
As per reports, Jurors are in a heated debate during Weinstein retrial deliberationsGetty Images
This is similar to the earlier “playground stuff” reported last week, where one young juror felt unfairly “shunned” and questioned the fairness of the process, though the judge kept him on the panel. The jury itself signalled deep divisions, requesting a reread of “reasonable doubt” rules and guidance on “avoiding a hung jury”.
Mistrial denied, but jury reminded “Stick to the evidence”
Weinstein’s lawyers, citing a “tainted” and “runaway jury”, immediately seized on the turmoil to demand a mistrial. Defence attorney Arthur Aidala argued jurors were “ganging up” and considering “things that were not brought into this trial”. Prosecutors countered that some past context was legally permissible. Judge Farber denied the mistrial but took swift action. He hauled the entire jury back in, sternly instructing them that deliberations must focus only on evidence presented during the retrial concerning the three specific charges, including rape and criminal sex acts involving three women. He reiterated they must disregard anything else they knew about Weinstein.
Weinstein jury divided by heated disputes over forbidden pastGetty Images
The jury ended Monday claiming they were “making progress”, even asking for coffee to fuel further talks and requesting to revisit some testimony. However, the damage from the infighting and forbidden discussions lingers.
Weinstein, 73, already serving a long sentence for a separate California rape conviction, awaits this jury’s verdict on charges stemming from allegations by a former production assistant, an aspiring actress, and a model. This retrial, ordered after his landmark 2020 New York conviction was overturned, remains a critical, though now deeply troubled, chapter in the #MeToo saga he set to fire.
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Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.