Bollywood superstar Ajay Devgn has shown no signs of ageing since exploding onto the scene some three decades ago. Age is just a number for him. The actor, who hit the half-century mark just a couple of weeks ago, has no inhibitions about playing his age on screen. In fact, in his latest film De De Pyaar De, he is not only playing his age but also accepting it with full pride and no qualms.
Ahead of the release of the family entertainer, Eastern Eye caught up with the two-time National award-winning actor in Mumbai and tried to know more about his role in De De Pyaar De, what persuaded him to pick up it and how mainstream Hindi cinema is catching up with the evolving taste of Indian audiences.
The superstar also reveals secrets about his chemistry with Tabu, his co-star in De De Pyaar De and several other past films, and why we never see him at glitzy award ceremonies Bollywood hosts in abundance.
You have starred in very few romantic films lately. What is the reason?
No, there is nothing like that. There should be the right script for me to do a romantic film, right? I have done my share of romantic films in the past. Nowadays, not many people come to me with romantic scripts that I like. De De Pyaar De was something that I really liked.
What persuaded you to take it on?
I liked the whole concept of the film and its screenplay. It is a very new age movie. It is today’s film. It has some really strong characters; some very, very strong women characters. Aside from all of that, the film also gives an important message. So, if everything is put together, De De Pyaar De is a complete entertainer.
How important it is to play your age on the screen?
I try my best to play my age. Obviously, when I talk about my age, I play characters between the age brackets of 40-50. You will never see me playing a 25-year-old man.
But from your generation, you are the only actor who is playing his age and that too quite openly.
No. All the other actors have also played older characters. They have played fathers on the screen. The only difference here is that my character in De De Pyaar De is saying unabashedly that he is 50.
As an actor, you have become more realistic now. You are opting for characters which are more real.
That is because there are characters for our age people today, who are also being accepted. Scripts are being written keeping this age bracket in mind. So, there is a lot of scope, you know. Earlier, there used to be a fixed pattern for a film: the hero was always romancing a young girl, dancing around with her, no matter what her age was. A film had to have at least four songs. Those things used to work big time back then. But now, everything has changed.
Is the plot of De De Pyaar De anywhere similar to your 1999 release Dil Kya Kare?
No, not at all! When you see the film, you will realize it is completely different. This is a humorous film. We have not revealed too many things in the trailer of the movie. You don’t even know if Manju (Tabu) is his wife or ex-wife. That you will come to know after watching the film.
You and Tabu have known each other since the beginning of your careers and have done several films together over the years. Does that help you when you team up with a frequent collaborator?
There is a comfort zone between us. We are very comfortable working with each other. We know each other for so many years. We can say anything to each other. Even that chemistry works on the screen.
How was it sharing the screen space with Rakul Preet Singh?
It’s been very nice. When I started working with her, I did not expect her to do so well. The script of the film demands an intense performance, and she has performed really, really well in the movie.
Does it make any difference when the director of the film has a vast experience of editing around 40 films?
No. He did not behave like an editor on the sets of the film. He took extra shots, just like every other filmmaker does. He behaved like a director only. He took loads of shots and cut the film on the editing table.
Akiv is very capable. It did not feel like it was his first film. He has edited so many films in the past and has gone through the whole process of filmmaking. In a nutshell, he knows his job well.
With audiences’ taste evolving so rapidly, what are the challenges that you are facing with the mainstream cinema?
It is just that everybody has become more conscious about picking up good scripts and doing quality work, which was not the case before. Earlier, we used to do 8-8 films and most of them used to fare well. But now, the audience is not accepting every film that is coming their way. They want just good films. We, as actors, are now concentrating on only one film at a time and ensuring that it is a good film.
Earlier, you used to do films which were quite ahead of their times, be it Zakhm (1998) and Raincoat (2004). We don’t see you in those films anymore.
As I said, I don’t get such scripts anymore. Having said that, I did Raid (2018). So, whenever someone comes to me with a script like that, I do it. Everybody else is also doing it now, which is good. I started it back then and now everybody is doing it.
You always maintain a safe distance from Bollywood award nights. Why?
Yes, I do not attend award functions, forget performing. I do not go to them. Except for the Nation Film Awards, I do not believe in any kind of awards. The rest of the awards are nothing else but just software for television. People who attend these award ceremonies, they get awards. The organizers call you beforehand to confirm whether you are going to attend the function or not. If you agree to attend, you will get an award. Who does not come, does not win. It is not authentic. Have you seen anybody getting an award who has not attended the function? They ask you first. If you say no, they will change the award.
Written by Luv Ranjan and directed by Akiv Ali, De De Pyaar De is successfully running in cinemas.
Mohanlal kept it timeless in a crisp mundu and shirt
Prithviraj & Supriya Menon looked like the perfect festive album shot
Malavika Mohanan brought in a twist with her kasavu saree with traditional jewellery
Malaika Arora embraced Kerala’s spirit with a kasavu saree, temple jewellery, and a warm Sadhya
R. Madhavan & Sarita Birje showed coordinated elegance in mundu and saree
Festivals tell their own stories. Sometimes it’s not in the captions, not even in the feasts, but in the clothes, the smiles, and the way people carry tradition without trying too hard. Onam this year gave us just that: celebrities, often dripping in designer labels, strip it back to something pure, elegant, and powerfully rooted.
Here’s who absolutely nailed the Onam vibe.
Mohanlal: The godfather in white
The man does not need to try. In a simple, crisp white mundu. Simple shirt. A straight camera greeting. That is it. No frills, no staged glamour. Just the veteran looking like the festival itself: timeless.
Prithviraj in a mundu with a printed shirt. Supriya in a kasavu saree with a gold border, her jewellery adding the final shine. The picture looked less like a posed post, more like a family album moment you would want to keep.
While others went classic, Malavika played. She wore a cream-white kasavu saree with a golden border, the drape beautifully, turning the attire into almost a contemporary painted canvas. Paired with ethnic gold jewellery, parted loose hair, her styling was classy, traditional and on point.
Bollywood meets Kerala elegance. Malaika in a kasavu saree, gold border flowing, finished with temple jewellery. Add to that a banana leaf sadhya moment with her mother Joyce also in kasavu. Warm, rooted, real. She got the spirit, not just the outfit.
R. Madhavan & Sarita Birje: The coordinated class act
The couple matched steps in traditional wear, smiling in sync. Madhavan in mundu, Sarita in saree, it felt celebratory without being curated. Just a family, a festival, and a frame that spoke togetherness.
Onam does not need long stories. A mundu tucked neatly, a kasavu saree draped with care, a smile that feels familiar, that is enough. That simple, handwoven kasavu cloth does something interesting. It momentarily strips away the movie star, the influencer, the Bollywood diva. For a second, they all just look… Malayali. Connected. Because no matter how famous you get, some looks just feel like coming home.
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Giorgio Armani’s journey from window dresser to fashion emperor
Armani began as a window dresser in Milan before sketching suits for Nino Cerruti.
In 1975, he launched his own label by selling his car, sparking a quiet fashion revolution.
His unstructured suits redefined power dressing for men and women in the 1980s.
From American Gigolo to the Oscars, Armani became Hollywood’s style signature.
He built a global empire yet stayed hands-on, shaping fashion until his final days at 91.
It’s strange to think Armani once stood behind a shop window, fixing mannequins instead of red carpets. He wasn’t born into Milan’s glittering salons or stitched into privilege. His journey started with burns from a war shell, with a mother who made scraps look elegant, with a young man who quit medical school because he couldn’t quite see his future in blood and bandages.
From there, he picked up fabrics, cuts, and the quiet dream of building something lasting. And against all odds, he did. You know his clothes. You’ve seen that look, the effortless drape of a jacket, the quiet confidence of a suit that doesn’t scream but whispers luxury. Giorgio Armani, who left us last year at 91, wasn’t just a designer, he rewrote how the world dresses. These ten chapters show how he carved that throne.
Giorgio Armani’s journey from window dresser to fashion emperor Getty Images
1. Milan shop windows to Nino Cerruti
After leaving the army, Armani took a sales job at La Rinascente, Milan’s posh department store. He was a clerk, then a window dresser, learning which fabrics customers touched twice and which ones they ignored. By the mid-60s, he was sketching suits for Nino Cerruti. Those years taught him discipline, proportion, and that style was more about how clothes moved than how much they glittered.
How Giorgio Armani redefined elegance in ten chaptersGetty Images
2. Founding Giorgio Armani
In 1975, with his partner Sergio Galeotti urging him forward, Armani sold his car to raise money and launched his own label. It was a risk. He wasn’t a household name yet. But those first collections, sharp but fluid, men and women both, hit Milan like a quiet revolution. Armani had arrived, and he carried his own name on the masthead.
The life and legacy of Giorgio Armani in ten actsGetty Images
3. The unstructured suit
He ripped the stuffing out of the traditional jacket, peeled off the padding, and let fabric drape. Men’s shoulders softened. Women walked into boardrooms in suits that carried authority without pretending to be men’s uniforms. It was tailoring that breathed. Armani gave the world a whole new vocabulary: power without stiffness, elegance without excess.
Giorgio Armani’s quiet revolution that changed fashion foreverGetty Images
4. American Gigolo and Hollywood
Richard Gere opening that closet full of Armani shirts was pure cinema, a cultural turning point. Overnight, Armani became shorthand for sleek modernity. From American Gigolo to Julia Roberts in a men’s suit at the Golden Globes, it’s safe to say Armani rewired Hollywood’s image of glamour. That’s why critics joked the Oscars red carpet could have been renamed the “Armani Awards.”
Ten defining moments in the life of Giorgio ArmaniGetty Images
5. The empire expands
Perfumes, jeans, children’s clothes, Armani Exchange. He turned his minimalist philosophy into a whole lifestyle. While rivals chased conglomerates, Armani kept control and built his own ladder, one rung for luxury, one for youth, one for home, even one for hotels. By the late ’90s, his eagle logo was everywhere from sunglasses to sofas.
The timeless legacy of Giorgio Armani in ten chaptersGetty Images
6. Sports and spectacle
He dressed Chelsea footballers and Olympic athletes. He opened a hotel in Dubai, restaurants in Milan, Armani Casa for homes. Armani understood something crucial: his vision wasn’t just clothes. It was a way of living. Walking into an Armani space felt the same as wearing his jacket: quiet, precise, disciplined and elegant.
How Giorgio Armani built a global style empireGetty Images
7. Ethics before trend
Long before wellness talk filled magazines, Armani banned dangerously underweight models from his shows. The same year, he livestreamed a couture collection, back when fashion still thought the internet was beneath it. Armani was old-school in silhouette but sharp-eyed about culture.
Remembering Giorgio Armani through his most iconic momentsGetty Images
8. Grief and resilience
The loss of Sergio Galeotti to AIDS could have shattered him. Instead, Armani carried their dream forward, with family by his side. His empire became not just a company but a shield, one he built in memory of the man who first believed in him.
Armani’s empire: fashion, lifestyle, and legacy in ten stepsGetty Images
9. Awards, honours, billions
Armani wasn’t just respected; he was decorated. From the Legion of Honour to Italy’s highest civilian award, the world recognised his contribution. Forbes estimated his net worth at £9.2 billion (₹978 billion). Yet ask anyone in Milan: he still turned up at the office daily, fussing over lapels and fabrics like an apprentice.
He died on 4 September 2025, in Milan, aged 91, still at work, still in control. Italy’s prime minister called him “the best of Italy.” Critics called him a giant. The truth is simpler: Armani changed how people move through the world. His clothes taught us that confidence whispers, it doesn’t shout.
Giorgio Armani’s timeless influence on global styleGetty Images
Not an ending, but a silhouette
We often say legends “fade away.” Armani doesn’t get that cliché. He didn’t fade. The light just changed, and what’s left is his silhouette. You can’t talk about modern style without tripping over his influence. He’s in the DNA of every brand that prizes minimalist elegance. He’s in the posture of a woman walking into a meeting, feeling powerful in a soft-shouldered blazer. He’s in the ease of a man in a suit that finally feels like his own skin.
When we say “there will be an Armani after Armani,” it’s not just in the company he built, but in everyone who has ever worn his clothes and discovered the quiet power of looking like their truest, most confident self.
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John Malkovich admits Michelle Pfeiffer affair destroyed his marriage and cost him a colleague he could never replace
John Malkovich has spoken about his affair with Michelle Pfeiffer during Dangerous Liaisons.
The 71-year-old said the relationship cost him both his marriage and a valued colleague.
His marriage to Glenne Headly ended in 1988 after the affair.
Pfeiffer divorced Peter Horton two years later and later married David E. Kelley.
Hollywood actor John Malkovich has reflected on his past and admitted regret over his affair with Michelle Pfeiffer. The 71-year-old star, known for films such as Burn After Reading and Con Air, revealed on the Fashion Neurosis podcast that the romance not only ended his marriage but also damaged a professional friendship with his Dangerous Liaisons co-star. Speaking candidly, he explained that what began as a close bond on set became a turning point that changed both his personal and professional life.
John Malkovich admits Michelle Pfeiffer affair destroyed his marriage and cost him a colleague he could never replace Getty Images
What did John Malkovich say about his affair with Michelle Pfeiffer?
Malkovich explained that actors often develop intense emotional connections during filming, but in this case, the relationship extended beyond work. He admitted that while Pfeiffer was “fun, moving, and incredibly fair” with him, he was not, and that imbalance left lasting consequences.
He said: “I think I’ve learned over the course of my life that a great colleague is rarer than anything. When that relationship becomes more than collegial or more than a friendship, even a profound friendship, you lose a great colleague.”
John Malkovich and Michelle Pfeiffer in Dangerous Liaisons where their on-screen chemistry mirrored real lifeGetty Images
How did the Michelle Pfeiffer affair affect John Malkovich’s marriage?
At the time, Malkovich was married to actress Glenne Headly. Their six-year marriage ended in 1988, the same year Dangerous Liaisons was released. Pfeiffer was married to actor Peter Horton, and their relationship also unravelled soon after.
Headly went on to marry musician Byron McCulloch, with whom she remained until her death in 2017 from complications of a pulmonary embolism. Pfeiffer divorced Horton in 1990 and later married TV producer David E. Kelley in 1993, with whom she has two children.
Michelle Pfeiffer and David E. Kelley attends The 33rd Annual Environmental Media Association Awards Gala Getty Images
Has John Malkovich spoken about the affair before?
Until now, Malkovich has rarely addressed the subject. In the past, he deflected questions with remarks such as, “It’s hard to believe Michelle Pfeiffer ever said hello to me.” His latest comments mark the first time he has spoken openly about the personal and professional toll of the affair.
He contrasted the situation with his decades-long working relationship with Lithuanian actress Ingeborga Dapkunaite. Malkovich noted they had been friends and collaborators for more than 30 years because they maintained professional boundaries.
After the breakdown of his first marriage, Malkovich went on to build a long-term partnership with Italian production designer Nicoletta Peyran, with whom he shares two children. He continues to work actively in film and theatre, while Pfeiffer remains a leading actress in Hollywood.
John Malkovich attends the 'John Malkovich: The Infernal Comedy' press conference Getty Images
The affair, however, remains a defining episode from the late 1980s, one that Malkovich now describes with regret, emphasising that the price of crossing professional lines was losing a trusted colleague as well as a marriage.
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Kenyan leaders hail SS Rajamouli as SSMB 29 with Mahesh Babu and Priyanka Chopra wraps historic shoot
SS Rajamouli wraps up Kenya schedule of upcoming film SSMB 29
Director pens heartfelt note thanking government and locals for support
Mahesh Babu and Priyanka Chopra join international cast in action-packed shoot
Film expected to release in more than 120 countries, reaching a billion viewers
Filmmaker SS Rajamouli has officially wrapped the Kenya schedule of his highly anticipated movie SSMB 29, starring Mahesh Babu and Priyanka Chopra, and expressed his gratitude to the country’s authorities. The director shared a heartfelt note on X, describing Kenya as a “once-in-a-lifetime experience” while thanking the government and local communities for their “tremendous support and hospitality.” The schedule strengthens Kenya’s role as a major international filming hub, bringing Indian cinema’s global ambitions into sharper focus.
Kenyan leaders hail SS Rajamouli as SSMB 29 with Mahesh Babu and Priyanka Chopra wraps historic shoot X/MusaliaMudavadi
Why did SS Rajamouli thank Kenyan authorities?
Rajamouli, known worldwide for RRR and Baahubali, praised Kenya’s vast landscapes and wildlife diversity. He called the experience “one of the most memorable moments” of his career.
Filming took place across Masai Mara, Naivasha, Samburu, and Amboseli, locations that have now become part of what is expected to be Asia’s largest film production. By acknowledging the country’s role, Rajamouli has, in fact, spotlighted Kenya as a key partner in Indian cinema’s expanding global footprint.
SS Rajamouli shares a thank you note after completing the Kenya schedule of SSMB 29X Screengrab/@ssrajamouli
What did Kenyan leaders say about the shoot?
Kenyan politician Musalia W Mudavadi shared photos with Rajamouli and his team, including moments of the director signing a guest book. Praising Rajamouli’s vision, Mudavadi wrote that Kenya had become “the stage for one of the world’s greatest filmmakers.”
He added that Kenya’s sweeping plains and rugged terrains were now immortalised in the film. Highlighting the project’s scale, Mudavadi said the film is scheduled for release in more than 120 countries and is expected to reach a billion viewers, which in itself is an unprecedented figure for an Indian production.
— (@)
What is SSMB 29 about?
The project, tentatively titled GlobeTrotter, marks Rajamouli’s first collaboration with Mahesh Babu. A teaser was released on Mahesh Babu’s birthday last month, though the official title has yet to be confirmed.
Earlier, videos from Odisha’s Koraput region showed Mahesh Babu in intense action sequences, while actor Prithviraj Sukumaran was also spotted shooting alongside him. Priyanka Chopra recently joined the team in Kenya, adding further global star power to the production.
With international locations, large-scale action, and a worldwide release plan, SSMB 29 is being positioned as one of Indian cinema’s most ambitious ventures.
— (@)
When will the film release?
While the makers have not announced a final release date, industry reports suggest a 2026 rollout. The film will be distributed in over 120 countries, making it one of the widest releases for an Indian film to date. Given Rajamouli’s track record with RRR which grossed more than £125 million (₹1,300 crore) worldwide, expectations for SSMB 29 are extremely high.
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Geeta Basra returns with Meher after a decade away from films
British-born actress Geeta Basra makes a powerful return to the screen with the Punjabi film Meher after a decade away.
She reveals the industry once dropped her for getting married but now celebrates women balancing career and family.
Basra plays a relatable matriarch and describes the project as a “dream role” that mirrors her own life.
Meher is a large-scale cinematic experience shot in unique locations like Manikaran, designed for the big screen.
After a decade away building a family and a life outside cinema, British-born actress Geeta Basra is back with the Punjabi drama Meher, and this time, she’s rewriting the rules for married women on screen. For the mother-of-two, this isn’t just about returning to acting, it’s about challenging how the industry views married women and mothers while spotlighting the women who have inspired her own journey.
In an exclusive interview with Eastern Eye, Geeta opens up about her comeback, her inspirations, the shift in opportunities for women, and why this family drama feels so personal.
Geeta Basra returns with Meher after a decade away from films Instagram/geetabasra
A dream role that feels personal
Basra chose Meher with care, calling it her “dream role.” The film is a richly woven family drama rooted in rural Punjab. She plays Simmi, the "epicentre" of her family, a relatable figure who binds everyone together through love, betrayal, and emotional upheaval. The film explores hardships not only between husband and wife but also through multiple family dynamics, including a surprising “bromance” between male characters.
“As mothers, our instincts are so similar,” Basra explains. Just as important, it was a film she could proudly share with her children. “I picked this role very carefully, for something my family can watch,” she admits. For her, stepping into Meher feels like one of the defining moments of her career.
If Basra’s character draws from her instincts as a mother, her real-life inspiration comes from the women around her. “My mother is my first and foremost inspiration in life,” she says warmly. “Seeing how she balanced her businesses while raising three children makes me want to do better every day. Different people inspire me at different points, but my mother has always been my guiding light.”
She also points to the resilience of ordinary women as her motivation. “Seeing women multitask, balancing life, work, children, and family is incredibly motivational. Before, women were often written off after marriage and motherhood, but today, we have the opportunity to pursue our dreams. Seeing my daughter proud of me for following my passion inspires me to do even better.”
Meher marks Geeta Basra’s powerful comeback to Punjabi cinemaInstagram/geetabasra
Proudly Punjabi
For a British-born actress, questions of authenticity in playing a rural Punjabi woman were inevitable. But Basra is quick to dismiss them. “We are so rooted to our roots,” she says. “I’m now Punjab ki bahu. It’s my second home. I am Punjabi, and I’m a very proud Punjabi.” She didn’t need to study the role, she’s lived it.
Basra insists that the presence of women in production roles is just as crucial as those in front of the camera. Meher is produced by Kamal Kaur, one of the few women at the helm of large-scale Punjabi projects. “When women greenlight projects, they greenlight stories that reflect reality, stories where women aren’t sidelined after marriage but are centred,” Basra says. For her, that representation is both rare and revolutionary.
Geeta Basra says motherhood is her strength, not a setback in filmsInstagram/geetabasra
Redefining the rules for married actresses
The industry she left was far less forgiving. Basra recalls being dropped from four major films simply because she was linked to her now-husband, cricketer Harbhajan Singh. “It was either this or that. Never this and that,” she remembers. For women, the choice used to be family or fame. Today, she is headlining a major project while raising two children, something that once seemed impossible. “It’s commendable and remarkable,” she says of the change, though she emphasises much more work remains.
British-born Geeta Basra opens up on comeback film MeherInstagram/geetabasra
What’s next for Geeta Basra
With the “seal broken” on her comeback, Basra is determined to push further. She wants content-driven films that showcase her versatility, recalling how her career has already spanned everything from a bold debut to playing a villain. “I don’t want to bind myself to one kind of role,” she insists. Her only filter now is simple: would her family be proud to watch it? With several projects already lined up, she intends to make sure the answer is yes.
For Basra, Meher is also a reflection of where Punjabi cinema is heading: bigger in scale, richer in music, and designed for the cinematic experience. But she wants that ambition matched with better stories for women, especially mothers. “Women can also have a career. Women can also work after marriage,” she stresses.
Geeta Basra’s message is clear: experience is not a liability. It’s her strength. With Meher, she’s redefining what it means for women to lead on screen. And for Geeta Basra, this is only the beginning.