England and South Africa triumph in T20 WC Super Eight clashes
Salt’s 87 not out off 47 balls, which included seven fours and five sixes, powered England to chase down the West Indies’ total of 180-4, finishing at 181-2 in 17.3 overs.
Phil Salt's unbeaten 87 and Quinton de Kock's blistering half-century led England and South Africa to victories in their respective T20 World Cup Super Eight matches on Wednesday.
In St Lucia, defending champions England defeated the West Indies by eight wickets. Salt's 87 not out off 47 balls, which included seven fours and five sixes, powered England to chase down the West Indies' total of 180-4, finishing at 181-2 in 17.3 overs. Jonny Bairstow also made a significant contribution with an unbeaten 48.
Player of the Match Salt effectively sealed the victory in the 16th over, hammering 30 runs off Romario Shepherd with three sixes and three fours. "We're not looking too far ahead, just glad to contribute to the win," Salt said after his match-winning performance. He praised Bairstow for taking the pressure off him by maintaining a steady flow of runs. "Jonny was fantastic and took pressure off me by taking calculated risks. I couldn't be happier as a teammate," Salt added.
England's other runs came from skipper Jos Buttler, who scored 25, and Moeen Ali, who added a brisk 13. This victory marked an emphatic return to form for England, who had struggled in the first round group phase and faced the risk of early elimination.
West Indies skipper Rovman Powell lamented his team's bowling performance. "We needed a better display as a bowling group," he said. "We are generally good in the last five overs. The execution wasn't good. Credit to Salt, he always hurts us."
Earlier, a disciplined English bowling performance restricted the West Indies to 180-4. The West Indies made a smooth start with openers Johnson Charles and Brandon King. Despite King retiring hurt for 23 in the fifth over, the runs continued to flow. Charles formed a handy partnership with Nicholas Pooran, with the West Indies reaching 82-0 at the halfway stage.
However, England's spinner Moeen Ali made the breakthrough, catching Charles in the deep for 38 off 34 balls in the 12th over. Powell looked set to boost the total with a quickfire 36 off 17 deliveries, including five sixes. But Liam Livingstone's bowling dismissed Powell, caught by Mark Wood at short third man. Pooran fell soon after, caught behind by Buttler off Jofra Archer, leaving the Windies wobbling at 141-3. Andre Russell was out for one off Adil Rashid, and an unbeaten 28 from Sherfane Rutherford helped the West Indies reach a more competitive total.
In the other match, South Africa secured an 18-run victory over the United States at the Sir Vivian Richards Stadium. The Proteas scored 194-4 after being put in to bat, with De Kock hitting 74 off 40 balls, including seven fours and five sixes. "We've had some tricky wickets, so it was nice to spend some time in the middle today. The USA put us under pressure towards the end. It was a great game," De Kock said after his best performance of the tournament.
South Africa's skipper Aiden Markram also made a significant contribution, scoring 46 from 32 balls with four boundaries and a six. Markram and De Kock put on a 110-run partnership for the second wicket, reaching 101-1 off the first 10 overs. Heinrich Klaasen and Tristan Stubbs added an unbeaten 53-run partnership for the fifth wicket, with Klaasen scoring 36 not out and Stubbs 20 not out.
USA captain Aaron Jones admitted it was a tough result to take. "We did lack discipline in the bowling at times. Once we play good cricket, we can beat any team in the world. But we need to be a lot more disciplined," he said.
The USA made a bright start to their reply, reaching 50 in the first five overs. However, they struggled to maintain momentum against the Proteas' pace-spin attack. Kagiso Rabada removed Steven Taylor for 24 and Nitish Kumar for eight. American hopes suffered a major blow when Jones, who had scored an unbeaten 94 in their win over Canada, was out without scoring, edging spinner Keshav Maharaj to De Kock.
Former New Zealand international Corey Anderson scored a quick 12 before being bowled by Anrich Nortje. The USA limped to 73-4 off the first 10 overs before Andries Gous and Harmeet Singh reignited their hopes. Gous scored an unbeaten 80 off 47 balls, with five fours and five sixes, while Harmeet added 38 off 22 balls. Gous smashed leg-spinner Tabraiz Shamsi for three sixes in the 18th over, leaving the USA needing 28 off 12 balls. Rabada's tight 19th over conceded just two runs and dismissed Harmeet, finishing with figures of 3-18. Shamsi went for 50 runs off his four overs.
These results place England and South Africa in strong positions in their respective groups in the Super Eights stage, with both teams demonstrating depth and resilience in their performances.
Thug Life brings together two giants of Indian cinema, director Mani Ratnam and actor Kamal Haasan, for the first time since their 1987 classic Nayakan. Hopes were understandably sky-high, especially following Ratnam’s recent success with the Ponniyin Selvan films. Unfortunately, the film struggles to match the weight of its own ambition.
A promising start with technical brilliance
The film opens with style. A gritty voiceover by Haasan sets the tone, followed by a black-and-white flashback in Old Delhi that is visually stunning and thematically rich. Ravi K Chandran’s cinematography and A. Sreekar Prasad’s editing stand out, creating a slick first act filled with betrayal, tension, and dramatic flair.
Kamal Haasan and silambarasan steal the show
Haasan delivers a strong performance as Rangaraya Sakthivel, a gangster who faces repeated brushes with death. His layered portrayal is matched by Silambarasan TR’s intense screen presence. Their performances are the film’s biggest strength, bringing emotional weight to an otherwise uneven narrative.
Supporting cast is underserved by thin writing
While the supporting cast includes notable names like Trisha Krishnan, Joju George, and Nasser, most characters are underdeveloped. Rajshri Deshpande’s brief but memorable appearance proves what could have been achieved with better character depth.
Second half slips into confusion
After the interval, the film loses direction. Key plot twists involving mistaken identities and romantic missteps feel unnecessary and slow the narrative. What begins as a gangster epic shifts into melodrama, undermining the gritty tone set earlier.
Stylised action, but lacking real stakes
The action sequences are well-shot and dramatic, but Sakthivel’s repeated survival through avalanches, explosions, and gunfire makes him feel more like a superhero than a vulnerable gangster. This hurts the film’s credibility and emotional impact.
A film that looks good but lacks heart
Despite its visual richness, Thug Life doesn’t pack the emotional punch expected from a Ratnam film. It touches on loyalty, revenge and power, but without the depth or payoff to leave a lasting impression.
Final verdict
- YouTubeYouTube/ Saregama Tamil
Thug Life is a beautifully crafted but uneven gangster tale. Kamal Haasan and Silambarasan shine, but weak storytelling and a faltering second half stop it from becoming a classic. It’s stylish but lacks the substance fans hoped for.
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The jacket tribute, blending personal sentiment with fashion
Actor Janhvi Kapoor recently paid tribute to her late mother, the legendary Sridevi, by wearing a custom denim jacket inspired by the 1990 Telugu cult classic Jagadeka Veerudu Athiloka Sundari. Janhvi took to Instagram to share the look and express her admiration for the film and her mother’s performance, calling the experience deeply emotional and nostalgic.
In her post, Janhvi described the jacket and film as something she is “obsessed” with. She revealed she had watched the re-released version of the film a few days prior and was reminded of the cinematic magic that brought it to life. “Mumma is like an angel fairy princess and so funny and so cute,” Janhvi wrote, remembering Sridevi’s ethereal screen presence.
She also praised co-star Chiranjeevi Konidela, director K. Raghavendra Rao, and the late Amrish Puri, among others, highlighting the film’s humour, visuals, and overall impact. “The revival of this new print couldn’t have been executed by more able hands and is a gift to cinema lovers today,” she added, noting that it “felt like a visual spectacle that would give our contemporary films a run for their money.”
Jagadeka Veerudu Athiloka Sundari was recently re-released in cinemas, giving fans and the next generation of film lovers an opportunity to experience the classic once again on the big screen. The film, known for its fantastical elements and musical score, holds a special place in Indian cinema history and in Janhvi’s personal memories.
Sridevi, who passed away in 2018, was regarded as one of Indian cinema’s most celebrated actresses. The film remains one of her most iconic roles, and Janhvi’s tribute reflects the emotional bond the actor continues to share with her mother’s legacy.
On the professional front, Janhvi Kapoor is currently enjoying a successful run. She was recently seen in Devara: Part 1 alongside Jr NTR. Her upcoming projects include Param Sundari with Sidharth Malhotra, Homebound featuring Ishaan Khatter and Vishal Jethwa, Sunny Sanskari Ki Tulsi Kumari opposite Varun Dhawan, and Peddi alongside Ram Charan.
The jacket tribute, blending personal sentiment with fashion, has resonated with fans online, reinforcing Janhvi’s connection to her roots and her mother’s iconic cinematic journey.
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Beyoncé rose to fame in the 1990s with Destiny’s Child
Beyoncé is set to return to London as part of her Cowboy Carter tour, performing six dates at the Tottenham Hotspur Stadium. The 43-year-old superstar will kick off her London shows on Thursday, with further performances scheduled for 7, 10, 12, 14, and 16 June.
The tour, supporting her eighth studio album Cowboy Carter, began in April in Inglewood, California, and follows her 2023 Renaissance World Tour, which also included five nights at the same London venue. Most recently, she performed five shows in East Rutherford, New Jersey, before heading to the UK.
Beyoncé’s current tour setlist features a mix of her classic hits such as Love On Top, If I Were A Boy, and Single Ladies (Put A Ring On It), alongside new tracks from Cowboy Carter. These include Texas Hold ’Em, 16 Carriages, and II Most Wanted, marking a move into country music. She has also included covers of Blackbird by The Beatles and Dolly Parton’s Jolene.
There has been no support act on the tour so far, and doors for the London shows are expected to open at 5pm.
Following her UK performances, Beyoncé will continue the European leg of her tour with three shows in Paris at the Stade De France, before returning to the US for the final dates.
The Cowboy Carter tour follows a significant Grammy win for the artist earlier this year. At the 67th Grammy Awards in February, Beyoncé secured her first Album of the Year award for Cowboy Carter. She also took home Best Country Album and Best Country Duo/Group Performance for II Most Wanted, a collaboration with Miley Cyrus.
Her win marked a breakthrough, having previously missed out on the top album honour with I Am... Sasha Fierce (2008), Beyoncé (2013), Lemonade (2016), and Renaissance (2022). During her acceptance speech, she dedicated the award to Linda Martell, the first Black woman to perform at the Grand Ole Opry, who features on the album.
With a total of 35 Grammy Awards, Beyoncé remains the most decorated artist in the history of the ceremony. In March, King Charles III described her as “exceptional” during an episode of his radio programme The King’s Music Room.
Beyoncé rose to fame in the 1990s with Destiny’s Child and has since achieved six UK number one singles and five UK number one albums. She married rapper Jay-Z in 2008, and the couple have three children: Blue Ivy, Rumi, and Sir.
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Trump said the decision followed a makeshift flamethrower attack on a Jewish protest in Boulder, Colorado, which investigators blamed on a man they say was in the country illegally. (Photo: Getty Images)
US PRESIDENT Donald Trump has signed a proclamation that bars citizens of 12 countries from entering the United States from Monday, reviving a policy used in his first term.
Trump said the decision followed a makeshift flamethrower attack on a Jewish protest in Boulder, Colorado, which investigators blamed on a man they say was in the country illegally.
The ban blocks all travel by nationals of Afghanistan, Myanmar, Chad, Republic of the Congo, Equatorial Guinea, Eritrea, Haiti, Iran, Libya, Somalia, Sudan and Yemen, the White House said.
A partial ban applies to travellers from Burundi, Cuba, Laos, Sierra Leone, Togo, Turkmenistan and Venezuela, although some temporary work visas from those states will be allowed.
"The recent terror attack in Boulder, Colorado, has underscored the extreme dangers posed to our country by the entry of foreign nationals who are not properly vetted," Trump said in a video message posted on X. "We don't want them."
Athletes due to compete in the 2026 World Cup, which the United States is co-hosting with Canada and Mexico, and the 2028 Los Angeles Olympics are exempt.
Trump separately announced a ban on visas for foreign students preparing to begin studies at Harvard University.
He compared the new restrictions with the 2017 order that targeted several mainly Muslim nations, saying that earlier step stopped attacks that later occurred in Europe. "We will not let what happened in Europe happen in America," he said. "We cannot have open migration from any country where we cannot safely and reliably vet and screen."
Venezuela’s Interior Minister Diosdado Cabello responded: "Being in the United States is a great risk for anyone, not just for Venezuelans," urging citizens not to travel there.
Amnesty International USA called the measure "discriminatory, racist, and downright cruel" on X, adding that "by targeting people based on their nationality, this ban only spreads disinformation and hate."
Legal challenges are expected, as with several measures Trump has introduced since returning to office in January.
Rumours of new restrictions grew after the Colorado attack, with officials pledging to pursue "terrorists" living in the United States on visas.
Suspect Mohammed Sabry Soliman, an Egyptian national according to court documents, is accused of throwing fire bombs and spraying burning petrol at a group gathered on Sunday in support of Israeli hostages held by Hamas. US Homeland Security officials said Soliman overstayed a tourist visa and applied for asylum in September 2022.
"President Trump is fulfilling his promise to protect Americans from dangerous foreign actors that want to come to our country and cause us harm," White House Deputy Press Secretary Abigail Jackson said on X.
The proclamation said the move is intended to protect the United States from "foreign terrorists and other national security" threats. Taliban-ruled Afghanistan and war-torn Libya, Sudan, Somalia and Yemen were cited for lacking "competent" central authorities to process passports and carry out vetting. Iran was included because it is a "state sponsor of terrorism." Egypt was not on the list.
"The impact of the ban will once again be felt by Americans who were denied the ability to see their loved ones at weddings, funerals, or the birth of a child," National Iranian American Council president Jamal Abdi said.
For most of the other countries, the order cited an above-average likelihood that travellers would overstay visas.
(With inputs from agencies)
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Breaking Taboos: Mama Told Me Not To Come at Soho Theatre
In a theatre landscape hungry for authentic and diverse voices, Mama Told Me Not To Come promises to deliver a refreshingly candid portrayal of experiences often overlooked or misunderstood. The show is a vibrant mixture of humour, heartache, fantasy, and reality, as Poppy and Rubina dive headfirst into the messy realities of relationships, sexpectations, cultural pressures, and personal growth. With raw storytelling and infectious energy, the duo confronts societal taboos, challenging the stereotypes that frequently confine British Asian women in mainstream media.
The title, Mama Told Me Not To Come, hints at the generational tensions and cultural expectations threaded throughout the performance. It’s a nod to the advice, warnings, and rules passed down from parents, particularly mothers, that can shape—and sometimes complicate—a young woman’s journey to independence and self-expression. Through candid monologues and sharp comedy, the show explores how these inherited messages clash with modern desires and realities, creating a rich tapestry of humour, empathy, and empowerment.
For fans of the critically acclaimed Brown Girls Do It Too podcast, which has garnered acclaim for its honest conversations about race, gender, and identity, this stage show offers a new dimension of their storytelling craft. Poppy and Rubina’s chemistry and authenticity leap off the podcast into a live setting, creating an intimate and electrifying atmosphere that invites audiences to laugh, reflect, and relate.
Mama Told Me Not To Come also stands as a cultural milestone, amplifying voices that are too often marginalised in theatre and comedy. It shines a spotlight on British Asian women’s experiences with nuance and warmth, rejecting one-dimensional narratives. The show’s blend of humour and serious reflection encourages dialogue about how identity, culture, and relationships intersect in contemporary Britain.
Set in the heart of London’s vibrant Soho district, the Soho Theatre is the perfect venue to host this innovative work-in-progress. Known for nurturing cutting-edge, diverse performances, the theatre provides a platform where stories like Poppy and Rubina’s can flourish and resonate with broad audiences. The run from June 10 to June 14 offers theatre lovers, comedy fans, and cultural enthusiasts a unique opportunity to see the show evolve and contribute to its journey before its full production launch.
Tickets for Mama Told Me Not To Come are available now through www.sohotheatre.com, and early booking is recommended given the show’s anticipated demand. Whether you’re already a fan of Brown Girls Do It Too or discovering their world for the first time, this preview promises a powerful, entertaining, and thought-provoking theatre experience that challenges norms and celebrates individuality.