Bangladesh's quest for recognition as a significant world cricket force faces a tough examination on their tour of South Africa, which starts Thursday (21) with a three-day match against an invitation side.
Bangladesh will play two Test matches, three one-day internationals and two Twenty20 internationals.
They have lost by an innings in all four Tests they have played on two previous tours of South Africa, as well as losing six of seven one-day internationals and two Twenty20 internationals against the hosts.
The lone exception was an abandoned game on their most recent tour in 2008/09.
The tour itinerary indicates Bangladesh’s relatively lowly status as they will not play at any of South Africa’s major grounds.
The Tests are in Potchefstroom and Bloemfontein, which have hosted only one and four Tests respectively. Potchefstroom’s only previous Test, in the 2002/03 season, also involved Bangladesh.
The one-day and T20 matches will be at Kimberley, Paarl, East London, Bloemfontein and Potchefstroom, all infrequent international venues.
Bangladesh will be buoyed by a solid recent record, despite being without star all-rounder Shakib Al Hasan for the Tests.
Since former Sri Lankan batsman Chandika Hathurusingha took over as coach in 2014 they have gained some notable results, including Test wins against England, Sri Lanka and Australia.
They shared a rain-hit home series against South Africa in 2015.
They have recorded one-day wins against England, Pakistan, India, Sri Lanka and New Zealand during Hathurusingha’s tenure, while they beat South Africa 2-1 in a three-match series at home in 2015.
Their away record remains poor, however, despite a Test win against Sri Lanka in Colombo in March, and they will have to adapt quickly to the expected pace-friendly pitches in South Africa.
The team suffered a setback when they departed from Dhaka last Saturday (16) when fast bowler Rubel Hossain was prevented from boarding because he did not have an immigration clearance.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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