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Divya Dutta talks about how changes are happening for actresses in the industry

Divya Dutta is undoubtedly one of the most talented actresses we have in Bollywood. She completes 25 years in the industry this year and we recently met her and spoke to her about her journey in Bollywood.

While talking we came up with the topic that how after a certain age, actresses are either offered the role of a mother or the roles that are near to her age. We asked Divya if she thinks this needs to be changed, to which she said, “Isn’t it changed? See Badhaai Ho, Neena Ji (Neena Gupta) has done something amazing and she has played a slightly younger role than what she is. It is the most delightful thing to see her in the category of the main lead. So, changes are happening, of course, there are so many stories where women have integral parts. You can’t afford to ignore women of all ages.”


“I think an actor is an actor. We always compare things with the other industries, but there they play all ages. But here, the hero in his 50s can romance a younger actress, so why not women. But I have done that in Badlapur (laughs),” she added.

In Badlapur, Divya romanced Varun Dhawan who is around 10 years younger than her.

Watch the whole interview here…

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5 mythological picks now streaming in the UK — must-watch

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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