Soon it is going to be a year since immensely talented actor Sushant Singh Rajput passed away. But the best thing about artists is that you can cherish their work even when they are not around. In his short-lived Bollywood career, Singh did only a handful of films but most of them were well-made, meaningful movies that proved his unrivalled talent and versatility as an actor.
If we talk about one of his best performances, it has to be Byomkesh Bakshy from acclaimed filmmaker Dibakar Banerjee’s 2015 directorial Detective Byomkesh Bakshy. The mystery action film did not set the cash registers jingling at the box office upon its theatrical release, but now it is hailed as one of the best films produced in the decade gone by.
Revealing his wish to make Detective Byomkesh Bakshy 2, director Dibakar Banerjee told an entertainment portal, “Making a sequel to Detective Byomkesh Bakshy is something that I have desired. I feel the story can be taken forward into a franchise. Of course, we'd have to cast another actor, but it is something I believe Sushant would have wanted.”
Meanwhile, Banerjee is presently basking in the digital success of his latest directorial venture Sandeep Aur Pinky Faraar (2021), starring Arjun Kapoor and Parineeti Chopra in lead roles.
After facing an inordinate delay in its theatrical release, the black comedy film hit the marquee on March 19, 2021. However, it failed to perform well due to a limited release in the wake of the second wave of Covid-19 in India.
Amazon Prime Video began streaming the film on May 20, 2021, where it received outstanding response from viewers as well as several critics. Sandeep Aur Pinky Faraar is a Yash Raj Films venture.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
In the wake of businessman Sunjay Kapur’s sudden death on 12 June 2025, attention has turned to Karisma Kapoor’s personal life and her past marriage. The former couple, who tied the knot in 2003, split in 2014 and finalised their divorce in 2016 after a long legal battle. Their marriage had been fraught with tension, and Karisma’s father, veteran actor Randhir Kapoor, had openly voiced his disapproval of the union.
‘She doesn’t need to remarry, she’s content being a mother’
Following their split, Karisma’s name was occasionally linked with businessman Sandeep Toshniwal, though neither ever confirmed a relationship. In a 2017 interview, Randhir Kapoor was asked whether Karisma planned to marry again. He replied that she was happy, settled, and completely devoted to her children, Samaira and Kiaan.
Randhir Kapoor once said Karisma is happy and well-settled as a single motherGetty Images
“I think Lolo is very well settled and happy. I have never discussed marriage with her, but if she ever wants to marry again, she will always have my blessings. That said, I don’t think she wants to. She’s a happy mother and there’s no step in that direction,” Randhir had said. He added that Karisma is an “excellent mother” and that her love for her children seemed to fulfil her completely.
Despite growing speculation at the time about a new chapter in Karisma’s life, Randhir’s words reflected a family that supported her decision to live life on her own terms.
Randhir Kapoor once said Karisma Kapoor may never remarry after divorceGetty Images
‘I never wanted her to marry Sunjay’
Back in 2016, during the divorce proceedings, Randhir had spoken about how he never approved of Karisma’s marriage to Sunjay. “Sunjay is a third-class man. We are Kapoors. We don’t need anyone’s money. He never cared for Karisma. He lived with another woman while giving her nonsense,” Randhir had said.
He added that everyone in Delhi knew Sunjay’s reputation, and he didn’t want to say more. Post-divorce, Karisma won custody of her children. Reports stated that Sunjay paid ₹70 crore (£6.6 million) in alimony and set aside ₹14 crore (£1.3 million) in bonds for the children’s future.
Though Sunjay later married Priya Sachdev, Karisma has remained single. She returned to the screen with selective work but kept her personal life private. Through it all, she’s maintained grace, and, as her father once said, she continues to live life the way she chooses.
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Nagarjuna reveals Sekhar Kammula told him to unlearn stardom for Kuberaa
Veteran actor Nagarjuna Akkineni is shedding his star persona to play a middle-class man with emotional complexity in Kubera. But that didn’t come easy. In a candid moment from the set, director Sekhar Kammula told him bluntly: “I don’t want to see confidence in your eyes.” That line stuck with him. “It reminded me I had to strip back everything I’ve built up over the years and just be the character,” Nagarjuna recalls.
In Kubera, releasing 20 June, Nagarjuna plays Deepak, a character wedged between a beggar played by Dhanush and a billionaire played by Jim Sarbh. The film is set across three social classes, something the actor believes will strike an emotional chord. “We’re not playing to the gallery. We’re becoming the people in the story,” he says.
This is Nagarjuna’s first outing with director Sekhar Kammula, known for his socially rooted storytelling. Despite being long-time admirers of each other’s work, they had never collaborated, partly because Sekhar didn’t see big stars fitting into his universe. But Nagarjuna believed otherwise. “Stars can bring people to the theatre. The story will keep them there,” he says.
He praised Sekhar’s craft, particularly how his songs arrive unexpectedly but feel completely natural. “His stories uplift, challenge, and entertain. Love Story did it with caste and gender. Kubera does it with class.” The actor also shares how Jim Sarbh stunned the crew by delivering pitch-perfect Telugu lines despite not knowing the language. “He was the most hardworking among us,” Nagarjuna says.
Playing the bad guy with no regrets
While Kubera sees him as a restrained, empathetic man, Coolie flips that completely. Directed by Lokesh Kanagaraj, the film casts him opposite Rajinikanth as a suave, remorseless antagonist. “He’s a double alpha, no redemption, no soft edges,” Nagarjuna says. “He believes he owns the world. It was liberating to play someone so unapologetically bad.”
As he approaches his 100th film, Nagarjuna reflects on staying relevant across four decades. The key, he says, is to evolve with the audience, especially younger viewers. “You can’t preach. You have to adapt or step aside.” And despite the rise of OTT and shrinking theatre windows, he remains confident: “A good film still belongs in a cinema. The experience is unmatched.”
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Danny Boyle returns with 28 Years Later as critics praise Ralph Fiennes and Jodie Comer in gripping infected sequel
It’s been over two decades since 28 Days Later redefined zombie horror, and now director Danny Boyle and writer Alex Garland have returned with 28 Years Later, a sequel that critics describe as strange, thrilling and unlike anything else in the genre right now. Reviews across the board agree on one thing: this isn’t a typical follow-up. Instead of repeating past glories, 28 Years Later throws viewers into a mutated Britain trapped in isolation, where the infected are evolving, and survival feels like medieval warfare.
A bold, chaotic mix of horror, politics and family drama
Critics highlight how the film combines multiple genres like apocalyptic horror, folk survivalism and emotional family storylines. Many reviewers noted that Boyle’s visual direction still feels urgent and stylish, especially in the intense chase scenes through forests filled with new mutated variants: the sluggish “Slow-Lows” and terrifying Alpha berserkers.
Alfie Williams, who plays 12-year-old Spike, has been widely praised for anchoring the story. His journey across the infected mainland with his dying mother Isla is described as the film’s emotional spine. Comer’s performance drew strong acclaim, with some critics saying she gives the film its most grounded moments.
There’s also a consensus that Garland’s script tries to pack in big ideas, touching on Brexit, COVID-era isolationism, and climate dread, but doesn’t always manage to develop them fully. Still, the ambition is appreciated.
Ralph Fiennes delivers the film’s most memorable turn
While the film’s first half is loaded with action, the tone shifts completely when Ralph Fiennes appears as the enigmatic Dr. Kerson. Critics across the board say he steals the film, playing a soft-spoken, possibly unhinged survivor living in a bone temple. His eerie calm and philosophical monologues sparked comparisons to Apocalypse Now’s Colonel Kurtz.
The general verdict? 28 Years Later is uneven but never boring. It is an ambitious return that doesn’t shy away from chaos. And with part two, The Bone Temple, already in the works, reviewers agree: this wild new trilogy is just getting started.
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Radhika Apte stars in BAFTA-nominated Sister Midnight, now available to stream online
BAFTA and BIFA-nominated indie Sister Midnight is now available to stream on major digital platforms, including Altitude.film, Apple TV, Amazon, Sky Store, and Curzon Home Cinema.
Director Karan Kandhari’s first feature arrives with plenty of praise and a striking lead performance by Radhika Apte, whom critics say delivers “an endlessly expressive marvel.” Set in the humid, buzzing heart of Mumbai, the film follows a newly married couple trying and often failing to fit into each other’s worlds within the cramped confines of a one-room home.
Apte plays Uma, a new bride forced into a life she didn’t choose, navigating nosy neighbours, a heat-soaked home, and a clueless husband she barely knows. With little support and mounting frustration, she begins drifting into the unpredictable world of Mumbai’s nights, where street dogs, shadows, and music accompany her search for identity and escape.
Kandhari doesn’t stick to the rules. The film unfolds like a fever dream, part dark comedy, part urban myth. It’s messy, but purposefully so. The chaos mirrors Uma’s journey. The paper-thin walls of her shack aren’t the only things breaking down; so is her idea of who she’s supposed to be.
With a soundtrack as unpredictable as the protagonist, Sister Midnight swings between classic rock, old blues, and raw punk, featuring legends like Howlin’ Wolf, Motörhead, and The Stooges, along with original music by Interpol’s Paul Banks.
Radhika Apte’s raw, magnetic energy grounds the chaos
While the film is full of jagged energy and eccentric moments, Apte’s performance ties it all together. She doesn’t just play Uma, she unravels her, one twitch, glare, and outburst at a time. Critics have called her work here “electrifying” and “oddly poignant.” The film clocks in at 110 minutes and carries a 15 certificate for its edgy themes.
But Sister Midnight is far from just gritty; it’s a rare mix of heart and havoc, offering a glimpse into one woman’s unravelling, with the city of Mumbai acting as both witness and accomplice.
SS Rajamouli isn’t holding back with SSMB29, his latest big-screen spectacle starring Mahesh Babu, Priyanka Chopra Jonas, and Prithviraj Sukumaran. The filmmaker, known for his visual scale and attention to detail, has recreated the holy city of Varanasi in Hyderabad’s Ramoji Film City instead of shooting on location. The reason? The chaotic logistics of filming in the spiritual capital of India.
The set, rumoured to cost £4.8 million (₹50 crore), is a massive replica built specifically for a key sequence in the film. Leaked photos from the set have already gone viral online, giving fans a glimpse of the scale Rajamouli is aiming for. Mahesh Babu will be filming an action sequence here, with VFX work enhancing the visuals. In true Rajamouli style, international graphics studios, some of the best from Hollywood, have been roped in to bring the visuals to life.
SS Rajamouli builds Varanasi set in Hyderabad for SSMB29 shootGetty Images
Kenya schedule to kick off in July with action-packed jungle scenes
After wrapping up earlier schedules in Odisha and Andhra Pradesh, the SSMB29 team is now gearing up for its first international leg in Kenya. Originally planned for March, the schedule was delayed due to extreme heat in the region. Now rescheduled for July, the shoot will take place in some of East Africa’s most scenic locations, including Kenya’s Masai Mara, Tsavo, and Amboseli national parks.
This phase will see Mahesh Babu and Priyanka Chopra Jonas dive into adrenaline-heavy sequences set deep in the African wilderness. The story reportedly involves Mahesh’s character searching for a rare herbal remedy, adding a mythical twist to the film.
Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran joins SSMB29Getty Images
For Priyanka, this film will mark her major comeback to Indian cinema after a six-year gap since The Sky Is Pink (2019). Her return in a Rajamouli project has fans across continents eager to see her back on the big screen.
A global vision with roots in mythology
While the team hasn’t confirmed the plot officially, reports suggest that the film is inspired by Ramayana-esque themes, with Mahesh Babu’s character on a spiritual and physical quest. The combination of Indian mythology, jungle survival, and stunning visual effects makes SSMB29 one of the most awaited Indian films currently in production.