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Decision on shoot dates for Katrina Kaif’s next with Sriram Raghavan to be taken soon

Decision on shoot dates for Katrina Kaif’s next with Sriram Raghavan to be taken soon

By: Mohnish Singh

After weeks of speculation, it is confirmed now that Katrina Kaif has signed on to headline filmmaker Sriram Raghavan’s next directorial venture, tentatively titled Merry Christmas. The film will also feature Tamil star Vijay Sethupathi in a significant role.


The project was reportedly set to get off the ground in April, but with the leading lady Katrina Kaif contracting the novel coronavirus recently, many thought there would be some change in the plan of action. However, it seems everything is on track.

Producer Ramesh Taurani tells an online publication, “Our film was anyway supposed to start by April-end. Once Katrina gets better then we will decide on the shoot date. We will be filming in Mumbai, and were supposed to start with the readings. But it will now happen when Katrina gets better. We are hoping we should be able to start with the prep by April 21.”

Sriram Raghavan last directed Andhadhun (2018), which won actor Ayushmann Khurrana his first National Film Award. We hear that just like Andhadhun, Merry Christmas is also inspired by a short story and that it is a project that the director has been wanting to make for a long time now.

Meanwhile, Katrina Kaif has several other exciting projects in her pocket as well. While the actress has wrapped up Excel Entertainment’s horror-comedy Phone Bhoot with Siddhant Chaturvedi and Ishaan Khatter, she will soon join superstar Salman Khan on the sets of Yash Raj Films’ much-awaited film Tiger 3, which is currently being shot in Mumbai.

Kaif will also reunite with filmmaker Ali Abbas Zafar for their female superhero film. Zafar is making it for the leading streaming media giant Netflix.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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