THE HUSBAND of murdered Labour MP Jo Cox has spoken of being overwhelmed by the nationwide response to the Great Get Together last weekend, when tens of thousands of street parties were held in memory of his wife.
Brendan Cox set up the Jo Cox Foundation in her memory and planned the informal get-togethers to celebrate what we have in common, rather than what divides communities, and which was a central theme of the late MP's first speech in parliament.
In an interview with Eastern Eye last week, Cox said he wanted the anniversary of his wife's death to be a reflection of who she was, someone who had an “amazing enthusiasm and zest for life”.
“Jo loved getting together with her community,” Cox said, adding, “We all want to live in closer communities.
“We are at a stage where some of our communities are fragmented a little bit, but you can't just wish that you live in a closer community, you actually have to do something about it.”
It is estimated that 100,000 parties were held across the UK last weekend (17-18), with Cox attending celebrations in Batley and Spen, the constituency his wife represented and where she was murdered last June by Thomas Mair, as well as in London, where he lives with his son and daughter.
Cox said: “Jo's killing was designed to divide communities, it was driven by hatred, and it was about trying to pull as apart.
“And I could think of no better response to that than a moment that actually brings the country together.
“It shows that our country, with its diversity and differences, that actually we have more in common than the things that divide us. That was the stuff that Jo talked about.”
She was fatally injured on June 16, 2016, a week before the EU referendum, by Mair who shot and stabbed her multiple times. He was known to be a Nazi sympathiser with links to the far-right and is serving a life sentence for her murder.
Cox said his wife's legacy would be getting communities closer together and breaking down barriers, and that it was for both people and government to make it happen.
“That sense of community spirit and closeness comes from the community and you can't do it top down,” he said.
“Having said that, there's a bunch of policies that ministers can do to get out of the way to make to easier to facilitate it... whether that's in housing or education, we can't leave it to government, it's not something the government can do by itself.
“I think we all have an opportunity, it's a positive thing to reinvent our own communities.”
Following the referendum last year, the general election earlier this month and the terror attacks in London and Manchester, instances of hate crime have gone up, with those from ethnic minorities bearing the brunt of the attacks.
Cox acknowledged that while Britain chose to leave the European Union, “the narrative that we all hate each other because of the way we voted in the election of the referenda (Scotland and Brexit), I just don't think that's true.
“For most people, what is much more important to them are family, communities, or their faith or a thousand other things and politics probably takes about one per cent of their headspace.
“While the media and the public debate focuses on the areas that we disagree with each other, I think communities are crying out for togetherness.
“Definitely, politics can polarise, but I also don't think it represents who we really are in this country.”
He added: “What extremism has at its core, whether it is Islamist inspired or Nazi/ fascist inspired, as it was in the case of my wife - what they have at their core is the same thing, which is the fear of others and the hatred of others.
“(But) that hatred has never divided our country and never will define our country.
“We all have that responsibility to drive that to the extreme within our own communities, to address hatred in all of its forms.
“The way that we will defeat extremism is by building closer communities and by getting closer with our neighbours, by knowing each other.
“It's easy to hate people in the abstract, it's very hard to hate people when you know them.”
To a question on whether liberalism was at threat in western democracies, Cox cautioned against taking such values for granted.
“We have been complacent for too long in terms of assuming that the values and institutions that we build which underpin liberal democracy are in some way sacrosanct and don't have to be fought for.
“The reality is that the rise of (US president Donald) Trump and (French politician Marine) Le Pen, (anti-EU Dutch politician Geert) Wilders, all of those show actually how fragile those institutions are, also values are.
“Unless you actively fight for them and go out and support them, they can crumble and change very quickly.
“Those institutions and values will only persevere if we wake up out of our complacency and say actually this is a live fight – this is something we have to reassert, every generation needs to fight for the values that define it and the institutions.
“Even in the worst moments of Manchester and the London attacks, the way that those cities responded was to show that the sense of togetherness, solidarity, and the importance of maintaining and safe guarding our values was even more important, more powerful so that gives me great hope.
“I'm very optimistic, but that is based on the continued mobilisation of that silent majority who all took for granted that the values that we have are always the values that we will always have.
“The silent majority has realised that they have to reassert those values all over again.”
Cox, who put together the plan with a small team, said he was not sure yet if the celebration would turn into an annual event, but said there was a “huge desire for people to rebuild communities”.
“The Great Get Together isn't going to solve any of that, but it's one example of the sort of thing that we should do more of.
“I also think that once you've done it once, it becomes easier to do it again. I hope it sets off a chain reaction in communities where people feel closer and they are more connected and more willing to do more things together,” he said.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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