Whether taking long breaks or making unpredictable choices, Chitrangda Singh has always followed her own rhythm in a notoriously fast-paced film industry.
The ever-graceful actress adds fresh chapters to her cinematic journey with two dramatically different projects. Just a week ago, she made a splash on the big screen in the mega-budget comedy multistarrer Housefull 5, part of a popular franchise. Next, she will shift gears for Raat Akeli Hai 2 – the dark, layered Netflix sequel to the gripping whodunnit that captivated audiences during lockdown.
Her unconventional path continues with this dual release, which reflects her commitment to varied work. That approach has defined her since making a winning debut with the acclaimed 2005 film Hazaaron Khwaishein Aisi. The top talent remains driven by audience appreciation.
In a wide-ranging interview with Eastern Eye, she discussed her journey, passions beyond acting, dream role, fashion, approach to performance, and advice for young women.
Chitrangda Singh
How do you reflect on your acting journey?
I think it has been a very gratifying and exciting journey. I have taken quite a few breaks in between but feel audiences did not forget me or my work. Even when I did less, they still gave a lot of love and respect for what I had done, which for me is such a huge encouragement to keep going. It has been a very interesting life, especially because this was not something I had planned or expected to do.
Tell us about that.
It was this amazing coincidence – how (writer/director) Sudhir (Mishra) found me and I got Hazaaron Khwaishein Aisi. It felt like someone was introducing me to myself, telling me I had a talent I should explore. I am very thankful that audiences have not forgotten me. I am still here, doing exciting work.
What makes you so selective about the projects you take on?
The root cause is simply that when you do not get the kind of work you are looking for, you wait. So, it is not that I have been deliberately choosy. I just tried to pick the best from whatever came my way. Actors are offered all kinds of work. When it was not good enough, I preferred to wait rather than come under pressure to take it. All I can say is, I did not quite get the kind of work I was hoping for.
Looking back, would you have done anything differently?
If I could change something, it would probably be the long breaks I took. Those happened because of certain family commitments, which meant I had to keep going back to another city.
I was not in Mumbai all the time. Staying away – especially that seven-year break early on – meant people did forget me a little, and I had to keep making comebacks. That probably affected my career. I also wish I had stayed more focused and worked harder at times.
You have played a variety of interesting roles. Which is closest to your heart?
The film that is closest to my heart is Inkaar with Arjun Rampal. I feel my character, Maya Luthra, was a special woman. She could be strong and ambitious, and make a place for herself in a man’s world – fight for it. At the same time, she was vulnerable, emotional, and in love. Those are the contrasts we live with. I feel Maya was a beautifully written character and the one I relate to the most.
Which film project challenged you the most?
It is the one I have just completed – Raat Akeli Hai 2 for Netflix with Nawazuddin Siddiqui. It was a tough role, and Honey Trehan is a very demanding director. I had a great time and learnt a lot on set after a long while. Sometimes you get these characters that force you to change your approach. I must thank Honey for that. It was challenging, but I really enjoyed it.
What is the secret to surviving in such a competitive industry?
The secret is doing good work. I have taken long breaks, but people remember you if the work has been strong. They recall your performances and potential. I think that is the only way to survive and build a long shelf life. It is not about visibility, PR, or award shows – those help, but they do not last. Only the work does.
Chitrangda Singh
You always have great screen presence, but what is the secret to a great performance?
My understanding is that acting is not about performing, but reacting – emotionally, physically, and truthfully to a situation. That stops you from repeating yourself. In real life, you do not get angry the same way every time because the context is always different. Of course, it depends on the writing too. But if you react with honesty, without overplanning, that is the key to a great performance.
Which genre do you prefer?
I haven’t done much of it, but I love romance and good drama.
Do you have a dream role?
I have said this many times – it would be Umrao Jaan, the character Rekha played in Muzaffar Ali’s film. I find women and dancing girls from that era fascinating. They lived hard lives but were ahead of their time in many ways. They were uninhibited about their sexuality, yet deeply cultured – reading, writing poetry, and of course, dancing.
What are your biggest passions outside work?
I do not get too much time, but I love painting and charcoal sketching. I also enjoy golf and like playing it. I love trekking – I have done a lot of that in Srinagar and Jammu and Kashmir, just walking along rivers and fishing. I wish I had more time for it.
What do you enjoy watching as an audience?
I love romance. I also enjoy thrillers and drama. I especially like courtroom dramas – they are fascinating and very difficult to write well.
You are seen as a symbol of girl power. What advice would you give to women and girls?
Keep working on yourself. Make sure you are financially independent, because that leads to mental and emotional independence. If you cannot support yourself financially and rely on someone else, it becomes the worst kind of dependence – even your thoughts and opinions start relying on them. So, work on yourself, become financially stable, and be your own person.
Any other advice?
This idea of feminism where women try to be men – I do not agree with that. I think women should remain women but work hard for opportunities. Do not look for shortcuts or expect special treatment because you are a woman. Pay your dues and work as hard as any man. That is how you earn it.
Your fashion sense always stands out. What inspires your style?
My style has always been classic and casual chic. I cannot pull off over-the-top looks or heavy bling. I prefer understated and structured outfits. But honestly, I am most comfortable in jeans and a T-shirt. I always go for clean, timeless silhouettes.
If you could master something new, what would it be?
Horse riding. I have been on a horse and can manage a little, but I am not very good. A woman on a horse is so graceful. I would love to learn dressage – it is the most beautiful thing. The other thing is fishing – if I could get better at it, I would enjoy those long treks even more.
Why do you love being an actress?
The most exciting part is getting to play different characters. I love human psychology – I am curious about people and their behaviour. Working on that, picking up nuances, building new characters and becoming someone else is thrilling. And it changes every day. I feel blessed to do such varied work with so many creative people. It is an energy I thrive on.
As HBO prepares to bring Harry Potter back to screens with a new television adaptation, excitement is high around the casting of Dominic McLaughlin, Arabella Stanton, and Alastair Stout as the iconic trio of Harry, Hermione, and Ron. But amid the buzz, a quiet voice of caution has emerged. Chris Watson, father of original Hermione actress Emma Watson, is urging parents and the industry to tread carefully when it comes to child stardom.
Chris Watson is not speaking as a critic or industry insider but as someone who watched his daughter grow up inside a global franchise. Emma was nine when she landed the role of Hermione Granger, and what followed was a decade of public attention that reshaped her life. Her father remembers the shift vividly. “Her homework would go back to school on motorbikes,” he once said, pointing to the surreal logistics fame forced on them.
Emma, who has since spoken openly about the emotional toll of growing up famous, has described feeling “terrified” and “inadequate,” and even envying her peers for being able to do ordinary things, like knowing their favourite colour or forming friendships without public scrutiny. It’s this experience that Chris is drawing from when he warns: “As a parent, you have to be scared.”
Fame at a young age comes with a price
The context this time is different. The casting process for the HBO reboot reportedly involved sifting through 30,000 applicants. The new trio are young and relatively unknown, just like their predecessors were in 2001. But the digital world they’re entering now is far more invasive. Every post, photo, or comment is dissected in real time, exposing young actors to criticism, trolling, and unwanted attention, far beyond the limited press tours of 2001.
Chris Watson, Emma’s father, and other insiders warn of the emotional toll facing today’s young starsGetty Images
Emma’s journey: Blueprint and cautionary tale
Emma Watson was nine when she won the part of Hermione. Almost overnight, their whole family life bent around filming schedules. Chris Watson deliberately downplayed Hollywood’s glamour at home. He “doesn’t actually watch films” to prevent Emma from believing the character defined her. He insisted Warner Bros. respect her schoolwork and spare time. Yet the pressure still mounted.
Emma later admitted she struggled with guilt in therapy and suffered “vertigo” from constant public attention. At 18, invasive paparazzi shots were published within hours of her birthday, while her co-stars faced parallel battles. Daniel Radcliffe used alcohol to cope, arriving on set "still drunk" and "dead behind the eyes," while Rupert Grint felt reduced: "I felt like I only knew how to do one thing: play Ron."
From online hate to AI threats, the rebooted Wizarding World may be more dangerous than magicalGetty Images
2025’s more perilous journey
The AI Boggart- Generative AI and deepfakes now make non-consensual, manipulated images or videos a real threat. These digital illusions can damage reputations and cause emotional harm in ways the original cast never encountered.
The Rowling Snare- With J.K. Rowling as executive producer, her polarising views on transgender rights hover over the series. Despite assurances they won’t influence the storyline, the new actors will be drawn into cultural debates and pressured to take sides.
Although he never offered a bullet-point plan, his comments cut straight to the heart of what matters:
"As a parent, you have to be scared" “While there are many upsides, nothing is perfect and you have to recognise there are going to be downsides you could not have imagined.” His frank admission underlines the need to stay vigilant and prepared for unexpected challenges.
Keep home life sacred “It certainly helped that I don’t actually watch films... the studio and everybody else knew that this was not Emma’s whole life, and that she had homework to do, she played a little bit of cricket as well.” Here, Watson shows how he maintained normal routines including school, family time and sports to prevent Emma’s identity from merging with Hermione Granger.
Reach out and share hard-won experience “If they want to talk to someone who’s been through this… I would be more than happy.” By offering mentorship to the new parents, Chris emphasises that open communication and shared support are vital tools in safeguarding young actors.
Unlike the early 2000s, today’s child stars face nonstop scrutiny, digital dangers and cultural controversyGetty Images
Alumni perspectives: Lessons from child stars past
Several former young actors have shared insights that accentuate Chris Watson’s warnings. Evanna Lynch (Luna Lovegood) recalls feeling “adored and trapped” when the cameras stopped but expectations didn’t. Jake Lloyd (young Anakin Skywalker) describes how relentless attention led to severe anxiety. Their stories make it clear that the hardest effects often come once filming wraps up.
Behind the excitement of the reboot lies a harsh reality many child stars never escapeGetty Images
The ethical dilemma: Joy versus risk
Prospect Magazine asks whether it is ethical to place children in an environment rife with digital threats and guaranteed controversy. Can the magic of Hogwarts justify this gamble? HBO’s Francesca Gardiner and Mark Mylod praise the trio’s “wonderful” talent, and Rowling herself endorses them. But raw talent alone offers no protection.
Hollywood’s history with child stars reads grimly: Judy Garland fed amphetamines, Macaulay Culkin abused, Star Wars' Jake Lloyd broken by bullying. Can this cycle end? Chris Watson offers more than warnings; he’s extending mentorship to the parents.
Hogwarts is calling but fame’s dangers are louder for Harry Potter’s new trioGetty Images
Real magic: Protecting childhood
The return of Harry Potter also raises broader questions about corporate priorities. With J.K. Rowling returning as executive producer, a figure who now carries both creative authority and controversy, the series enters a more complex media landscape. Will the focus stay on the storytelling, or will the new stars be caught in wider debates?
For now, Dominic, Arabella, and Alastair are at the start of a journey that will define their adolescence. Whether that journey is empowering or overwhelming will depend not just on their talent, but on how well they’re protected behind the scenes. Chris Watson’s voice may not be the loudest in the room, but it carries weight, built on lived experience, and a simple truth: children in the spotlight still deserve a childhood.
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With a massive music collection spanning several decades, multi-genre DJ and music producer DJ Funky T found it challenging to narrow down just 10 songs he loves. Also known as Tony Hayer, his favourites range from Michael Jackson, Dr Dre and Fleetwood Mac to Bollywood, Punjabi, Hindi, Sufi and more. Some of these diverse influences feature in his own track Tu Meri Rani Si.
Before revealing his choices, he said: “The following golden tracks have stood the test of time. It was a hard call, as many more songs could have made this list. So, in no particular order from my current conscious memory, I present 10 Indian songs I love. Check them out and enjoy.”
Chand Sifarish from Fanaa: This Bollywood track, headlined by Aamir Khan and Kajol, starts with a cheesy rock guitar but quickly transforms into a dynamic blend of beats, choppy tablas, rich harmonies, sitars and an addictive whistling motif.
Neuke Phadin Jawanan by Panjabi MC: A 2003 hit that borrows rhythm styles and melodies from Maxi Priest’s Wanna Be Close To You. It features lyrics by Lal Chand Yamla Jatt, a classic 1990s urban swing beat, as well as a fantastically groovy chorus built around tumbi plucking melodies.
Indian Dance by Kray Twinz ft Elephant Man: A powerhouse club anthem marked by the Kray Twinz’ signature sound. This thrilling blend of hard bashment and traditional gidha boliyan rides a thunderous bassline and features ragga legend Elephant Man.
Addi Mardi by Malkit Singh: This timeless party favourite tells the story of a man smitten with a girl and wanting to dance with her. From the start, it delivers plucky guitars, a cheeky bassline and a fast reggaetón-tinged rhythm. Guaranteed to lift the mood every time.
Akhiyaan by Vee/Jay Kahn: A beautifully produced love song by the exceptional Vee, younger brother of Hunterz. The track blends a spiritual mood with high production value, hypnotic melodies and subtle Sufi elements that uplift and soothe.
Khwaja Mere Khwaja from Jodhaa Akbar: AR Rahman delivered one of my favourite Sufi songs in this Bollywood film. He composed and sang it himself. The touching song about the relationship with a higher power is picturised beautifully, with dancers reaching up to the sky, as if to be holding God’s hand.
Discovery by Shammi Pithia: Taken from his album Cosmic, this track is very spiritual sounding. The healing song performed and produced by Shammi Pithia has world-class flute melodies. This song can both make or break you, dependent on your mood. But either way, it will leave you feeling touched.
Gutt Sapni by Jhinda Music ft Captain: The fabulous sounding track featuring Punjabi singer Captain has great keys composition, dynamic drum beats and a magnificent mixdown finish. Captain has a similar singing energy to Malkit Singh, but with his own contemporary twist. The track has terrific tumbi melodies throughout.
O Mere Dil Ke Chain from Mere Jeevan Saathi: This 1972 RD Burman composed film song sung by Kishore Kumar is an absolute classic. It personally takes me to my childhood days when everyone’s parents, including mine, played it. A huge all-time classic favourite Hindi song written with sweet, innocent love lyrics.
Tere Liye from Veer Zaara: The late legend Lata Mangeshkar along with top singer Roop Kumar Rathod. Enough said. This classic Bollywood track is an absolutely beautiful piece describing the heartache between two people deeply in love.
Qawwali remains popular with cross-cultural audiences, but very few get the chance to experience one of the world’s oldest music genres in its purest form. Whether it is the diluted style seen in Bollywood adaptations or fusion with contemporary sounds, the tradition is often watered down.
Najmuddin Saifuddin & Brothers Qawwali Group stand apart from that commercialised crowd, presenting the Sufi genre in its most authentic style. The five talented brothers – sons of the late qawwali icon Ustad Bahauddin Khan Qawwal – belong to a remarkable lineage that traces directly back to the first group formed by the genre’s founding father in the 13th century.
Currently on a UK tour, the group delivered a stunning stage performance that confirmed their brilliance. Unlike most qawwali ensembles that rely on one or two lead singers, all five brothers took turns leading, gracefully exchanging vocal passages to produce a timeless, mesmerising sound. The power, passion and grace of their high-energy performance shone through as they delivered beloved classics such as QaulQalbana, Rang and Naat Shareef. The concert opened in high gear and gained momentum with each composition, before culminating in a thunderous rendition of Mast Qalandar.
They also performed khayal and tarana-style qawwalis, alongside pieces deeply rooted in mysticism. Accompanied by a superb percussionist, their sound remained untouched by modern influences, yet felt completely relevant and accessible to audiences of all ages and backgrounds. Their tour continues across the UK until mid-July, and they are certain to keep transporting audiences back in time through a forward-looking, spiritually rich performance – the kind few qawwali acts worldwide can deliver. The only downside? The show had to end. It felt as though the group were just getting started – they could have easily played for several more hours.
They were the nurses, cleaners, activists, and everyday heroes who arrived in Britain with little more than courage and determination. Now in their 80s and 90s, six women who helped rebuild the UK after the Second World War are finally getting their due in Fearless, a powerful new documentary that brings their remarkable stories to the big screen.
Launching on Windrush Day (22 June), the film will tour select cinemas across London through July, with post-screening Q&As featuring the directors and cast. It celebrates the lives of Sheila Daniel, Aileen Edwards, Maggie Kelly, Anne Gaché, Nashattar Kang, and Nages Amirthananthar, women of Caribbean, Irish, and South Asian descent who came to Britain as part of the Windrush generation and beyond.
These women, once young migrants navigating hostility, isolation, and discrimination, found strength through solidarity and built lives that left a lasting impact. From taking part in historic strikes like Grunwick to surviving the aftermath of the Notting Hill riots, their personal journeys are woven into the wider political and social fabric of the country.
Drawing on rare archival footage and emotional interviews, Fearless preserves their legacy. But beyond that, it challenges the invisibility that has long plagued immigrant women in British history books. This is more than nostalgia, it is a necessary act of recognition.
A still from Fearless showing archive footage interwoven with first-person storiesMcasso/ Screengrab
Bold stories told by those who lived them
The documentary comes from husband-and-wife filmmaking duo Damian Paul Daniel, a BAFTA-nominated cinematographer, and Noella Mingo, a director of Guyanese-British heritage passionate about amplifying overlooked voices. Their production company, They’re Watching Us, focuses on stories that defy expectation, and Fearless is no exception.
Screenings are scheduled at The Rio in Dalston (22 June), Bertha Dochouse (29 June), Genesis in Whitechapel (1 July), and The Lexi in Kensal Rise (16 July). Each screening includes a post-film conversation with the team.
At its heart, Fearless is a tribute to courage, resilience, and the quiet force of women who shaped a nation, even when history tried to forget them.
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A bee flew into his mouth and stung him while he was on the field
Sunjay Kapur, a prominent industrialist and polo patron, passed away at the age of 53 in the United Kingdom after reportedly suffering a heart attack during a polo match. Kapur was also known for being the former husband of Bollywood actress Karisma Kapoor.
Tragic incident on the polo field
The incident occurred during a polo match where Kapur was representing his team, Aureus. According to reports, a bee flew into his mouth and stung him while he was on the field, triggering a fatal heart attack. Despite the rapid arrival of medical assistance, he could not be revived.
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Kapur, who had a deep love for the sport, was playing against team Sujan, led by hotelier Jaisal Singh, at the time of the incident.
Business legacy
Sunjay Kapur was the son of the late Surinder Kapur, founder of the Sona Group, an influential player in India’s automotive components industry. After joining the family business in 2003, Sanjay played a key role in its expansion and global outreach. He served as chairman of Sona Comstar, a company known for its focus on electric vehicle parts manufacturing.
Educational background
Born into a prominent business family, Kapur was educated at The Doon School in Dehradun and later attended the Cathedral and John Connon School in Mumbai. He pursued a Bachelor’s degree in Business Administration, specialising in Corporate Strategy and Human Resources, in London.
Personal life and marriages
Kapur's personal life often attracted public attention. He was married three times. His first marriage was to fashion designer Nandita Mahtani, which ended in 2000.
He married actress Karisma Kapoor in 2003. The couple had two children—Samaira and Kiaan—before separating in 2016. They remained committed to co-parenting their children.
Following his divorce, Kapur married Priya Sachdev, a model-turned-entrepreneur. The couple welcomed a son, Azarius, in 2018. Priya also has a daughter, Safira Chatwal, from a previous marriage.
Passion for polo
Beyond business, Kapur was deeply involved in polo, both as a player and patron. His team, Aureus, was part of various domestic and international tournaments, showcasing his commitment to the sport.
Sunjay Kapur is remembered for his contributions to Indian industry and his passion for polo. His sudden death has left the business and sports communities in shock.