Chahat and Mahmood Ali: ‘Qawwali helps audiences connect to a higher power’
Eastern Eye spoke to the fabulously talented father and son to discuss their fascinating journey, qawwali music, free London show, future hopes, and their music heroes
By Asjad NazirAug 02, 2023
WHETHER it is Rahat Fateh Ali Khan selling out big arenas, iconic festivals like Womad featuring qawwali concerts or compositions from major names like AR Rahman, Sufi music has been red hot in recent years.
The next big breakout act in the devotional genre, rooted in over 700 years of tradition, is Chahat Mahmood Ali qawwal group. The supremely talented group from Pakistan recently arrived in the UK for a six month tour. The world-class nine-man act led by Chahat and Mahmood Ali will deliver their first major London show in Newham at Stratford Youth Zone, as part of South Asian Heritage Month on August 18.
Eastern Eye caught up with the fabulously talented father and son to discuss their fascinating journey, qawwali music, free London show, future hopes, and their music heroes.
How do you reflect on your journey?
Mahmood: This journey has been a blessing. I have worked with great artists, including Ustad Rahat Fateh Ali Khan, for 11 years, and Faiz Ali Faiz for five years. I have travelled to the UK, Europe, Japan, Morocco, Singapore, India and the US.
What has been your most memorable moment so far?
Mahmood: In 1999 till 2002, I joined Rahat Fateh Ali Khan’s qawwali team with a majority of (late) Nusrat Fateh Ali Khan group’s members. it was an honour to be on the second harmonium, while the late Ustad Farrukh Fateh Ali Khan (Rahat’s father) was on the first harmonium.
When did you discover your son had incredible talent?
Mahmood: Chahat was six years old when he started humming. I used to take him to concerts with Rahat saab and he would join in vocally.
Mahmood Ali with his son Chahat and other group members
What connected you to qawwali music?
Chahat: My forefathers have been in the singing profession for many generations. They had migrated from Jalandhar, India. I was surrounded by relations, who were active singers from Faisalabad, from day one. My uncle Haji Babar Hussain was a father-figure, and a member of Ustad Nusrat Fateh Ali Khan’s qawwali team. Nusrat saab hailed from our city Faisalabad and inspired me to pursue qawwali.
How do you feel being in a qawwali group with your father?
Chahat: My father is an experienced and exceptional artist, who has worked with many renowned qawwali groups, so being on my first UK tour with him is inspiring. He is a guide, mentor and someone who brings out the best in me daily. My younger brother Tameer Abbas is also with us - he plays tabla and is a versatile chorus singer.
What do you most love about your father as an artist?
Chahat: I love the way my father plays the lead harmonium. His vocals are amazing. He has a high pitch and very few can hit notes in qawwali like he does.
Tell us about your group?
Mahmood: The group is put together by our promoter Abid Iqbal. My son and I are blessed to have a great group of experienced artists backing us, who have played with lead qawwals like Rahat Fateh Ali Khan and Faiz Ali Faiz for prolonged periods. We have world-class artists Shahid Nadeem, Mohammed Nasir, Mohammed Kashif, Sarfraz Hussain, Sabir Hussain, Tameer Abbas, and Mohammed Rameez.
How do you feel performing shows in the UK?
Mahmood: I have always worked with sayarts.com, who are well connected promoters of qawwali. In the past, it was me as a musician, but now there is more responsibility as both me and Chahat are leading the group.
Chahat: UK helped put qawwali on the international map, so is very important. Some major artists have made a real name for themselves, thanks to the UK, which has a diverse mix of audiences, who value artists. Emerging artists do not get the same appreciation in Pakistan. If you have talent, then UK will push you higher.
What can we expect from your free concert in Newham on August 18?
Mahmood: You will get an energetic live performance of non-stop popular qawwali numbers, like Allah Hu, Tu Khuja Man Khuja, Mere Rashke Qamar, Bol Kaffara, Nit Khair Manga, Tumhey Dillagi, Mast Nazron Sey, Akhiyaan Udeek Diya, and Dam Mast Qalandar.
You are performing in London as part of South Asian Heritage Month. How important is your history to you?
Chahat: It’s very important and it is exactly why I want to connect young people to their roots, through my qawwali performances. Qawwali has connected people to their heritage for centuries and I want to continue flying that flag in a positive way. Mahmood: We are thankful to the honourable mayor Ms Rokhsana Fiaz for organising an event like this. We should all keep connected to our history, heritage, and roots. It is our duty to preserve our roots and why I have passed on what I’ve learned to my children. This has prevented a 700 year old genre from being wiped out.
Chahat Ali with Ustad Rahat Fateh Ali Khan (L)
Tell us about the strong connection you have to Rahat Fateh Ali Khan and his father?
Chahat: My father was a student of the late Farrukh Fateh Ali Khan (Rahat’s father), learning harmonium and qawwali singing from him. He was also part of Rahat saab’s qawwali group as a harmonium player for 11 years (1999-2010). I officially became Rahat saab’s student during his UK tour in July 2023.
Why do you think people love Sufi and qawwali music?
Chahat: Qawwali and Sufi music take audiences on a journey and help connect them to a higher power. It makes you feel something, even if you can’t fully understand the lyrics. It can purify your heart and has lyrics written by some of the greatest saints. It has a message of togetherness, peace, love and understanding.
What inspires you as an artist?
Mahmood: The late Nusrat Fateh Ali Khan showed the world his musical talent and put Pakistan onto the international map. He has also inspired a generation of artists, including us. Chahat: Audiences interacting with me during my performance and clapping along is so inspiring. I feed off their energy and feel motivated to give my best.
Who is your qawwali hero?
Mahmood: The late Ustad Farrukh Fateh Ali Khan for inspiring me. I learned so much from him. Chahat: My qawwali hero is Ustad Rahat Fateh Ali Khan, as he worked hard to create a name for himself. My father worked with Rahat for 11 years, so I have grown up admiring him since I was a young child.
Could you tell us the future plans for your group?
Chahat: We have signed with UK-based sayarts.com for the next 10 years. We want to take our music to the world from the UK. Like Nusrat Fateh Ali Khan, we would like to collaborate with western artists, showcase our talent at international music festivals, as well as record
film music.
How does it feel like partnering up with leading British promoter Abid Iqbal?
Mahmood: I made my UK debut through sayarts.com with Rahat Fateh Ali Khan’s first UK tour in 2003. My son Chahat was a few months old then. I have stuck with Abid for over 20 years now, working with different Pakistani qawwali teams touring the UK. He has rewarded that loyalty by introducing my son Chahat. He has worked hard for the revival of qawwali music and always promoted new talent and given them the platform to break through.
Why should we all come and see you perform live?
Mahmood: Chahat Mahmood Ali is dedicated to developing new audiences in the UK and globally with a youthful voice of qawwali.
Why do you love music?
Mahmood: It’s food for our souls. Music has no language and connects the world. It enables us to gift great memories, travel the world and keep a centuries old tradition alive.
Chahat: Music is in my blood, and in my family. It is an important part of my heritage, history, and future.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.