Cannes 2023: Union Minister wears Veshti, shirt with Tricolour on red carpet
“The embroidery on the shirt has been done by my local tailor. It makes me immensely proud to wear the tricolour on my chest,” Murugan previously told ANI.
Union Minister of State for Information and Broadcasting L Murugan, who is leading the Indian delegation at the ongoing year's Cannes Film Festival, opted for traditional attire as he arrived on the red carpet on Tuesday.
The shirt that Murugan dressed in on the red carpet got the national flag on its left side and a G20 logo on the right. He paired it with 'Veshti' to represent his culture at the global level.
"The embroidery on the shirt has been done by my local tailor. It makes me immensely proud to wear the tricolour on my chest," Murugan previously told ANI.
"Since we are doing so many events and showcasing our heritage at the G20 year-long plan, it is only fit that we tell the world about it," he added.
Murugan is accompanied by some well-known names from the world of Indian cinema on the red carpet at the French Rivera. He went to the event last year too and India was the Country of Honour.
Like last year when India had a series of celebrities on the red carpet, this time too Oscar award-winning Indian filmmaker Guneet Monga of The Elephant Whisperers fame, Manushi Chillar, Indian actor, model and the winner of the Miss World 2017, Esha Gupta - acclaimed actor of the Indian Cinema and Kangabam Tomba - acclaimed Manipuri actor would walk the red carpet.
Four Indian films have made it to the official selection at Cannes Film Festival. Kanu Behl's Agra will be his second film to have its world premiere at Cannes, at the Directors' Fortnight. His 2014 debut film, Titli, was unveiled at the 'Un Certain Regard' section.
Anurag Kashyap's Kennedy is being screened in Midnight Screenings and Nehemich in the La Cinef section of the Festival de Cannes. Apart from these, many Indian films are slotted for being screened in Marche du Films.
A restored Manipuri film Ishanhou, will be showcased in the 'Classics' section. The movie was previously played in the festival's 'Un Certain Regard' section in 1991 and the National Film Archives of India preserved its film reels. The Manipur State Film Development Society got the film restored through the Film Heritage Foundation & Prasad Film Labs.
India will continue its push for being the content hub of the world, and a one-stop destination from conceiving to making films to doing post-production including graphics and animation and other modern techniques and tools. Information and Broadcasting Minister Anurag Singh Thakur had spoken about it during his visit to the festival last year.
This year's special focus will be on India's culture and heritage at the India Pavilion. The theme for this year's Pavilion is based on the Goddess of knowledge, Saraswati. It has been designed by the National Institute of Design, Ahmedabad with the theme - 'Showcasing India's Creative Economy' to the global community.
The pavilion design has been inspired by the Saraswati Yantra, the abstract representation of the goddess Saraswati, keeper of knowledge, music, art, speech, wisdom and learning. The colours of the pavilion draw inspiration from the vibrant colours of India's national flag - saffron, white, green, and blue.
Saffron for the strength and courage of the country, white for inner peace and truth, green for showcasing fertility, growth, and auspiciousness of the land, and blue for the law of dharma and truth. India has a vast reservoir of talent and the Indian Pavilion will provide the platform to the Indian film community to sign distribution deals, greenlight scripts, crack production collaborations and simply network with the world's major entertainment and media players.
Among the top highlight of last year's festival was the premiere of R. Madhavan's Film Rocketry.
Anurag Thakur, who will not be physically present at the festival, will address the inaugural through a video message.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.