Rory Burns smashed an unbeaten maiden test century as England gained the upper hand in the first Ashes test by finishing day two on 267-4, trailing Australia by just 17 runs on Friday.
Jason Roy's first Ashes innings never really got going as he was out for 10, before Joe Root benefited from a stroke of luck after a superb delivery from James Pattinson beat him and clipped the wickets but the bails did not come off.
Root and Burns went on to record the series' first century partnership, but the England captain failed to make three figures, falling to Peter Siddle for 57, with Joe Denly (18) and Jos Buttler (5) unable to provide support.
Burns reached his century off 223 balls, following nine dot balls stuck on 99. He will resume his innings on 125 not out, alongside Ben Stokes on 38.
"I have done that before in county cricket so do have experience to draw upon," Burns said. "It was a wonderful experience and hopefully I am not done yet."
Resuming on 10-0, Roy edged through the slips in just the second over off the bowling of Pattinson, before Steve Smith held on to one off the same bowler in the eighth.
Burns got away with a leg before wicket appeal which replays showed was going on to hit the stumps, before Root’s luck was in in the 21st over as the bails failed to dislodge, much to the dismay of the Australian fielders, who crowded around Root in disbelief.
Root was initially given out caught behind, but another poor decision from the umpires was overturned by the Decision Review System.
After lunch, Burns clipped the ball fine to the boundary to reach his first half century against Australia as England pressed on.
Burns and Root continued to play their shots, becoming the first pairing to make a century partnership this series, before Root reached 50 off 110 balls.
Root, though, again failed to turn a half century into a hundred as he was brilliantly caught one handed by Siddle, with Denly the next to go, trapped lbw by Pattinson.
A fine catch from Cameron Bancroft brought an end to Buttler’s stay at the crease but, after a nervy wait, Burns became the first batsman to make a hundred on his Ashes debut since Tim Robinson - this match’s fourth umpire – in 1985 as the day belonged to the inexperienced opener.
"It was just one of those days," Australia team adviser for this tour Steve Waugh said. "Lots of near misses. Tomorrow is when it really counts."
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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