Skip to content 
Search

Latest Stories

Bolly Ditz Dolly: ‘Smash metaphorical boxes if you need to’

Eastern Eye caught up with the cool cabaret performer to discuss her bright burlesque journey, body confidence and being fearless

Bolly Ditz Dolly: ‘Smash metaphorical boxes if you need to’

BURLESQUE has got a beautiful Bollywood make-over from a British Asian talent. Bolly Ditz Dolly has given the sensual art form a tassel-twirling twist to create neo-Bollyesque, which combines Bollywood dance with burlesque.

Her eye-catching performances, sensual photo shoots and fearless approach have smashed stereotypes, helped break down cultural barriers and promote body confidence. Real name Amandeep Kaur Johal, she is also an accomplished artist and poet. Eastern Eye caught up with the cool cabaret performer to discuss her bright burlesque journey, body confidence and being fearless.


What do you think first connected you to burlesque dance?

The variety of acts, performers I’d see who have their own unique take on burlesque. I found I could bring my creativity to this space as the movement, storytelling and costumes enticed me. I’d also discover I have tinnitus/HOH in my left ear so when I would practise, it helped me slow down and readjust to the sounds around me.

What has been your most memorable performance so far?

Loads remember my food act! A mockery of adverts featuring spicy food smothered in Bollywood rom-com cheesiness with a tassel-twirling twist. I’m proud to say this act had me win the Queen of Burlesque Idol UK award in 2019.

How would you describe your unique brand of burlesque?

Neo-Bollyesque, which is a combination of neoburlesque and Bollywood.

What inspired you to incorporate a Bollywood element into it?

Boleyn Cinema near Green Street was the place we’d go to watch Bollywood films. I admired the dance scenes and tried classes when I was younger. I sometimes practised the same moves when there was a lack of classes. Around college, I was introduced to Liza Minelli’s film Cabaret, which made me dive into the golden era of Bollywood.

Tell us about that?

My mum helped me find clips, songs and books featuring performers like Cuckoo and Edwina Lyons. I was lucky to read Edwina: An Unsung Bollywood Dancer of the Golden Era by Prof Surjit Singh. Eventually Iqbal Singh popped up and his moves and background story were very inspiring to me. There was always an element of cabaret and burlesque in Bollywood, so it felt seamless to put my spin on this.

How do you feel when you’re on stage?

I feel loved.

Did you ever think that burlesque was too much of a controversial profession?

Maybe anything demonstrating the illusion of nudity could be considered that. Some think it’s controversial to show a full midriff in Bollywood, which tells me that anything can be scandalous regardless of my opinion. I started burlesque aware that it can be radical, a political statement, thought-provoking and challenging. There is a duty within me to not only perform burlesque but be a reminder of smashing stigmas and redefining gender stereotypes, with a smile. If reclaiming my voice and existence ruffles a few feathers, so be it.

Do you think burlesque is sometimes a misunderstood art form?

I often think about Mira Nair’s documentary India Cabaret. I felt these women were misunderstood and a much needed conversation on how damaging the patriarchal view thrown upon these women for enjoying what they do, spoke volumes. The only shame is from those who vocalise harm towards all women working in that field or anyone identifying away from the typical norms.

What about the nudity?

It’s implied nudity, which can be used to tell stories too. One of my acts created with Invisible Cabaret, a wonderful troupe raising mental health awareness and stripping away stigmas though performance, helped me combine dance in a half masculine and feminine face. It had my spoken word and clothing reveals, with burlesque movement.

How important is spreading the message of body positivity for you?

Very! Hoping it inspires people to not give up on themselves. I have to adjust myself from time to time, which allows me to be more body neutral, before body positivity. I also believe in genderaffirming care, which can help those who have different experiences with it than I do.

Lead inset Bolly Ditz Dolly Queen of Burlesque Idol UK award in 2019 FEARLESS: Bolly Ditz Dolly after winning the Queen of Burlesque Idol UK award (Photo: Richard McKenzie)

What advice would you give those who are not so confident about their bodies?

Your inner voice shouldn’t be your critic, but your best friend. I find the mind and body work simultaneously so starting with that may help. I personally found a confidence boost when I’d do a dance or boxing class and sometimes found likeminded people in the group to support. You’ll also find it strange how you can find confidence in your everyday life and not even know about it.

Your performance, artwork, photo shoots and costumes are quite daring, would you say you are fearless?

I’ve always loved mixing up my traditional clothes with my everyday clothes, be it up-cycling or creating costumes. Of course, my costumes which bare a little skin was never an invitation but more a celebration. It’s very mix, match, or mismatch with me. The boudoir photoshoot with Mala Vadgama was something truly special and we did have a laugh in between poses. Having a safe space to explore these ideas encourages the fearlessness.

What is the root of that fearlessness?

Acknowledging my fears and anxieties and granting myself time to heal is the root of fearlessness. There have been challenges in my life like racism, and gender biases, which I had to face head on, confident or not. I read a lot and found books from activists or well-being experts, who share the ways to turn fear into action. The strength, softness and power come from my parents, my partner and those I keep close to. Nowadays I needn’t worry about what the opposing opinion my existence represents.

What advice would you give those who want to pursue burlesque?

Start by researching, attend classes, dive into the history, support and watch shows. Smash metaphorical boxes if you need to!

www.deepandditzy.co

More For You

Jasbinder Bilan

Jasbinder Bilan

Jasbinder Bilan’s journey of heart and heritage: From Himalayan tales to global acclaim

When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.

What first connected you to writing?
It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.

Keep ReadingShow less
Rachel Zegler’s ‘Evita’ Performance Sparks Broadway Buzz

Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly

Instagram/officialevita

Rachel Zegler shines in Jamie Lloyd’s ‘Evita’ as West End hit eyes Broadway transfer

Quick highlights:

 
     
  • Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
  •  
  • A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
  •  
  • Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
  •  
  • Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
  •  
 

Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.

Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.

Keep ReadingShow less
K Anis Ahmed

K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative

AMG

K Anis Ahmed’s 'Carnivore' serves up satire, class war and moral rot

From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.

But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.

Keep ReadingShow less
Artists respond to a world shaped
by division at Summer Exhibition

Visitors view works in the main gallery

Artists respond to a world shaped by division at Summer Exhibition

THE theme of the Royal Academy’s Summer Exhibition 2025 is “dialogues”, prompting the question: can art help bring together the people of India and Pakistan? Or, indeed, Israel and Iran – or Israel and Palestine?

It so happens that the coordinator of this year’s Summer Exhibition is the internationally celebrated artist and Royal Academician Farshid Moussavi, who is of Iranian origin.

Keep ReadingShow less
Kanpur 1857 play

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with 'Kanpur: 1857'

Pleasance

Niall Moorjani brings colonial history to life with powerful new play 'Kanpur: 1857'

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.

At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.

Keep ReadingShow less