'Berlin' review: Period espionage drama delivers lots of surprises
The unpredictable story is refreshingly different to most formula driven commercial Bollywood films
By Asjad NazirNov 17, 2023
THE early 1990s set Indian spy thriller had its European premiere at the recent London Indian Film Festival. A sign language expert is brought into interview a deaf man, who is accused of spying, under the watchful gaze of competing Indian security factions, ahead of the Russian president’s visit. All is not what it seems, as a larger conspiracy that could directly impact the high echelons of the Indian secret service begins to unravel.
The unpredictable story is refreshingly different to most formula driven commercial Bollywood films. There is no song, dance or unnecessary subplots as the attention focuses on two men from different backgrounds in an interrogation room, who might be getting manipulated by outside forces.
The well-made film has an interesting story, unexpected turns, and enough drama to keep you engaged until the very end. Great performances from the lead cast are the heartbeat of this low-budget movie that punches way above its weight.
Aparshakti Khurana arguably delivers a career best performance as the sign language expert caught in the crossfire of a conspiracy and shows quite comprehensively that there is a lot more to his talent than great comedy.
Ishwak Singh adds to a number of impressive turns in recent years as the deaf man and brings real heart to the role. Perhaps, the surprise revelation is Rahul Bose as the seemingly villainous spy chief. There are also great performances from a solid supporting cast. The atmospheric background score adds an extra layer to the story. The film has delighted audiences on the international film festival circuit because it offers something different and will be well worth finding when it releases. This is the type of Hindi cinema that should be supported.
No final blueprint exists for the show's conclusion.
The original ending plan from season 15 is totally scrapped.
Fan devotion is the reason for the 22-season marathon.
Rhimes suggests the audience now holds a stake in the finale decision.
Aiming for a positive send-off, but no timeline is on the table.
The woman who built Grey’s Anatomy from scratch has no idea how it ends. Seriously. That’s wild, right? After 450 episodes and this current Grey’s Anatomy season 22, the person who started it all is just as in the dark as we are. She thought it would be over years ago. This whole endless Shondaland saga? It’s on you: the fans.
Shonda Rhimes admits she no longer knows how Grey’s Anatomy will end Getty Images/Instagram/greysabc
Whatever happened to the original ending?
Gone. Rhimes had one, way back. When the series hit roughly its 150th episode, she already had the final moment mapped out. But things didn’t go as planned and the story just kept expanding. She once imagined it would all wrap up by the fourth or fifth season. Now, seeing it still running strong in 2024, she can only call it “insane.”
This is the interesting bit. Rhimes is handing over some of the keys. She says the decision isn't really just hers any more. It's the fans' and the cast's. There's a debt there, you know? After all, they’ve stuck with it. So, ending it feels like a group vote. She can't just yank the cord without a nod from the crowd. It’s their show as much as hers, maybe more.
What can we expect from the finale whenever it comes?
No date, no plot details. Rhimes just has a vibe she's chasing. She wants it to be "positive," a "great way" to finish. It's vague, sure, but it tells you something. She's not planning some brutal, everyone-dies cliffhanger. Maybe. Probably. The goal seems to be satisfaction over shock. But with this show, who knows? They could change their minds ten times before the final script is printed.
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