Ashwin backs Shami, asks why so many taboos for Mankading
Veteran India pacer Mohammed Shami had tried to run out Dasun Shanaka at non-striker’s end when the batter left the crease while backing up during the opening ODI in Guwahati on January 10.
Star India off-spinner Ravichandran Ashwin said it's surprising to see so many "taboos" regarding the 'Mankad' form of dismissal and asked why bowlers are always subjected to different "treatments".
Veteran India pacer Mohammed Shami had tried to run out Dasun Shanaka at non-striker's end when the batter left the crease while backing up during the opening ODI in Guwahati on January 10.
However, Indian skipper Rohit Sharma intervened and withdrew the appeal by Shami as Shanaka, then on 98, went on to complete his century.
Ashwin, who is a vocal supporter of the form of dismissal, on Saturday backed Shami, saying it's the umpire duty to declare the batter out.
"Of course, Shami’s run out... When Shanaka was on 98, Shami ran him out in the non-striker’s end, and he appealed too. Rohit withdrew that appeal. So many people tweeted about that immediately," Ashwin said on his YouTube channel.
"I am going to keep repeating only one thing, guys. The game situation is immaterial. That is a legitimate form of dismissal." During the post-match presentation, Rohit had said that he withdrew the appeal against Shanaka as the Lankan skipper was on 98.
Shanaka eventually ended his innings at 108 not out even as Sri Lanka lost the match by 67 runs.
"If you ask for an LBW appeal or a caught-behind appeal, nobody will check with the captain on whether they are sure about the appeal," Ashwin said.
"They will give him out if the bowler appeals, and that is the end of it. See, even if one fielder appeals, it is the duty of the umpire to declare a player out if he is out.
"So, I find it very surprising to have so many taboos surrounding this mode of dismissal. But the entire dismissal is regarding what the bowler does, right? "The right of making that dismissal or making that appeal or making that decision lies with the bowler, right,” he said.
Drawing an analogy with a batter walking out, Ashwin said: "In so many games, a batter has nicked and walked without waiting for the umpire’s decision.
"At that time, the batting team captain won't come and ask, 'With whose permission did you walk like that? Did you forget the team's cause? Go back and continue playing.' "These different treatments for bowlers and batters have been taking place for so many years now," he added.
Such run-outs when a non-striker batter is out of the crease while backing up before the bowler releases the ball are known as 'Mankading'.
The name comes from the first such recorded mode of dismissal by Vinoo Mankad when he ran out Bill Brown twice in the 1947-48 Test against Australia.
In October last year, the International Cricket Council amended its rule book declaring that the run outs at the bowler’s end were no longer considered 'unfair play'.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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