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Poorly executed survival thriller becomes very pointless

Poorly executed survival thriller becomes very pointless

THE Bollywood survival thriller recently premiered on streaming site Hotstar. A woman is travelling on a bus to meet her fiancé when it is suddenly attacked by a murderous gang, who loot the passengers. They kidnap the woman with the intent of raping and eventually killing her, but she escapes into a barren landscape. It isn’t long before she goes from being the prey to becoming the hunter.

With so many kidnappings by rapists in India, a hard-hitting story of a woman fighting back must have seemed the like a great idea. Unfortunately, it is poorly executed in a very messy film that becomes increasingly pointless as it progresses. Right from the villains attacking the bus for a silly reason and looking more comical than scary to a predictable storyline, Apurva quickly begins to unravel.


It just looks like an excuse for extreme violence in a lawless landscape, instead of it being a gripping thriller filled with strong characters. The film soon looks like a poor copy of 2015 movie NH10, which starred Anushka Sharma in the lead role.

Unlike NH10, there is very little character development, so it is hard to form a connection with the protagonists. There are moments when the film tries to be clever but fails and becomes unintentionally cringeworthy.

Tara Sutaria delivers a spirited performance as she goes from a fearful woman being hunted to becoming the predator and immerses herself in the role. Rajpal Yadav being weighed down by the many comical roles means it’s hard to take him seriously as a vicious villain. There are also some decent set pieces and a rugged setting that adds an extra layer to the film. Perhaps the main plus point of this movie is that it isn’t very long, which makes it bearable. Overall, this is an average movie that could have been so much more with better writing, casting, and directing.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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