Anusha Mani’s artistic journey has been anything but conventional. Revered as the velvety voice behind Bollywood chartbusters like Lazy Lamhe, Tera Rastaa Chhodoon Na, and the irrepressibly catchy Gulaabo, she has carved out a distinctive niche for herself as a singer, lyricist, and now actress.
With a foundation in Indian classical and Carnatic music, and a career launched by a serendipitous meeting with Shankar Mahadevan, Anusha’s rise to prominence has been a blend of talent, timing, and tenacity.
Over the years, she has lent her voice to everything from big-ticket Bollywood productions to indie projects, explored diverse languages and genres with ease, and even penned lyrics for memorable tracks like Dil Mein Jaagi. But her creative curiosity did not stop at the recording studio. In 2025, Anusha stepped into the world of acting with her web series debut Hai Junoon, embracing a new challenge that once seemed unimaginable.
In this candid conversation with Eastern Eye, Anusha reflects on the unpredictability of her career, the joy of reinvention, the songs closest to her heart, and the passion she has discovered in front of the camera.
How do you reflect on your journey in music?
It has been extremely unpredictable and gratifying at the same time. I never intended to become a playback singer, and my journey has been a sum total of chance meetings with the right people at the right time. Each experience has led me to the next chapter. The disappointments and failures have taught me the value of patience, perseverance, and living in gratitude. I do not take anything I have for granted anymore.
What has been your most memorable moment on your music journey?
Meeting Shankar Mahadevan ji with my demo and getting called the very next day to sing for Johnny Gaddar is by far my most memorable moment. I had no expectations, no self-belief that this would happen. It changed my life in a very drastic way, in that I started believing in myself more and began taking more chances in life.
Which of your songs has been closest to your heart?
It is hard to pick just one. I have many that are close to my heart. Lazy Lamhe because it was the biggest hit of the year and put me on the map as a playback singer. Gulaabo because it gave me a fresh start of sorts and a lot of love from listeners. Dil Mein Jaagi from Dev D because I got to write the song too. I think it is impossible to pick just one.
Does your approach as a singer change between different languages?
The only thing that changes is the time it takes to get the words right and understand the meaning of the lyrics – which words to emphasise, getting the pronunciation correct, and so on. There are wonderful language supervisors and lyricists who really help you perfect the language. Sometimes you focus so much on pronunciation that you lose the emotion. I like to speak the lines out first, loudly like a conversation, a few times before singing them to get comfortable with the words.
What inspired you to go into acting?
To be honest, it was not inspiration but pressure from my team and family that pushed me to give it a shot. I always thought acting was not my cup of tea. It was a running conversation for over a decade with my husband, who kept insisting I was made to be on screen. It is strange how he saw something in me that I never did. I said yes thinking it would be a good experience to try something new.
What has the experience of acting in Hai Junoon been like?
From not wanting to act to now feeling so passionately about it, life has changed drastically for me over the past year. I had the most wonderful time playing my character – learning the dialogues, going to set, watching the collective effort that goes into making each scene. It felt like learning a new skill for the first time, with fascination and awe for the craft. It has blown my mind and made me respect actors and film crews so much more.
Anusha Mani
What is the biggest thing you learned while working on this show?
My biggest life lesson has been to never say no without giving something an honest shot. I would not have done this show if I had listened to the voice that kept doubting myself. I cannot be the naysayer in my life. Changing that perspective has been hard, but it has also given me a new purpose.
Is the plan now to balance acting and music?
Absolutely. I am in the middle of recording new singles while also doing meetings and auditions. It is a long process and only time will tell how things turn out. I just want to enjoy the journey and soak it all in.
What are your biggest passions away from work?
I love animals. I sponsor a camel in an equine rescue place in Karnataka called The Backwater Sanctuary. Zoha, who runs the place, is just incredible, and I feel privileged to contribute in the smallest way. I also enjoy working out – going to the gym and weight training with my trainer is very therapeutic for me. (Smiles) Other than that, because our lives are so hectic, doing absolutely nothing with my husband is something I am very passionate about.
What music dominates your own personal playlist?
Oh, it is a strange mix of Marathi natya sangeet, ghazals, Bollywood songs by some of my favourite composers like AR Rahman, Shankar Ehsaan Loy, Vishal Bhardwaj, and Pritam. Then there is John Mayer, Ed Sheeran, Sting, and some film scores. It is an odd blend and gets played during both cardio and naps on flights.
You have sung, written songs, and acted – is there anything else you would love to do in the creative field?
If I can do these three things properly, with constant growth and learning, that will be enough for now. I am not someone who always wants to keep working. I value quality time with family, alone time, playing with my dog, and just pausing every now and then to be still. Life cannot always be about doing something.
What inspires you?
Stories of resilience, patience, and focus, but also stories of kindness, empathy, and working for the greater good. My brother is a huge inspiration for the way he leads his life with empathy and focus. My husband inspires me every day. I learn patience and kindness from him. Even my house help, whom I call my house manager – she is particular and punctual every single day and has never complained in 12 years. She is very inspiring to me. There is something to learn from almost everyone if you are willing to look around and stay open.
Pierce Brosnan, who played 007 in four films, says the next James Bond “has to be a man”.
Dame Helen Mirren agrees, stating Bond “just doesn’t work” as a female character.
Both actors previously criticised the franchise for sexism but now believe a male lead keeps Bond’s identity intact.
Speculation continues over who will replace Daniel Craig, with Aaron Taylor-Johnson and Callum Turner among frontrunners.
The future of James Bond continues to dominate film debates as former 007 star Pierce Brosnan and Oscar-winning actress Dame Helen Mirren both argued that the next incarnation of the spy must remain male. Their comments are a clear shift from earlier years, when Brosnan had suggested it was time to hand the role to a woman.
Speaking to Saga magazine, Brosnan, who fronted the franchise in four films between 1995 and 2002, said he is eager to see “a new man” take on the part after Daniel Craig’s exit in No Time to Die. “Oh, I think it has to be a man,” said the 72-year-old Irish actor. “I’m so excited to see the next man come on the stage and to see a whole new exuberance and life for this character.”
Mirren, his co-star in the upcoming film adaptation of Richard Osman’s The Thursday Murder Club, echoed the view. “I’m such a feminist, but James Bond has to be a guy. You can’t have a woman. It just doesn’t work. James Bond has to be James Bond, otherwise it becomes something else,” said the 80-year-old star.
Pierce Brosnan and Dame Helen Mirren attend the "MobLand" Global PremiereGetty Images
Why Pierce Brosnan changed his mind on a female Bond
Brosnan once championed the idea of a woman stepping into 007’s tuxedo. In a 2019 interview with The Hollywood Reporter, he called it “exhilarating” and urged producers to “put a woman up there.” His reversal comes as Amazon-MGM, which now controls the franchise, prepares to relaunch Bond with director Denis Villeneuve at the helm.
Despite his change of stance, Brosnan insisted his affection for the franchise remains. “I adore the world of James Bond. It’s been very good to me. It’s the gift that keeps giving. And I’m just a member of the audience now, sitting back, saying: ‘Show us what you’re going to do.''
Pierce Brosnan reignite the female Bond debate ahead of franchise rebootGetty Images
Helen Mirren’s feminist take on Bond and sexism in the franchise
Mirren has long spoken about gender in the Bond universe. In earlier interviews, she criticised the “profound sexism” baked into Ian Fleming’s stories and the films that followed. She argued that real-life female spies, from the French Resistance to the British Secret Service, showed remarkable bravery and deserved recognition on screen.
Yet Mirren now maintains that Bond’s cultural identity is inseparable from being male. “So many women have worked in that world. Is it more realistic to show them? Absolutely. But Bond is fantasy, not realism,” she said, stressing that her stance does not weaken her feminist convictions.
Helen Mirren joins Brosnan in backing a male successor for the 007 roleGetty Images
Who will be the next James Bond?
Since Daniel Craig’s departure in 2021, speculation about his successor has been relentless. Aaron Taylor-Johnson, known for Bullet Train is widely regarded as the frontrunner. Masters of the Air actor Callum Turner and Saltburn star Jacob Elordi are also rumoured contenders.
Other names circulating include Henry Cavill, Regé-Jean Page, James Norton, Theo James, and Paul Mescal. While no official casting has been confirmed, producers Barbara Broccoli and Michael G. Wilson have hinted that the announcement will define the franchise for the next decade.
Tom Holland Jacob Elordi and Harris Dickinson top James Bond shortlist as Amazon eyes younger 007 Getty Images
What’s next for the James Bond franchise?
The upcoming film will be scripted by Peaky Blinders creator Steven Knight and directed by Denis Villeneuve. Amazon MGM Studios has promised a “fresh” take on the character while honouring Bond’s six-decade legacy.
Jeff Bezos\u2019 post on next James Bond shakes the internet after Amazon\u2019s takeover of franchise Instagram/007
Whether the producers stick with tradition or surprise audiences with an unexpected choice, Brosnan and Mirren’s comments reinforce the argument that 007’s identity remains rooted in masculinity, at least for now. Until the official reveal, the debate over whether Bond could ever be reimagined as a woman is likely to continue fuelling headlines as much as the spy’s next mission.
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Sophie Turner admitted kissing Harington felt “vile” despite their strong sibling bond from Game of Thrones
Sophie Turner revealed kissing Kit Harington in their new gothic horror The Dreadful was “vile.”
The actors spent eight seasons as siblings Sansa Stark and Jon Snow on Game of Thrones.
Turner, who is also a producer on the film, suggested Harington for the role despite their sibling-like bond.
The film has yet to receive an official release date but features Turner, Harington, Marcia Gay Harden, and Laurence O’Fuarain.
Sophie Turner has admitted that kissing her Game of Thrones co-star Kit Harington for their new gothic horror film The Dreadful was far from romantic. Speaking during her recent appearance on Late Night with Seth Meyers, the actress said the scene was so uncomfortable that both she and Harington were “retching.”
Turner, who played Sansa Stark across eight seasons of HBO’s Game of Thrones, explained that while she and Harington have not shared the screen since 2019, their sibling-like relationship remained intact. That history made their romantic scenes in The Dreadful especially challenging.
Sophie Turner says kissing Kit Harington in The Dreadful was a vile experienceGetty Images
Why Sophie Turner cast Kit Harington despite the challenge
Turner is not only starring in The Dreadful but also serving as a producer. When writer-director Natasha Kermani asked who she envisioned as the male lead, Turner immediately thought of her former on-screen brother.
“I sent the script to Kit, and he came back saying, ‘Yeah, I’d love to, but this is going to be really weird, Soph,’” Turner told Meyers. At first, she didn’t understand his hesitation. “Then I went through the script again and it’s just kiss, kiss, sex, kiss. And suddenly I realised, oh right, that’s my brother.”
Despite the discomfort, both agreed that the script was strong enough to take on the challenge.
For Turner and Harington, the first scene they had to shoot together was a kiss, which proved to be even more awkward than they anticipated. “We put it out of our minds, and then when it came to shooting, we were both retching. It was vile. Honestly, the worst,” Turner said.
She even compared the experience to a scene in her upcoming thriller Trust, in which she had to share a room with cockroaches and rats crawling over her. “And kissing Kit was still worse,” she admitted.
Sophie Turner reveals she and Kit Harington were retching while filming kiss sceneGetty Images
What is The Dreadful about?
Set during the 15th century amid the Wars of the Roses, The Dreadful follows Anne, played by Turner, who lives with her mother-in-law Morwen on the outskirts of society. Their fragile existence is disrupted when a man from Anne’s past, portrayed by Harington, returns and sets off a dangerous chain of events.
The film also stars Oscar winner Marcia Gay Harden, Laurence O’Fuarain, and Jonathan Howard. While an official release date has not yet been confirmed, the gothic horror has already drawn attention thanks to Turner and Harington’s casting.
The Dreadful Poster IMDB
Turner and Harington’s lasting Game of Thrones bond
Both actors became household names through Game of Thrones, where they were introduced as members of the Stark family. Although later seasons revealed Jon Snow’s Targaryen lineage, viewers still saw Sansa and Jon as siblings, making their romantic scenes in The Dreadful all the more different.
Turner herself acknowledged how strange it was, even joking to Vogue earlier this year, “Sorry guys, it’s weird for all of us.”
For fans of the HBO series, the reunion of Sansa Stark and Jon Snow on screen is already generating curiosity. Whether audiences see the chemistry or share Turner’s discomfort remains to be seen when The Dreadful finally premieres.
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Ryan Reynolds teases Deadpool’s Avengers connection with graffiti artwork on Instagram
Ryan Reynolds’ Deadpool will appear in Avengers: Doomsday, but not as an Avenger.
The Hollywood Reporter confirmed his role after Reynolds teased it on Instagram.
The film will release on 18 December 2026, with Robert Downey Jr. returning as Doctor Doom.
Wolverine and other X-Men characters are still expected, though not officially confirmed.
The Marvel Cinematic Universe is preparing for its biggest crossover since Avengers: Endgame, and Ryan Reynolds has just reignited fan excitement. After weeks of speculation, reports now confirm that Deadpool will feature in Avengers: Doomsday. However, unlike Thor, Doctor Strange, or Spider-Man, Wade Wilson won’t be lining up with the Avengers team.
The news follows a cryptic Instagram post from Reynolds showing the Avengers “A” marked with Deadpool-style graffiti, fuelling speculation that Marvel’s most unpredictable hero would return.
Ryan Reynolds’ Deadpool confirmed for Avengers: DoomsdayGetty Images
Why isn’t Deadpool part of the Avengers lineup?
According to The Hollywood Reporter, Deadpool will indeed be part of Avengers: Doomsday, but not as an Avenger. Sources suggest his role will remain separate from Earth’s Mightiest Heroes, keeping in line with his outsider persona.
This approach also makes sense from a storytelling perspective. Deadpool’s chaotic nature and fourth-wall-breaking humour are very different from the tone of the Avengers franchise, making him better suited as a wildcard in the multiverse narrative rather than a core team member.
Reynolds himself has previously joked that Deadpool’s story would “end” if he ever became an Avenger, calling it Wade Wilson’s ultimate dream-come-true scenario.
What role will Deadpool play in Avengers: Doomsday?
While Marvel Studios has not revealed plot details, industry insiders suggest that Deadpool may link the Avengers with the X-Men and multiverse storylines. His last film, Deadpool & Wolverine, grossed over £1 billion (₹10,500 crore) worldwide, making him one of Marvel’s most profitable characters.
Given that the graffiti symbol Reynolds shared resembles the “Void’s Resistance” logo from Deadpool & Wolverine, fans believe his new mission could tie directly into Avengers: Doomsday.
The film’s confirmed villain, Robert Downey Jr.’s Doctor Doom, will unite the Avengers, Fantastic Four, and possibly the X-Men against his multiverse army. Deadpool’s ability to jump between realities makes him an essential player in the upcoming conflict.
One of the biggest fan questions is whether Hugh Jackman’s Wolverine will appear in Avengers: Doomsday. The ending of Deadpool & Wolverine teased the duo continuing their adventures together, suggesting that Logan’s return is highly possible.
So far, Marvel has kept Wolverine’s involvement secret, but Reynolds’ confirmed role increases the chances of Jackman joining him. Channing Tatum has also been confirmed to reprise Gambit, adding to speculation that Doombreaker (the rumoured multiverse resistance lineup) could be forming on screen.
Marvel Studios has shifted its release calendar several times, but Avengers: Doomsday is now scheduled for 18 December 2026. Originally planned for May 2026, the delay pushed Avengers: Secret Wars to December 2027.
The film is currently in production in London, and while Marvel has kept set leaks under tight control, occasional images have hinted at large-scale battle sequences and surprising team-ups.
Since Endgame, Marvel has struggled to replicate its earlier momentum. Many fans and critics argue that the franchise has become fragmented, with too many storylines running at once. Bringing in Deadpool, a proven box-office powerhouse, signals Marvel’s attempt to restore confidence and unify audiences ahead of Phase Six’s finale.
Reynolds’ Deadpool is not just a comedic addition; he’s a bridge between Marvel’s different universes, from Fox’s X-Men to the Disney-led Avengers and Fantastic Four. His presence ensures Avengers: Doomsday will appeal to both long-time fans and new audiences.
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Urvashi Pathania reveals how a childhood bleaching memory shaped her haunting short Skin on colourism
Skin confronts colourism through horror, transforming memory into a grotesque clinic where melanin is harvested as a commodity.
Urvashi Pathania recalls her earliest memory of being bleached at nine after relatives said her dark skin would affect marriage prospects.
The film frames colourism as an “economic horror,” linking beauty standards to exploitation and resource plunder.
Skin was workshopped at the prestigious Sundance Labs and is being developed into a feature-length project.
Pathania believes horror is the most visceral way to capture inherited prejudice and social cruelty.
Full interview and the complete video are available on the Eastern Eye YouTube channel.
When filmmaker Urvashi Pathania talks about her short film Skin, her words carry the same sharpness and intimacy as the story itself. The short film leaves audiences equally unsettled and haunted. It’s not merely genre horror but a brave examination of colourism, where a personal wound becomes a grotesque clinic that harvests melanin as a commodity. In this Eastern Eye exclusive, Pathania discusses the origins and inspirations behind her film.
Filmmaker Urvashi Pathania opens up about the childhood memory that inspired her acclaimed short film Skin Getty Images
The film’s most harrowing image; of a woman submerged in a fluorescent tank as her skin dissolves, comes from a real childhood memory. “I was nine when one of my mum’s friends said, ‘Cute kid, but you need to do something about her dark skin if you ever want her to get married,’” Pathania remembers. Her mother, who was fair-skinned, listened. “She put a homemade bleaching paste on me,” Pathania says, “and I remember screaming in the bathtub.” That early sense of being trapped, of a body altered without consent, became the ghost at Skin’s core.
Pathania intentionally opens the film not with the clinic but with two sisters squabbling in a car. Ria, a dark-skinned influencer and a vocal champion of skin positivity, is the viewer’s entry point: incredulous, furious, and protective when Kanika announces she will bleach her skin. “Ria is the voice of the audience,” Pathania explains. “We enter through her disbelief and the love that’s tangled up in it.”
The clinic’s fluorescent hell, Markandeya, reveals the scale of the horror: an assembly line where dark-skinned women are drained and their melanin routed into glowing vats for wealthier, fairer clients. Pathania deliberately frames this as economic horror. “I wanted it to feel bigger than skin bleaching,” she says. “It’s about harvesting, of resources, of culture, of beauty rituals. Whether it’s the brown earth being plundered or the bodies of women of colour being commodified, the cost is always disproportionately ours.”
That cost is encoded in the film’s visual language. Pathania and her longtime cinematographer Catherine crafted a lighting palette that is as much metaphor as aesthetic. “Horror films usually hide terror in darkness. But here, the whitest moment is the most terrifying,” Pathania notes. Fair clients bask in amber-lit pools, their skin steeped in stolen warmth, while women of colour are exposed under cold, fluorescent tones that reveal the rawness of their natural skin. “It was the only way to show the truth of what Kanika loses,” Pathania says, referencing the film’s climax where her skin tone literally changes.
For Pathania, horror is a natural language to speak about inheritance, not genes, but the ideas passed down inside families and communities. Kanika’s desire to resemble her fair-skinned mother is a devastating detail because it links colourism to maternal love and social survival. “We like to blame our parents,” Pathania says, “but we carry it too. These cycles don’t just live in the past. They’re active.” The film, in fact, maps how affection and aspiration can become vectors for harm.
The film’s cruelest twist lands in its climax. Ria, the sister who loves her melanin, tries to rescue Kanika and becomes trapped instead, drained for the supposed benefit of others. “One person might individually gain—lighter skin, different treatment—but society pays,” Pathania says. “Every time a new standard is set, it hurts women as a whole.” The swap is designed to be both literal and moral: the personal gain of assimilation carries a social cost.
Juniper, the clinic director, weaponises empathy—polite, warm, a girlboss peddling empowerment as she harvests. “She’s complicit and trapped,” Pathania says. “In the feature version, you see the strings go even higher.”
Perhaps the most haunting image comes in the film’s closing: older women, waiting to bathe in stolen melanin, unaware of the violence behind their “fountain of youth.” Pathania denies them villainy and implicates us all. “They don’t know the cost,” she says. “They hear about a fountain of youth and want it. That desire is universal. The tragedy is that the system allowing it is invisible to them.”
Asked to name a single scene that sums up Skin, Pathania points to a quiet, devastating parallel: Ria struggling with foundation that’s too light while Kanika undergoes the bleaching ritual. “It’s the same violence in different forms,” she says. “One is subtle, one is grotesque. But both come from being told you’re not enough.”
Skin may be short, but it is not small. It exists as proof of a larger project. Pathania workshopped a feature script for Skin at the Sundance Labs, and the short reads like a hard, lucid preview of that longer story. She’s also writing other genre pieces, including a ghost story about housing injustice in Manhattan, because for Pathania, horror remains the most honest language for telling political stories that live in the body.
Skin lingers because it refuses easy catharsis. There’s no victory, only the echo of Ria’s screams in the tank. Pathania’s craft is in how she shows colourism doesn’t merely humiliate; it becomes a literal marketplace. “You can walk out of the clinic lighter,” she says. “But someone else pays the price.”
Rapper Sean Kingston sentenced to three and a half years in US federal prison.
Fraud scheme, run with his mother, involved luxury goods worth more than £740,000.
Items included designer watches, furniture, a 232-inch LED TV and a bulletproof Cadillac Escalade.
Kingston apologised in court; his mother was jailed for five years in July.
Text messages showed the pair discussing fake payment receipts.
Conviction and sentencing
Rapper Sean Kingston has been sentenced to three and a half years in a US federal prison for his role in a fraud scheme worth over £740,000.
The Jamaican-American singer, whose real name is Kisean Anderson, was convicted earlier this year alongside his mother, Janice Turner, of wire fraud. Prosecutors said they exploited Kingston’s celebrity status to obtain luxury items without paying for them.
How the scheme worked
According to prosecutors, Kingston contacted victims via social media, claiming he wished to buy high-end products. He then invited them to his homes in South Florida, promising to promote their goods on his platforms or introduce them to other celebrities.
When payments were due, Kingston or his mother sent fraudulent wire transfer receipts. While some victims later received compensation after legal intervention or lawsuits, most were left out of pocket.
Evidence at trial
Prosecutors said the scheme netted more than £740,000 in goods, including luxury watches, furniture, a 232-inch LED television and a bulletproof Cadillac Escalade.
Text messages shown in court revealed Kingston instructing his mother: “I told you to make [a] fake receipt.”
Apology and defence
Before sentencing, Kingston apologised to the court and said he had learned from his actions. He will begin serving his sentence immediately.
His mother, Janice Turner, was jailed for five years in July.
Defence lawyer Zeljka Bozanic described Kingston as “a soft guy who grew up poor when he rose to fame overnight”, arguing he still had the mentality of a teenager and struggled to manage his finances.