Actors Anupam Kher, Kay Kay Menon and Ranvir Shorey are the latest cine personalities to criticise Richa Chadha over her comment on the 2020 deadly Galwan Valley clash.
Chadha, in her now deleted tweet, had written "Galwan says hi" in response to the Northern Army Commander Lt General Upendra Dwivedi’s statement that the Indian Army is "waiting for orders from the govt (sic)" in reclaiming Pakistan-occupied Kashmir (PoK).
This led to a severe backlash on Twitter with many criticising her for "mocking the sacrifice" of the Indian army.
Kher, 67, shared a screenshot of Chadha’s post on his Twitter account and called it "shameful".
“Trying to become popular among some people by doing evil to the country is the work of cowards and small people. And putting the honor of the army at stake…. What can be more shameful than this,” the veteran actor wrote.
Menon said people must not forget the sacrifices of the soldiers and should be respectful towards them.
"Our brave men and women in uniform put their life on the line to keep every citizen of our Nation safe & secure! Least we can do is to behold love, respect & gratitude, in our hearts, towards such valour! #JaiHind! Vande Mataram,” the “Special Ops” actor tweeted.
Shorey said it is incorrect to take a jibe at armed forces to just please a few politicians.
"Making jibes at the sacrifices that our armed forces make for our country just to score brownie points with dislodged politicians, or to fit in their ‘intellectual’ cliques, is plainly daft and irresponsible as a citizen. Forever grateful to our jawans,” he said.
On Thursday evening, superstar Akshay Kumar had said he was saddened by Chadha’s statement and said the contribution of India's armed forces should not be overlooked.
"Hurts to see this. Nothing ever should make us ungrateful towards our armed forces. Woh hain toh aaj hum hain," the 55-year-old star wrote on Twitter.
Chadha had issued an apology on social media and said she didn’t intend to hurt the sentiments of the Indian Army.
She also detailed her family's contribution towards the country's armed forces, saying her maternal grandfather, a Lieutenant Colonel in the Indian Army, took a bullet in his leg during the India-China War of 1962, and her maternal uncle served as a paratrooper.
India and China are locked in a lingering border standoff in eastern Ladakh for over 29 months. The bilateral relationship came under severe strain following the clash in Galwan Valley in eastern Ladakh in June 2020.
Meanwhile, filmmaker Ashok Pandit said he has filed a complaint against Chadha for mocking the soldiers.
“I filed a police complaint against actress #RichaChadha at #JuhuPolicestation (Mumbai). Nobody has a right to mock our soldiers. I hope @MumbaiPolice will act against her as per the law of the land. @mieknathshinde @Dev_Fadnavis,” Pandit said.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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