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Bollywood actress Seema Pahwa to don a director's hat

Known as one of the finest character artists in Bollywood, actress Seema Pahwa is set to add a new feather to her cap. Yes, the talented actress, who impressed the audience with her performances in such recent films as Bareilly Ki Barfi (2017) and Shubh Mangal Saavdhan (2017), is turning director with an upcoming Hindi film, titled Pind Daan.

Seema is set to begin production in the month of November. A major portion of the movie will be shot in Lucknow, the state capital of Uttar Pradesh. After completing the first schedule in Lucknow, the team will film a short schedule in Mumbai. Pahwa is planning to wrap up the movie by early next year.


If a source close to the development is to be believed, apart from helming it, Seema will also be playing an important role in the movie. Talking about other members of the cast, Naseeruddin Shah, Konkona Sensharma, Vikrant Massey, Vinay Pathak, Parambrata Chatterjee and Seema’s actor-husband, Manoj Pahwa, are onboard.

“Seema has been planning it for months now. She has directed plays in the past,” reveals the source.

When contacted, Seema also confirmed the news. “Yes I’m directing a film but I’m still finalising details, so I cannot speak about it yet,” she said.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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