The Academy Museum of Motion Pictures has organised a programme that will explore “musical tapestries” created by acclaimed soundtracks of three celebrated films from Indian cinema — RRR, Slumdog Millionaire, and Lagaan.
The museum, under the Academy of Motion Picture Arts and Sciences, said the lecture will be held on May 18 at the David Geffen Theater in Los Angeles.
“Join us in celebrating Indian cinema and Academy Award history through an immersive exploration into the music mastery of RRR (2022), Slumdog Millionaire (2008), and Lagaan (2001),” the official website of the Academy Museum states.
“This program delves into the musical tapestries woven by the acclaimed soundtracks of three groundbreaking films, each celebrated not just for their cinematic excellence but also for their musical innovation, and how they resonated with audiences worldwide,” it adds.
The lecture will be followed by a live tabla and performance by dance company Bollypop and Sadubas (collaborative duo of classical tabla artist Robin Sukhadia and electronic music producer Ameet Mehta) reinterpreting the music of all three films, the statement read.
SS Rajamouli's RRR followed a pre-independence fictional story woven around two real-life Indian revolutionaries - Alluri Sitarama Raju (Charan) and Komaram Bheem (Jr NTR) - in the 1920s. The film earned over £120 million at the global box office and became the first Indian production feature to win the best original song Oscar for its Telugu track "Naatu Naatu".
Lagaan, directed by Ashutosh Gowariker and fronted by Aamir Khan, was the last Indian film that made it to the final five nominees in the Best Foreign Language category (now known as Best International Film) at the Oscars. It lost to No Man's Land in 2001.
Mumbai-set Slumdog Millionaire was a British production, which was directed by Danny Boyle. The 2008 movie won eight Academy Awards, including Best Picture, Director, and Best Original Song for AR Rahman and Gulzar. Rahman won another Oscar for Best Original Score.
Indian sound designer Resul Pookutty shared the best sound mixing trophy with Richard Pryke and Ian Tapp.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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