PERHAPS the one major Indian festival Bollywood hasn’t set a film around is Navratri.
That is all set to change with Love Yatri, which is set to be released on the eve of this year’s festival and sees Bollywood superstar Salman Khan launch his brother-in-law Aayush Sharma as a leading man. The newcomer plays a garba instructor who unexpectedly finds love in the musical romance set in the heart of Gujarat and London.
With a powerful figure like Salman backing him and an unusual storyline, Aayush looked confident when Eastern Eye caught up with him in London to talk about Love Yatri, his garba [dance form specific to the Navratri festival] skills, future hopes, the biggest thing he has learned from his superstar brother-in-law and more.
Who have been your biggest acting influences?
Shah Rukh (Khan) bhai was a very big influence. I am also a big fan of Hrithik (Roshan) sir and obviously Salman (Khan) bhai. I think Ranbir Kapoor right now is very good.
Did you feel pressure taking on a lead role for your debut film?
Well, initially, yes. I was like, ‘will I be able to pull it off?’ But it has not been that difficult because I have a very strong family which has been taking care of me and just making sure everything is done right. I have also trained for the past four years. So everything has been very smooth and the director has made sure I have been very comfortable, and
fine. So everything has been great.
What did you most like about the subject of Love Yatri? Is it the fact that no one has done something like this before?
Yes, Asjad, honestly that is the first thing that came to my mind. There is a big festival like Navratri in Gujarat and nobody has really made a film about it. There is so much that happens around that time without people really talking about it, so that was one thing I was intrigued by. I didn’t know much about Gujarat and wanted to find out more about it
and the festival.
But more than anything, I think the script is very honest and pure. You don’t have any of those masala ingredients you find in a Bollywood film like item songs or unnecessary action scenes. It’s a very clean film.
What can you tell us about the character you play in the film?
I am playing a garba instructor, who is a simple, middle-class guy staying in Baroda. He doesn’t have any aim in life, but meets a girl who changes everything. They fall in love and it’s about how he finds a direction in life because of the girl.
What was the biggest challenge you faced doing Love Yatri?
I am not from Gujarat and most of the time when you see characters from that state on TV or in films, they make them into caricatures or comedians. I wanted my character to be authentic and make sure he didn’t come across in the wrong light or caricature-like.
When I travelled to Ahmedabad, I saw that it is a normal city like Mumbai. Young people talking Hindi and English. Nobody had the accents people use on TV. So the intention was to make it real rather than overdoing it or hamming it up.
Do you have a favourite moment in the movie?
We recently shot the climax of the film in London and I think that was amazing. I felt the whole journey had culminated in that most special moment.
How did day one compare to the last day of shooting?
On day one I was a little nervous and wondering if I would be able to do a good job. On the first day we shot a romantic song and I was determined not to do too many takes. I tried to get the scene done in five takes, maximum. (Laughs) More than that I started getting worked up and thinking, ‘why was I taking so long?’ After two or three rehearsals, we got our take on that first day. But in the first few days I could hear ‘action’ while I was asleep. But by the end I was very comfortable and didn’t have that early stress.
How do you feel about watching the final product?
I am very excited because I want people to see what we have done. I couldn’t believe when the various schedules were over, as just a few months ago, we were thinking about shooting the film. So I am really looking forward to the film because we have all worked so hard on it.
Are you now a garba dance master?
(Smiles) I have trained for garba. So now I am like, ‘bring it on.’ I have told everyone that after the film is released, I will be going to every function and doing garba. I think we have good music in the film.
Tell us about the music because that has to be good in a film like this?
I am happy to say that everyone who has heard the album loves the music. They feel it is very apt for the film and very young. It’s very fresh. You know how nowadays you see a lot of remixes of old songs? Here all the songs are original and there are no remakes. We are very proud of the music and I think not just Gujaratis, but everyone will be happy with the music, which I think will be a big success.
Are you ready for your whole life to change because you will be in the spotlight?
Yes, mentally I am, because I am involved in a family that has that kind of limelight. I have seen it happen to other people and I know this is what I have to be ready for.
As an actor, what is the master plan going forward?
After this I would like to do an action film. I might do a comedy and also a family drama, then come back to a love story, but honestly in this industry, you never know. Let us see how Love Yatri lands up with audiences and how people accept me as an actor. Then we will see.
What Gujarati qualities have you adopted playing this role?
Obviously I have fallen in love with garba. When I was training to be an actor, I was training in Bollywood and hip hop dance, but when I signed this film I remember Salman bhai asking, ‘are you sure you can do garba?’ I said yes because I thought, ‘what is so difficult? It’s just about a few sticks and dancing around’, but when my first workshop started I realised it’s completely different from what you see on TV. I started rehearsing and within a few months I enjoyed it so much that I feel it’s a better dance form than hip hop and Bollywood. I am completely in love with it and will practice it every year. It’s one cool thing I picked up from Gujarat.
Tell us something not many people know about you?
(Laughs) I am the laziest person when it comes to getting up in the morning. I hate morning shoots and my director has been making me wake up at 7am to come on set. So I am still dreaming in the hours after I wake up. People think I am an early riser, but I’m not.
What kind of movies do you like watching as an audience member?
I really like entertaining films. I like watching films that are action, have a lot of masala and everything. They are ones I have grown up on. I really like south Indian films and watch a lot of them. I do like some Hollywood films as well, but enjoy Indian films more. I prefer entertaining films and don’t really follow what you would call ‘critical’ cinema.
You have a lovely leading lady in Warina Hussain in Love Yatri, but if you could star opposite any other heroine in the future, who would it be?
In Hollywood I would love to star opposite Megan Fox and think that would be good. In Hindi cinema I would love to work with Alia Bhatt and think she is just an amazing actor. I think there is so much I can learn from Alia if I had the opportunity to work with her.
Are you excited as an actor that Hindi cinema is tackling so many new subjects like Love Yatri?
Yes, for sure, and that does include my film, which is something new. We have attempted something different, yet we are very confident that people will accept it. I think audiences have evolved and they want to watch subjects that are different. We have a classic love story, but it is set up in a different way. So it is a great time for the Indian film industry.
Finally, Salman Khan nurtures new talent really well, but what is the biggest thing you have learned from him?
Honestly it is his hard work. Those who know him personally know how hard he works. Those who watch him on screen may think he is very effortless and perhaps not putting
much in. What I learned from him is that it’s not how hard we work, but how effortless we make it look on camera. That is very important. As he says, what you do as an actor on screen is the most important thing and it matters because that is what people watch. Every time I see him he is always working to achieve that. He is doing it at a time where he is one of the most successful actors of all time. So I have learned from him to never take it easy, always work hard and make sure it looks effortless on screen.
Love Yatri will be in cinemas on Friday (5).
SUNIEL’S SON SET FOR DEBUT
PRODUCER Sajid Nadiadwala will launch popular actor Suniel Shetty’s son Ahan into Bollywood with a Hindi language remake of Telugu drama RX100, which is due to be released in May 2019.
The film revolves around a couple whose relationship takes a dramatic turn when they disclose their relationship to family elders. I have heard from insiders that Ahan has the all-round ability to be a major star in Hindi cinema and has been preparing with intensive training in the past few years.
ZAYN IN THE NEWS AGAIN
THE recent revelations that Zayn Malik allegedly slept with curvy 41-year old masseuse Enrica Petrongari weeks after he temporarily split up with Gigi Hadid in March may have permanently damaged his relationship with his supermodel girlfriend.
Petrongari went into graphic detail about her encounter with the 25-year-old pop superstar at his £10-million New York apartment after she sold her story to the press, which won’t have gone down too well with Hadid. The star couple were in a relationship for two years before they broke up in March, but had reunited in the summer.
REMIXES ANGER AKHTAR
I AGREE with Javed Akhtar when he said the recent Bollywood trend of remixing old songs was creative vandalism. He thinks the lyricists of today should be more confident in their own ability instead of disrespecting classic songs by legendary singers. I also fully concur
with the multi-award winning writer also pouring scorn on the current generation of Bollywood filmmakers, who he said spend less than one per cent of the budget on scripts.
KAPOOR FAMILY BEREAVED
I BELIEVE Krishna Raj Kapoor was one of the greatest unsung heroes of Hindi cinema
and was the perfect illustration of the saying, “behind every great man is an even greater woman.”
The wife of late actor Raj Kapoor died of a heart attack aged 87. She was a dignified woman who kept the family together despite her superstar husband repeatedly cheating on her with glamorous leading ladies like Nargis and then was a patriarch in a family that included leading lights like Rishi Kapoor, Kareena Kapoor Khan and Ranbir Kapoor.
NO BOLLYWOOD ME TOO
ACTRESS Tanushree Dutta has received a lot of support from big names in Bollywood, including top leading ladies, after she accused Nana Patekar of sexually harassing her on
the sets of 2008 film Horn Ok Pleassss. She also alleged that director Vivek Agnihotri asked the actress to strip on the sets of Chocolate, but co-stars Irrfan Khan and Suniel Shetty intervened and stopped it from happening.
Although stars like Sonam Kapoor, Priyanka Chopra, Parineeti Chopra, Richa Chadha, Farhan Akhtar, Anurag Kashyap and Konkona Sen Sharma came out in support, this
won’t lead to a #MeToostyle movement in Bollywood because the men have too much power in the industry.
RANI MAKES RETURNDoctor Who acclaimed actress Archie Panjabi added to her diverse body of work by playing the iconic villain Rani in the recently concluded series of Doctor Who. She reprised the role originally portrayed by Kate O’Mara decades ago. Unfortunately, the series – available on BBC iPlayer – has been plagued by problems and suffered plummeting ratings, largely due to poor storylines. As a result, Archie and fellow cast member Varada Sethu are unlikely to return in future episodes.
Doctor Who
SINDOOR SHOW
Although many interpreted Aishwarya Rai Bachchan wearing sindoor at the recent Cannes Film Festival as a nod to India’s strike on Pakistan, it may have held a more personal meaning. After months of speculation about a possible split from Abhishek Bachchan, the gesture appeared to reaffirm that her marriage remains strong. It followed her recent Instagram post sharing a happy photo with her husband and daughter.
Aishwarya Rai Bachchan
DEY’S LONDON DATE
Brilliant Indian bassist Mohini Dey will deliver one of this summer’s standout concerts at the world-famous Ronnie Scott’s Jazz Club in London on July 9. She has been unstoppable in recent years – releasing an acclaimed self-titled album in 2023 and collaborating with music legends such as Zakir Hussain, Quincy Jones and AR Rahman, as well as touring North America with Willow Smith. The only female bassist in MusicRadar’s Top 10 Bassists of the 21st Century, she promises a unique musical experience.
Mohini Dey
SHIVALI CASTS A SPELL
After being one of the leading lights of devotional music, Shivali launched a bold new chapter in her artistic journey with the sold-out one-woman show Queen of Wands in London last month. This powerful solo performance brought her spoken word album to life through a dynamic blend of music, poetry, storytelling, immersive visuals and diverse themes. The British talent received a standing ovation for the thought-provoking and relatable show. Shivali said: “The experience was sublime, a different kind of feeling. I discovered I’m allegedly a comedian. It was one woman, but I had the backing of a team that rivals Michael Jordan’s Chicago Bulls. We are just starting conversations to take the show forward – and New York might be the first stop. More will be revealed soon.”
Queen of Wands
DISAPPEARING TV DRAMAS
While most people in India can cope with Pakistani celebrity social media accounts disappearing, the inability to watch drama serials from across the border has not gone down as well. The ongoing conflict has led to streaming platforms and YouTube channels blocking access to episodes of hit Pakistani dramas like Kabhi Main Kabhi Tum.
Although tech-savvy viewers have found ways around the restrictions, others are being forced to seek alternative shows to binge-watch.
Kabhi Main Kabhi Tum
DUD-LOOKING HISTORICAL
Riteish Deshmukh has unveiled the first-look poster of his passion project Raja Shivaji, which he is writing, directing, starring in, and releasing in multiple languages.
Unfortunately for him, the historical drama – based on the life of Maratha warrior Chhatrapati Shivaji Maharaj – features a line-up of past their-prime co-stars that audiences no longer seem interested in, including Sanjay Dutt, Abhishek Bachchan, Fardeen Khan, Genelia Deshmukh and Bhagyashree.
Deshmukh’s inexperience as a filmmaker will only add to the challenges Raja Shivaji faces ahead of its scheduled release on May 1, 2026. The only stone-cold certainty is that – like several recent Bollywood films about historical rulers – it will probably distort facts and lean heavily into jingoism.
Raja Shivaj
JINXED KAIF SISTER
After more than a decade of trying – and failing – to find her footing in Bollywood, it may be time for Isabelle Kaif to read the room. Her 2022 film Time To Dance vanished without a trace, and just as she was supposed to get a long-delayed ‘break’ with the clumsily titled Suswagatam Khushamdeed, that too disappeared. A lack of interest led to the film being quietly pulled from a recent cinema release without explanation. Perhaps the producers finally realised they were throwing good money after bad. Being Katrina Kaif’s younger sister might have opened a few doors for Isabelle, but it clearly has not been enough to turn her into a star. It may be time for her to reconsider her career path entirely – whether that means working behind the scenes or stepping away from Hindi cinema altogether. At the very least, she needs to make smarter choices and find better people to advise her.
Suswagatam Khushamdeed
COPYWOOD KHAN
Promotions for Sitare Zameen Par are in full swing ahead of its release on June 20. Lead star and producer Aamir Khan will be hoping Bollywood audiences avoid watching the Spanish original Campeones, which his comedy-drama is a remake of. That 2018 film – along with its 2023 American remake Champions – is available on streaming platforms.
Social media users have already begun drawing comparisons between the original and scenes from the trailer, which could make it harder for June’s big Bollywood release to succeed. This does not bode well for Khan, who has a lot riding on his not-so-original film after two major failures – Thugs of Hindostan and Laal Singh Chaddha.
Sitare Zameen Par
ARIJIT SET FOR STADIUM SHOW.
Tickets are now available for Arijit Singh’s upcoming concert at Tottenham Hotspur Stadium on September 5. This landmark event will be the biggest show ever headlined by a South Asian artist outside India – a testament to the singer’s global appeal.
The unassuming star is looking forward to returning to London. He said: “I’m just an ordinary person who happens to sing, and I’m incredibly humbled that I have the opportunity to share my songs and perform in London again. If that means I make history, then I will be very blessed.
“It makes me happy when the world sings my songs with me, and my London fans are the absolute best.” This milestone adds to Arijit’s remarkable list of achievements, including being the most followed artist on Spotify and featuring on Ed Sheeran’s forthcoming single Sapphire. It also marks a major moment for show organisers TCO Group and Vijay Bhola’s Rock On Music.
Arijit Singh
SNEHA SHANKAR IS JUST SENSATIONAL
I was really impressed with Indian Idol 15 finalist Sneha Shankar after watching her make her UK stage debut. The gifted 19-year-old has incredible versatility – ranging from the raw power of Sufi sensation Jyoti Nooran to the gentle finesse of Bollywood music queen Shreya Ghoshal. Although she did not win the reality TV show, her multi-layered vocals could turn her into a future superstar, if paired with the right songs. It is no surprise she secured a lucrative contract with India’s biggest record label, T-Series. She is destined for greatness.
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Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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Britain faces challenges in changing attitudes around diversity
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.
Kangana Ranaut
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Diplomacy competes for attention in a crowded news cycle.European Council president Antonio Costa, Britain’s prime minister Keir Starmer and European Commission president Ursula von der Leyen with members of the Royal Navy in central London last Monday (19), during a summit aimed at resetting UK–EU ties
THERE is just too much news. The last month probably saw more than a year’s worth of events in more normal times – a new Pope in Rome, continued war in Ukraine, escalating conflict in Gaza, and the relief of India and Pakistan agreeing a ceasefire after a fortnight of conflict.
Domestic and global events that might once have dominated the news for a week can now come and go within hours. The biggest-ever fall in net migration – 2024’s figure half of 2023’s, according to Office for National Statistics data released last Thursday (22) – did not even get a brief mention on any of last Friday (23) morning’s newspaper front pages. It would have been a very different story if net migration had doubled, not halved, but falling immigration risks becoming something of a secret.
On the same evening as the UK-EU ‘reset’ summit, the UK government issued its strongest criticism of Israel in living memory. A joint statement with Canada and France described conditions in Gaza as ‘intolerable’, the language of Israeli ministers as ‘abhorrent’, and its expanded military operation as ‘egregious’. Germany did not join the trio, yet Chancellor Merz’s explanation that Germany would exercise more restraint in its criticism of Israel than others, for historical reasons – made his own calm but stark warning about breaching international humanitarian law more striking.
Israel had strong diplomatic support after the October 7 Hamas attack, but has never been this isolated. The administration of US president Donald Trump has not joined the public criticism, but is much cooler to Benjamin Netanyahu than in Trump’s first term, with sharp private clashes over diplomacy versus war with Iran.
Trump’s second term has turned the Oval Office into a reality politics show, giving the president the ‘main character’ energy he craves. He is at war with the courts and universities at home, last week seeking to ban all international students from Harvard.
America’s allies must second-guess his impulsive unilateralism on security and trade. The February clash with Ukraine’s president Volodymyr Zelensky sent shockwaves around the world. Trump is now frustrated that conceding so much to Russian president Vladimir Putin achieved nothing – except losing leverage. Repeating the trick last week, ambushing South African president Cyril Ramaphosa with fabricated footage of a racist conspiracy theory about the genocide of white farmers, had a weary familiarity. There was sympathy for Ramaphosa at home and abroad. Trump lacks any evident tariff strategy, simply hiking and suspending rates to maintain surprise. Business expects little stability while the Trump presidential gameshow runs.
Prime minister Sir Keir Starmer has the opposite instincts and personality to Trump, believing in a rules-based world order – both on principle and in Britain’s enlightened self-interest as a middle power. Starmer’s challenge is to show that cooperation can work – for security, trade and boats in the Channel too. Whitehall sees progress in a volatile world in the trade deal with India, mitigating some of Trump’s car tariffs at least, while prioritising the UK-EU reset.
The ‘Brexit betrayal’ headlines had little impact on public opinion, where there is broad pragmatic permission to pursue closer UK-EU ties within current ‘red line’ commitments – ruling out single market membership, at least this parliament, to avoid a return to Brexit trenches.
Despite fierce clashes at Westminster over the value and cost of the Chagos Treaty, that seemed one controversy too many for most people to process.
The Starmer government’s juggling of events saw its biggest domestic Uturn, heeding criticism of its plan to means-test the winter fuel allowance for pensioners.
The irony is that this became the government’s most famous decision because chancellor Rachel Reeves did not just include it in her first budget, but led with it as a symbol of ‘tough choices’ for fiscal responsibility. Backbench pressure to reduce child poverty by scrapping the twochild cap on welfare has been accepted too. These U-turns send the government back to the drawing board after its first year.
This summer and autumn, it must not only revise plans for spending and taxation, but also articulate a public narrative – a strategy that explains what the government’s choices amount to, and why. A comparative strength of populist insurgents is that they offer a simpler story about a complex world than their mainstream rivals.
News fatigue is rising across countries, according to Reuters Institute research conducted over the past decade. Around four in 10 people are avoiding the news – for a variety of reasons. If everything, everywhere, all at once remains the theme of politics and global affairs, the risk is more people will simply switch off.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.