After the debacle of Thugs of Hindostan (2019), Aamir Khan will be seen in Lal Singh Chaddha, an official remake of the 1994 Hollywood film Forrest Gump. Though the actor has not revealed who is playing the female lead opposite him, some industry insiders inform that Kareena Kapoor Khan has been roped in for the female part.
The latest update on the much-awaited project is that the team is gearing up to commence the first shooting schedule from November 1. Kareena Kapoor Khan will join Aamir Khan during the schedule to be filmed in Punjab.
A source informs an entertainment portal, “While Aamir and his team have been scouting many locations across India, the first schedule will begin from November 1 in Punjab and shot across cities like Amritsar, Ludhiana, Jalandhar and nearby towns and villages. Both Aamir and Kareena will be seen in various looks spanning three decades and also in various professions. They meet in school and keep bumping into each other over a span of time. Aamir plays a simple-minded guy who influences important sports, political and cultural events in India through his journey across the country, over a span of three decades. This requires him to be in different locations each time. Apart from Punjab, the star is also expected to shoot in Delhi, Gujarat, Mumbai, Kolkata, Bengaluru and Hyderabad. Kareena joins him in the first schedule in Punjab. She plays his best friend from childhood with whom he instantly falls in love and keeps loving her right till the end. The first schedule will see both Kareena and Aamir’s characters in their younger days in school where they become friends and then college when they fall in love. Aamir has lost 20 kgs to play the younger version of Lal Singh Chaddha.”
Talking about Kareena Kapoor Khan’s role, the source adds. “She has fought her own battles in life, seen ups and downs, and the more she gets hurt, the more self-destructive she becomes. But she loves Laal Singh. Kareena has not done a multi-layered character before and may even be seen as a hippie – a culture that flourished during the early 1970s. She keeps re-entering Lal Singh’s life at various times and they eventually get married. Kareena too will have various getups like Aamir – from college, then according to her bohemian lifestyle and finally in the latter years when she meets Lal Singh during adulthood.”
To be directed by Advait Chandan, Lal Singh Chaddha is scheduled to release on Christmas 2020. Apart from playing the male lead, Aamir Khan is co-producing the film with Viacom18 Motion Pictures.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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