A deep love for writing from a young age meant it was almost inevitable that AA Chaudhuri would one day return to her first passion.
After excelling as a junior tennis player and forging a successful career in law, she reconnected with the magical worlds of storytelling by writing her own books. That creative drive has since taken her on a successful journey as a crime thriller author, with critically acclaimed novels packed with twists and turns.
With a Kolkata-born father, she is proud of her Indian heritage and includes it in her books wherever possible. She will follow up titles such as The Scribe, She’s Mine, The Loyal Friend and The Final Party with The School Gates, which will be published next Thursday (5). It centres on the mysterious murder of a single mother hiding dark secrets. As with her earlier work, nothing is quite as it seems in this twist-filled tale.
Eastern Eye caught up with the acclaimed British author to discuss her writing journey, her recent novel Under Her Roof, upcoming book The School Gates, sources of inspiration, and advice for aspiring writers.
Her book ' Under Her Root'Facebook/ AA Chaudhuri
What led you towards the crime genre?
I fell in love with the crime genre when I picked up my first John Grisham novel in my mid-teens. I love the intrigue, suspense, twists and turns that keep the reader guessing and turning the pages. It is a genre that challenges both reader and writer – one that reflects society at a given time, and human nature at its darkest. As fallible beings, we are all susceptible to that darker side, and I think this relatability is what makes it such a compelling genre.
How would you describe your journey as a writer so far?
Tough and rewarding. I started writing in 2010, but it took me five years to get my agent, Annette Crossland, and another three to land my first publisher. That was despite writing a book a year for eight years, refining them until I knew them by heart, and almost giving up hope they would ever see the light of day. I faced a lot of rejection, came close to offers from big publishers, and shed more than a few tears. But I kept going, always hopeful that I would get my break.
Tell us more about that inspiring journey.
My story is no different to thousands of others. Writing is a tough, competitive and highly subjective business. You need a thick skin to cope with rejection. When my Kramer and Carver legal thrillers were finally published in 2019, nine years after I started writing, it was a great feeling to know my work was out there.
Then in February 2021, I signed a deal for two psychological thrillers with Hera Books. The first of those – She’s Mine – was something of a breakthrough, even though it took three years to get picked up.
Her book 'The School Gates'Facebook/ AA Chaudhuri
Now you are firmly established.
Having struggled for so long, it feels surreal that my seventh book will be published in June, and that I have appeared at several major crime fiction festivals in the last couple of years, including on the main stage at Harrogate. That was something I could only dream of when I started.
Your last book, Under Her Roof, received great reviews. What inspired it?
One of the things that makes psychological thrillers so compelling is their focus on ordinary people in familiar situations that suddenly take a dark turn. The landlord-tenant dynamic is a classic example, but one that has not been explored much. It struck me as a relationship that could become particularly sinister, as each party often knows very little about the other’s background or intentions.
Tell us more about that.
I wanted to combine that with the idea of Big Brother watching us – the way we expose our lives on social media, often to complete strangers. That makes us vulnerable and potentially the target of stalkers, which terrifies me, and I’m sure many others.
I thought it would be intriguing to explore that theme through a landlord-tenant relationship, with all the claustrophobia, helplessness and fear that can come with it.
Tell us about your forthcoming book, The School Gates.
The School Gates centres on the murder of single mother Lola Martinez, whose body is found on a riverbank the morning after a school Christmas social.
Suspicion falls on her group of mum friends, but it soon becomes clear someone from Lola’s past may also have had motive. Meanwhile, a friend she confides in online may hold the key. The story unfolds through the eyes of the investigating officer and Lola herself, via flashbacks that trace events from when her son first joined the school up to her death.
Like all my books, it is dark and twisty, with plenty of shocks – including a big final twist.
Who do you hope will connect with this book?
Anyone familiar with the school gates setting – the cliques, gossip, pushy characters and rivalries between parents – will definitely relate.
What is your favourite part of the book?
I love the gossip and intrigue between the parents. And the concluding chapters – where everything comes together – are my favourite, especially the final twist.
How do you feel ahead of a book release?
Excited and nervous.
What inspires you as a writer?
Society and human nature, especially the circumstances that can drive people to do terrible things. Things are rarely black and white. What kind of books do you enjoy reading, and do you have a favourite? I enjoy dark psychological thrillers. Gone Girl is a favourite – it starts with such an ordinary premise (a marriage gone wrong), but takes it to such deliciously dark extremes.
What makes for a great crime novel, in your view?
A gripping plot, strong characterisation and punchy prose are essential. The reader should be kept guessing with enough twists, turns and red herrings.
What advice would you give to aspiring writers?
Write because it makes you happy. Rejection is inevitable, so you have to love the process and believe in yourself. Focus on your craft and write what feels natural – readers will see through anything too contrived. Read widely; you can learn so much from other writers. Be active on social media – it helps build connections in the writing community and gets your name out there.
Why do you love being a writer?
I love letting my imagination run wild and getting lost in the worlds and characters I create. Writing is cathartic – an escape from everyday stress – and there is no better feeling than entertaining readers and transporting them somewhere else.
Finally, why should readers pick up your new novel?
Because it is full of suspense, characters who you will love to hate, and twists that will blindside you.
The School Gates, in paperback, will be published next Thursday (5)
Banu Mushtaq has made literary history by becoming the first Kannada writer to win the International Booker Prize. The 2025 award was given for her short story collection Heart Lamp, a collaboration with translator Deepa Bhasthi, who rendered the work into English. The pair will share the £50,000 prize, which was presented at a ceremony at London’s Tate Modern on 20 May.
Published by Penguin Random House India, Heart Lamp is a collection of twelve short stories written between 1990 and 2023. It explores the lives of women in southern India, particularly in Karnataka, portraying their struggles and strength within patriarchal communities. The stories are grounded in regional oral storytelling traditions and have been praised for their wit, vividness and emotional depth.
Chair of the judging panel, Max Porter, called the book “a radical translation which ruffles language, to create new textures in a plurality of Englishes,” adding that the result is “genuinely new for English readers.”
Mushtaq, who is also known for her work as a lawyer and activist, reflected on the significance of the award during her acceptance speech. “This book was born from the belief that no story is ever small,” she said. “In a world that often tries to divide us, literature remains one of the lost sacred spaces where we can live inside each other's minds, if only for a few pages.”
Bhasthi’s translation has been praised for preserving the multilingual and musical essence of the original Kannada text. She chose to retain Kannada, Urdu and Arabic words in the English version, aiming to reflect the region’s everyday speech patterns. Speaking at a recent event at Champaca Bookstore in Bengaluru, she said, “None of us speaks ‘proper English’ in Karnataka… I wanted Indian readers to hear the deliberate Kannada hum behind it.”
In an earlier interview with The New Indian Express, Mushtaq addressed the personal dimensions of her writing. “I was asked to write about my contexts, and so I did. But at the same time, I didn’t want to be confined within the identity of the ‘Muslim woman’,” she said.
Heart Lamp is the first short story collection to win the International Booker Prize and only the second Indian title overall, following Geetanjali Shree’s Tomb of Sand, which won in 2022.
Fiammetta Rocco, Administrator of the prize, described the book as “a testament to the enduring fight for women's rights, translated with sympathy and ingenuity,” encouraging readers of all backgrounds to engage with its themes.
The 2025 shortlist featured works translated from Danish, French, Japanese and Italian. Each shortlisted book received £5,000, divided between the author and translator.
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Deepa Paul explores non-monogamy, commitment and romance in her new book
It began as a 1,200-words essay, sort of a frequently asked questions (FAQ) explainer of being in an open marriage, before culminating in a bidding war involving multiple major publishing houses.
Her new book 'Ask Me How It Works'Instagram/ storiesbydeepa
Deepa Paul’s Ask Me How It Works does what it says on the tin. It’s her story of being in a committed marriage with her husband of 17 years, while the couple also date other people, with each other’s knowledge.
However, seven or eight years ago, no one was interested in publishing it, said Paul. When a writing coach suggested it was more than an essay, she wrote the draft and that led to a publishing deal.
“It’s basically almost unchanged from where I began. There was no grand vision. It was – what have I experienced, what have I learned from it, and what can I share?” Paul said.
She recalled a writing habit “to process my own experiences and to understand what’s going on in my life”.
Paul added, “Initially I started writing mainly for myself. There was a point at which I was receiving so many questions from men who I was open with on dating apps, and I remember thinking as a joke, almost like, ‘What if I could just send them something that would make my life easier.’”
“In the beginning it was called Ask Me How It Works:frequently asked questions about my open marriage. And this essay just got longer and longer.”
Paul, a half-Indian, half-Filipina writer, lives with her husband, Marcus, in Amsterdam, having moved there from Manila, where they both grew up. The couple have a young daughter, and Paul also has a boyfriend of five years in the city.
She was polyamorous at the time of writing the book, but said she is currently not dating anyone else.
Each chapter in her book dwells on the many questions raised by Paul’s curious dates – from how it started to the rules the couple follow, feelings, love and therapy.
“It’s always been about self discovery,” Paul said. “My preferred method of growth is to put myself in new situations and see how I adapt.
“It sounds very chaotic and maybe stressful for a lot of people, but I value adaptability and flexibility and being able to find out about myself through the mirror of relationships.
“I believe that an encounter with somebody – whether it’s for one night or for months or years or a lifetime – can mirror back to you things about yourself that you’ve never saw before.”
Paul was raised in the Philippines (the country is predominantly Catholic and divorce is banned), but when she moved to the Netherlands, realised there were opportunities to explore relationships outside her marriage. Over the course of more than a dozen chapters, she charts her journey as she and her husband seek encounters outside their marriage. Both are certain, however, that they want to be in the marriage and are committed to raising a family together.
Paul explained how her idea of marriage has transformed over time.
“What I learned from my parents, seeing their picture of love and commitment, was that we would build a life together, that we had shared goals and we would achieve them together,” she said.
“A family was definitely part of it. It felt like a big adventure we could go on together. Me moving to Singapore to be with him, (it) felt like I was giving a lot, but it also felt adventurous. Then moving to Amsterdam was another adventure. I saw marriage as a series of adventures for which I had found a partner.
“Now, I would say that’s changed in the sense that there’s much less ‘adventuring’. It’s more realistic that we are building a life together. We have shared goals, and those evolve over time.
“But now I believe our commitment is much more fluid and flexible, because it accommodates the versions of ourselves we can become as life changes. Motherhood was a big change, migration was a massive change, cancer was a huge change (Paul was diagnosed last year, underwent treatment and is now cancer-free).
“So, now we get to check in with each other and say, ‘okay, what does commitment look like for us, for the people we are now? It’s a lot more familiar, but it’s also flexible.”
Life in Amsterdam could not be more in contrast to Manila. In fact, in one of the final chapters, Paul explains what the book is about to her pre-teen daughter and waits tentatively for her response.
Her reaction? Paul and Marcus are not the only ones in their daughter’s class to have an open marriage.
“Welcome to Amsterdam!” she writes. “If I stayed in Manila, I don’t think I would have ever realised that non-monogamy is an option. I came to Amsterdam and I was almost shocked at how accepted it is – that it is an option available for us as a relationship style.”
Paul explores the many facets of relationships – established, committed or casual – as she and Marcus ‘open up’ their marriage. Having dating rules, establishing boundaries, testing them, adapting, building trust, maintaining faith in each other, therapy, co-parenting, pursuing careers and Covid lockdowns – Ask Me How It Works answers all the questions readers could possibly be curious about.
She said the effort was worth it. “I find working on relationships fulfilling. I think I’m a relationship nerd. I love talking about attachment styles and I believe the greatest fulfilment I derive from life is from relationships. It’s not from possessions or experiences. I love figuring out relationships – how somebody wants to be loved, what makes them feel special, feel safe.
“And then, when I realised I can also give that to them, I found myself expanding. I thought, ‘Oh, I didn’t think I could love this way, I didn’t think I could care for someone in this specific manner.’ And, somehow, I managed to keep track of all of them.”
Paul added, “I’m also very into the idea of experiencing pleasure in different ways, and I learned so much about my desires, but also my body. I have a really good relationship with my body – through the mirror of other people, and I do love that I have an identity.
“I’m encouraged and allowed to build an identity for myself that doesn’t revolve around being a wife and a mother. I can be 100 per cent a good wife and mother, but also be 100 per cent myself.
“And it’s not a trade-off. So, for me, that’s worth the extra effort, of what people think is so tiring.”
Although Paul is not dating anyone else apart from her boyfriend, she has seen a shift in the approach to monogamous and non-monogamous relationships, saying that while the latter are more accepted now, it’s not yet mainstream.
She has also observed how women in some conservative societies feel about desire. “In terms of attraction and desire, we’re taught that it’s a very destructive force, but it is also a force of great power – it can make people look and feel and come alive and be really present in their senses,” Paul said.
“I take a lot of inspiration, for example, from Audre Lorde’s essay The uses of erotic where she says, ‘once you’ve tapped into something that really gives you joy and aliveness, it’s like you can’t turn it off.’ It feeds so much into our lives and women are sort of stopped from doing that.”
She added, “But then, when we are at our most fully expressed and alive and just enjoying the deliciousness of life, who immediately benefits? Family and society, as well.”
Paul revealed she considered writing the book under a pseudonym.
However, she said, “If I cannot stand by my choices, my ups and my downs and my mistakes, and I can’t put my name and my face on it, then shame still has power over me.
“For me, it’s a powerful exercise to say, ‘Yeah, I did all of this and I made these mistakes, I cleaned them up, and I somehow turned them into a life that I love, with all the people I love along with me for the ride.
“If I had kept hiding that, I would not really have been freed,” she said.
“Regardless of whether you are monogamous or non-monogamous, people are messy.
“Life is unpredictable, emotions are messy. So we just do the best we can with the tools we have.”
Ask Me How It Works: Love in an Open Marriage by Deepa Paul, published by Viking, is out now
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The book explores the power of community, teamwork, and belonging
With the release of Pia’s Pet Club: Puppy Problem on 8 May, award-winning author Serena Patel brings young readers a heartwarming new series that combines humour, friendship, and cultural representation. Known for her Anisha, Accidental Detective books, Patel spoke to us about her inspiration, the writing process, and why visibility in children's literature matters.
From PowerPoint slides to pet chaos
The origins of Pia’s Pet Club are rooted in a familiar family negotiation. Patel recalls, “My son was trying to persuade us to get a bigger pet. He made PowerPoint slides, showed us TV programmes, did all his research. Eventually we gave in—and now we have two ragdoll cats.”
That experience inspired Pia, a young girl desperate for a pet of her own. When her parents say no, Pia sets out to prove she’s responsible by helping her friend Hari train his unruly puppy, Luna. Predictably, chaos follows—and so does the idea of forming a pet club.
One of Patel’s favourite scenes to write involved a spectacularly failed attempt to train Luna. “It was really fun to write. The kids think it’ll be easy, but the dog has other ideas,” she laughs.
A heroine with heart and flaws
Pia is Patel’s latest strong-willed lead character. “She doesn’t always get it right, but she’s trying her best,” she says. “She’s flawed and real, just like any child.”
Patel, who grew up in a South Asian household, shares that she never saw herself in books as a child. “I never came across South Asian characters in funny stories. Seeing yourself in a book gives you a sense of belonging—it’s validating,” she explains. Pia’s cultural background is woven naturally into the narrative, from home-cooked meals to family dynamics and familiar words.
A visual world, brought to life
The illustrations in Pia’s Pet Club are by Emma McCann, who has worked with Patel for several years. “Emma’s brilliant. It’s like she has a camera inside my brain,” Patel says. “She adds humour and detail that isn’t even in the text. It’s a real collaboration.”
Set in the communal garden of an apartment block, the book explores the power of community, teamwork, and belonging. Patel describes it as a departure from the mystery genre that defined her previous work. “This one feels more like a warm sitcom—funny, but full of heart.”
The first book took nearly three years to develop, from idea to finished manuscript. “There were moments I doubted myself, but I wanted to make it the best it could be,” she admits.
What's next for Pia?
The series is already expanding. The second book, The Secret Kitten, is due in January 2026, and the third, Guinea Pig Showtime, will follow in July 2026. Readers can expect more mishaps and humour as Pia and her friends take on new pet-related challenges, including a pet talent show.
From page to screen?
With Anisha, Accidental Detective in development for television by BBC Studios Kids & Family—featuring Emmy-winning actress Archie Panjabi as executive producer—it’s no surprise that Patel has considered a screen future for Pia as well.
“It’s the dream,” she says. “The setting, the characters, the themes—they’d all work brilliantly on screen.”
Ahead of the launch, Patel is preparing for a number of school visits and events. “It’s a new series. You never know how it’ll be received,” she says. “But the early feedback has been great.”
For readers young and old, Pia’s Pet Club offers a story of determination, friendship, and cultural pride. “Books are powerful. They stay with us,” Patel says. “And if Pia makes just one child feel seen or brings a smile to their face, then I’ve done my job.”
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He said he hoped to record and celebrate the experiences that had shaped him
Philip Pullman has announced that The Rose Field, the sixth and final novel centred around Lyra Silvertongue, will be published on 23 October. The book concludes the saga that began with Northern Lights, the first in his award-winning His Dark Materials trilogy, and continued in The Book of Dust series.
The upcoming release will follow Lyra’s story into her early twenties. She was introduced to readers as an 11-year-old in Northern Lights in 1995, a novel that went on to become a global bestseller.
Speaking to BBC Radio 4’s The World At One, Pullman, 78, said he felt “relieved” to have completed the book. “I’ve come out of the end alive and able to see it being made into a book and published,” he said.
The title, The Rose Field, refers to a concept introduced in the early chapters of Northern Lights, where scholars at Lyra’s Oxford college discuss Dust—a mysterious substance tied to human consciousness. Pullman explained that the final instalment would see Lyra on the brink of uncovering the true nature of Dust.
“In this final book, Lyra is on the verge of discovering what Dust is and what it means, and the story is about how that happens,” Pullman said. He also noted that the narrative explores the nature of imagination. “I’ve got a view of what the imagination is, and Lyra discovers what she thinks the imagination is, so we’re talking about that as well.”
While grounded in the fantasy world of Dust and daemons, The Rose Field is also influenced by real-world issues. Pullman said the rise of tech billionaires and the growing influence of powerful industries had shaped his thinking over the last decade.
“It has become clear to me in the last 10 years that the influence of money and the power of the billionaire class, the power of the tech industry and all those extractive things like oil and gas and so on, have a much deeper effect on the world than I had thought,” he said.
Reflecting on wider geopolitical shifts, Pullman added, “The world has changed enormously. We’re either at the end of a long period of American power, which will end, presumably, like the end of any empire, in chaos, destructiveness, and then the gradual coming together of nations in a new form. That’ll be interesting to watch, if I’m still alive to watch it.”
He also remarked on the abundance of historical knowledge now available through digital means. “We’re at an age where we’ve got the wisdom of centuries and millennia to draw on. It’ll be interesting to see if we do or we don’t. I suspect that most of us won’t, but some of us might.”
The Rose Field arrives six years after the publication of The Secret Commonwealth, the second book in The Book of Dust trilogy. According to publisher Midas, the first two titles in the trilogy have sold 49 million copies globally.
With the series drawing to a close, Pullman has revealed that his next focus may be a memoir, provisionally titled Before I Forget.
“I’ve been talking for quite a while about writing a memoir before I forget everything, and that’s something that’s possibly on the horizon,” he said.
Reflecting on his upbringing, he noted, “I was born in 1946. I was brought up as a child of the British Empire, which still existed then. And I’ve seen a very great number of changes, as everyone of my age has.”
He said he hoped to record and celebrate the experiences that had shaped him. “There’s nothing remarkable about that, but I’ve seen a lot of things that I loved, enjoyed, made me happy, made me excited in various ways. And I’d like to remember those and write them down, because I think it’s a shame if they’re not celebrated and remembered.”
WILL Neil Basu’s memoirs, Turmoil: 30 Years of Policing, Politics and Prejudice, make a movie – something along the lines of In the Heat of the Night starring Sidney Poitier as the black detective ‘Mr’ Virgil Tibbs, who is much cleverer than the racist white police chief, Bill Gillespie, played by Rod Steiger?
After all, Basu rose to be the most senior non-white officer in the Metropolitan Police, and indeed in the country.
There isn’t one but multiple stories in his book, which is dedicated to his children, James, Tom and Joshua.
His CV says he “served for 30 years in the Metropolitan Police, rising from police constable and beat bobby to assistant commissioner at New Scotland Yard and the UK head of counter-terrorism policing.
“He was a detective with a distinguished career as a senior investigating officer of anti-corruption, homicide, serious and organised crime, and kidnap. He was later the chief superintendent of Barnet Northwest London, and a commander of Southeast London, armed policing and gangs and organised crime.
“He was also responsible for investigating Rupert Murdoch’s media empire for phone hacking and public sector corruption before being promoted into counterterrorism policing.
“He was commended multiple times during his career for bravery, leadership and detective ability, and was awarded the Queen’s Police Medal for distinguished service in 2016.”
According to Basu, the Met was and still remains “institutionally racist”. What makes it worse is that its senior officers, including Sir Mark Rowley, the current commissioner, remain in denial.
Basu counts Rowley as a friend and says “he’s one of the brightest people I know, a Cambridge graduate with a degree in maths”. But it is a matter of regret for him that Rowley “replaced ‘institutional’ with words like systemic, managerial and cultural”.
He attended a memorial service to mark the 30th anniversary of the death of Stephen Lawrence, a black 18-year-old who was knifed to death by a feral gang of white youths.
“Many of those present – me, the Lawrence family and plenty of others there to celebrate Stephen’s life – knew that Mark, charged with changing the current face of policing, refused to fully accept the problem and so stood no chance of fixing it.”
Basu observes: “I found the Met wasn’t recruiting enough non-white officers to represent the communities it policed. Those we did recruit were less likely to be promoted and more likely to resign. The non-white officers also had less chance of promotion, more chance of being subject to misconduct, and were also more likely to have their grievances ignored.”
After a spate of terror attacks in Paris in 2022, “we started to recruit armed officers at great speed. It would be an uphill battle to recruit sufficient women and ethnic minorities, though.
His memoir
“Firearms is a particularly white, male section of the police. Firearms officers themselves admit to a lack of diversity in their specialism, and unfortunately, those in charge of training firearms officers often perpetuate that alpha white male dominance.
“In 2023, Baroness Casey would shine a light on this aspect of the Met, highlighting a toxic and discriminatory culture. Her report would suggest firearms officers ‘further embed’ that culture, selecting officers in their own ‘image, while keeping out those whose faces don’t fit their ideal of a firearms officer’.
“The lack of diversity meant that in investigations, we had precious few brown Muslim officers with the deep cultural and religious knowledge to help us identify the real threats and get communities on board – communities who were terrified.”
He points out: “When I joined (in 1993), we were less than two per cent of colour in a force policing a city that was 22 per cent ethnic. In 2024, the Met has 17 per cent black and brown officers, which looks like progress – until you realise London is over 46 per cent [ethnic].
“And at present recruitment rates, it would take decades for the Met to look like the city it serves.”
Eastern Eye readers will perhaps be drawn to the personal side of Basu’s story – and his confessions. “I had come within touching distance of commissioner – the top police job in the Met and the UK – but it had all been at huge cost. Two divorces, three marriages, three children, near financial ruin and an asthma diagnosis. Thousands of hours of trauma, facing terror attacks, murders, kidnaps, extortion, rape and sudden violent death, had taken their toll and changed the very fabric of me.”
Basu is the son of a Bengali doctor from Calcutta (now Kolkata) and a Welsh mother, Enid Roberts. “I’m mixed race, half Indian and half white Welsh,” he says. “I don’t feel at home in rooms full of Indians. I don’t feel at home in rooms full of white people.
“I know what it feels to be different, because I am different, everywhere.”
Despite the frustrations of having to deal with politicians such as Boris Johnson, Priti Patel and Suella Braverman (“selfhating Asian”) and his bitter disappointment at being denied not only the job of commissioner but also the post of director general of the National Crime Agency, policing has been very much in Basu’s DNA.
His parents Dr Pankaj and Enid Basu
“The commissioner’s job and policing has become impossible, not because of its scale and complexity, but because of politics, the press and prejudices – its own prejudice that brings it low and the prejudice it brings out in others about them.”
At the end of the book, he reveals: “My name is not Neil, because that’s the anglicised name white people gave me, and I hid behind. My real name is Anil Kanti Basu. I never knew whether I was black, brown or white, but I always knew I was definitely blue.”
One of the most moving sections in the book deals with the death of his father, who had worked as a police surgeon and given decades of service to the NHS.
“In January 2015, my world was rocked in a way I couldn’t comprehend,” writes Basu. “My father, Dr Pankaj Kumar Basu, passed away and part of me died with him. I was with him when he died and it wasn’t peaceful. It remains the worst day of my life.
“He had retired in 2010, aged 76, always saying medicine was his life, always putting his patients first; but his role as a police surgeon was the very last gig he gave up – I think because he loved telling Staffordshire police he had a son who was one of them.
Dr Basu as a grandfather
“Gandhi, as I would affectionately call him, dedicated his life to saving others and he was my hero. In the 1960s, he would see and hear National Front [NF] marches and await the inevitable call to patch people up who hated him simply for the colour of his skin.
“Despite the chanting of ‘P***s go home’ and ‘there ain’t no black in the Union Jack’ – which I would come to know and fear – my mother told me he was called out to a stabbed NF member during a march who refused treatment from him.
“‘No P*** is touching me.’
“‘I can touch you and stop the bleeding, or you can die.’
“He then saved the life of a man who would have happily taken his. His abject refusal to see colour or retaliate against the sting of racism is something I’ve always tried to emulate.”
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