Skip to content
Search

Latest Stories

A poetic response to stories of struggle

A poetic response to stories of struggle

SPOKEN WORD ARTIST JASPREET KAUR DISCUSSES HER NEW WORK

SPOKEN word artists have lit up the live scene with sparkling poetry in a big way in recent years and added a bright new dimension to popular culture.


Jaspreet Kaur, better known as Behind the Netra, has been part of that exciting new wave and used the power of words to entertain audiences at a wide array of live events. That first connection with creativity started when she started writing poetry as a 13-year-old, as a way of expressing and releasing teenage emotions. “Writing not only became my form of expression but also a way to unpack, explore and navigate what it meant to be a brown girl growing up in the east end of London,” explained Jaspreet Kaur.

The frustration of not being able to find strong brown women in mainstream media inspired her to channel that energy into poetry and writing, as a way to share important stories from her own voice. Then while doing a masters in Gender Studies, that passion for poetry began developing into its spoken form. “At the time, I was writing research topics on significant issues within the south Asian community, such as ongoing son preference, mental health stigma, body image and changes needed in wider institutions such as social policy, education and the workplace. I knew not everyone has the time to read a 20,000-word thesis, but they might have the time to read or listen to a short poem. So, I plucked up the courage to attend an open mic event in west London in the hope to voice the social injustices that I was writing about in my research and poetry. It was my first ever live performance and the first time I shared my poetry in a public space,” she said.

The following day the poem entitled Queens and Corpses, about the ongoing son preference in south Asian communities, went viral and struck a chord globally. That made Jaspreet realise the power of the spoken word and it became a powerful tool for her own self-confidence, to start conversations, shake up the status quo, and impact positive social change. This subsequently led to many live performances, signing with Pan Macmillan for her debut book, Brown Girl Like Me, in May 2020, and a journey exploring what it is to be a brown, British feminist in this new decade.

The latest chapter in the increasingly interesting journey where she is taking a deep dive into

important issues affecting Asian girls and women, is her collaboration with acclaimed musician Sarah Sayeed for Savitri, which premieres at the Leeds Opera Festival on August 27. The live piece combining music and poetry reimagines Holst’s epic opera of the Sanskrit tale Savitri for 21st century audiences. “I was really keen to write a spoken word poem about Savitri that conveyed her as independent and assertive, but also how her devotion, wisdom, intelligence, and fighting spirit show how multi-layered a woman can be. I feel that this is something many brown women here in the UK can resonate with.”

Jaspreet says that Savriti’s story has often been “told on her behalf”, not only through Holst’s opera but also through other writings, music, poem and 34 films, but she wanted to write a spoken word poem from her voice as if to tell her version of events. “In Holst’s version of the Savitri story, Satyavan, her husband, is aware of maya (illusion) in theory but oblivious to the fact that he is in its grip. It takes all of Savitri’s ingenuity, love, and conviction to overcome death. I wanted to convey how Savitri is spiritually superior to Satyavan insofar as she has already understood the experience of maya (‘once I knew maya, now it is forgot’) “Ultimately, it’s a story of her autonomy and choice, but also a story about love. I think Savriti’s story reflects many nuances of what it means to be a brown woman even today. How we can be both soft and strong.”

She enjoyed working with Sarah Sayeed on Savitri and says they connected instantly. Both were excited to unpack each other’s vision for Savriti and the story they wanted to portray for her. “I love collaborating with artists that are willing to take risks, experiment and ultimately produce imaginative creations. Sarah has done that with kindness and humility, and we’ve had lots of fun along the way.”

The biggest challenge they faced while collaborating on Savitri was having to work virtually because of the pandemic. Jaspreet is confident that the audience will feel moved, captivated and empowered by their work. “I hope they’re able to see Savitri’s story in a new light, one that they may have not considered before. Ultimately, I want the audience to see that a single story can be interpreted in a multitude of different ways, and that’s a beautiful thing.”

She is happy spoken word has become popular in recent years and thinks it’s a great way to voice untold stories and struggles. The writer, poet, teacher and spoken word artist is committed to using her work to tackle gender discrimination, mental health stigma, the postcolonial immigrant experience, and taboo issues within the south Asian community. She is looking forward to performing live again, now the world is slowly opening up.

“Performing live is one of the things I missed most during the pandemic. Seeing the audience’s faces, their expression and having the chance to speak to them face-to-face help me grow as an artist. It allows me to learn what my audiences most engage with, what I could write more on, and it’s always wonderful to hear how an audience has connected to or interpreted my work.”

Jaspreet is inspired by her parents, students, and young people she works with, and the sense of purpose she finds in her work. “Whether it’s teaching, writing, or performing, it all helps connect me to the Sikh principle of sewa, which means selfless service. Sometimes it’s easy to get caught up in the noise around you, so I find it important to stay grounded and remind myself of my mission to help people.”

Sarah Sayeed and Jaspreet Kaur’s new response to Savitri will premiere on August 27 Leeds Opera Festival.

Visit www. northernoperagroup.co.uk

More For You

One year on, Starmer still has no story — but plenty of regrets

Sir Keir Starmer

Getty Images

One year on, Starmer still has no story — but plenty of regrets

Do not expect any parties in Downing Street to celebrate the government’s first birthday on Friday (4). After a rocky year, prime minister Sir Keir Starmer had more than a few regrets when giving interviews about his first year in office.

He explained that he chose the wrong chief of staff. That his opening economic narrative was too gloomy. That choosing the winter fuel allowance as a symbol of fiscal responsibility backfired. Starmer ‘deeply regretted’ the speech he gave to launch his immigration white paper, from which only the phrase ‘island of strangers’ cut through. Can any previous political leader have been quite so self-critical of their own record in real time?

Keep ReadingShow less
starmer-bangladesh-migration
Sir Keir Starmer
Getty Images

Comment: Can Starmer turn Windrush promises into policy?

Anniversaries can catalyse action. The government appointed the first Windrush Commissioner last week, shortly before Windrush Day, this year marking the 77th anniversary of the ship’s arrival in Britain.

The Windrush generation came to Britain believing what the law said – that they were British subjects, with equal rights in the mother country. But they were to discover a different reality – not just in the 1950s, but in this century too. It is five years since Wendy Williams proposed this external oversight in her review of the lessons of the Windrush scandal. The delay has damaged confidence in the compensation scheme. Williams’ proposal had been for a broader Migrants Commissioner role, since the change needed in Home Office culture went beyond the treatment of the Windrush generation itself.

Keep ReadingShow less
Eye Spy: Top stories from the world of entertainment

Ed Sheeran and Arijit Singh

Eye Spy: Top stories from the world of entertainment

Ed Sheeran and Arijit Singh’s ‘Sapphire’ collaboration misses the mark

The song everyone is talking about this month is Sapphire – Ed Sheeran’s collaboration with Arijit Singh. But instead of a true duet, Arijit takes more of a backing role to the British pop superstar, which is a shame, considering he is the most followed artist on Spotify. The Indian superstar deserved a stronger presence on the otherwise catchy track. On the positive side, Sapphire may inspire more international artists to incorporate Indian elements into their music. But going forward, any major Indian names involved in global collaborations should insist on equal billing, rather than letting western stars ride on their popularity.

Ed Sheeran and Arijit Singh

Keep ReadingShow less
If ayatollahs fall, who will run Teheran next?

Portraits of Iranian military generals and nuclear scientists, killed in Israel’s last Friday (13) attack, are seen above a road, as heavy smoke rises from an oil refinery in southern Teheran hit in an overnight Israeli strike last Sunday (15)

If ayatollahs fall, who will run Teheran next?

THERE is one question to which none of us has the answer: if the ayatollahs are toppled, who will take over in Teheran?

I am surprised that Iran’s supreme leader, Ayatollah Ali Hosseini Khamenei, has lasted as long as he has. He is 86, and would achieve immortality as a “martyr” in the eyes of regime supporters if the Israeli prime minister, Benjamin Netanyahu, succeeded in assassinating him. This was apparently Netanyahu’s plan, though he was apparently dissuaded by US president Donald Trump from going ahead with the killing.

Keep ReadingShow less
Comment: Talking about race isn’t racist – ignoring it helped grooming gangs thrive

A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on January 20, 2025 in Oldham, England

Getty Images

Comment: Talking about race isn’t racist – ignoring it helped grooming gangs thrive

WAS a national inquiry needed into so-called grooming gangs? Prime minister Sir Keir Starmer did not think so in January, but now accepts Dame Louise Casey’s recommendation to commission one.

The previous Conservative government – having held a seven-year national inquiry into child sexual abuse – started loudly championing a new national inquiry once it lost the power to call one. Casey explains why she changed her mind too after her four-month, rapid audit into actions taken and missed on group-based exploitation and abuse. A headline Casey theme is the ‘shying away’ from race.

Keep ReadingShow less