Skip to content
Search

Latest Stories

A method to the comic madness

by ASJAD NAZIR

ACTION HERO JOHN ABRAHAM REVEALS HOW HE FOUND THE FUNNY AGAIN WITH HIS FILM PAGALPANTI


ACTION man John Abraham is trading in beating up bad guys for a laughter attack in

this week’s Bollywood release Pagalpanti.

He heads an impressive star cast in the high-profile comedy about three unlucky men who

get into trouble after a get-rich-quick scheme tangles them up with gangsters.

This is the second time the actor has teamed up with director Anees Bazmee after their 2015 film Welcome Back with another slapstick entertainer, which has been predominantly shot in the UK.

The star cast also includes Anil Kapoor, Ileana D’Cruz, Arshad Warsi, Pulkit Samrat and Kriti Kharbanda.

Eastern Eye caught up with John Abraham to talk about Pagalpanti, comedy and his future plans.

You have immersed yourself in action in recent years, what made you reconnect with comedy again?

Well, on a personal front, I just needed a break from all the intense films I was doing like Madras Café, Parmanu, Batla House, Romeo Akbar Walter. I needed to let my hair down and just be easy, laugh and feel good. I have been a big fan of Anees Bazmee and worked with him before in Welcome Back, so when he offered me a film, I said yes. When he was narrating the film to me, I was laughing and thought if I am laughing my audience will too. That is the reason I did Pagalpanti.

What is more difficult? Doing the big stunts and beating up a load of bad guys or making people laugh?

Making people laugh, Asjad. There is a lot of method in the madness that goes into making a comedy. It is all about the timing, writing and how you project the lines. You can cheat with action, but someone like me doesn’t cheat with action. Comedy is an art. It is the toughest genre to direct and perform, but the easiest for people to lap up. Like action, it is the most difficult genre to critique. Many may not take comedy seriously, but for me, as an actor, I take it seriously. Comedy is serious business.

Tell us about your character in Pagalpanti?

My name in the film is Raj Kishore. I don’t have a surname. I have two names, Raj and Kishore. My character has got seven years of bad luck. It’s about how everything goes wrong when anyone associates with him. That includes my two friends, gang members and how things go totally wrong. They spiral down and that’s what this madcap ride is about.

How much does it help when good actors surround you like they have in Pagalpanti?

That is fantastic. Anil Kapoor said something so rightly – that in his career, when he was coming up, he always made sure he surrounded himself with really strong actors to buffer him. He said it is important the cast around you is strong. In my case, I have Anil Kapoor, Arshad Warsi, Pulkit Samrat, Ileana D’Cruz, Saurabh Shukla and so many more. I have fantastic people around me and think that only helps you as an actor.

When you are feeding off such good actors, it does make all the difference. What is your favourite moment in the film?

There are so many great moments, but you will really laugh in the scene where we enter the hospital. That hospital moment is really funny. There is a scene in a truck that is really funny. There are so many cute, nice fun moments in the film.

Anees Bazmee is a specialist when it comes to comedy, but what is he like to work with as a director?

I have been a fan of Anees Bazmee for the longest time and always wanted to work with him, and did that with Welcome Back. I needed an opportunity to work with him again. I think as far as comedy goes, it is all about the writing, and Anees is the best writer we have in this genre in the industry by light years. There is no one who can come close to him. He is outstanding.

What do you most like about him?

The beauty about Anees Bazmee is that he makes family entertainers. This is a film you can take your six-year-old niece or 96-year-old grandmother to and not be embarrassed about sitting with them. There is no double meaning or bad language in this film and no bloodshed. Even the villain is cute. So everything is fun and easy, I think rarely do we make a film, including myself, for children. I think Pagalpanti is a film that will reach out to family audiences.

You have shot loads of films in UK, but how do you handle the unpredictable weather?

We shot most of the film in Leeds and some of it in London. The rest of the film was shot in Mumbai. There were certain scenes where it was minus four degrees, and we nearly died because it was so biting cold. I always enjoy shooting in the UK.

What do you do in the UK when you are not shooting for a film?

The UK is a great place because I get to ride my motorcycle. The last time I was there, I went to Brands Hatch and rode on the track there. I love my riding time on the track. It is really enjoyable and the only time I can go at 300 plus kilometres an hour, feel good about life and myself. And be at one with my motorcycle.

What kind of comedies do you like watching?

If you honestly give me an option, then my own films. I would take my family to watch a comedy film and, definitely, an Anees Bazmee film because I know my entire family can watch it. Anees Bazmee films are really funny.

Is there a comedy actor you admire?

I think in today’s day and age, Akshay (Kumar). I love Akshay. His comic timing is absolutely fantastic. He is lovely. I’m talking about a hero who does comic scenes really well.

Who is the funniest person you know?

The funniest person I know in real life is my mother. She changes everyone’s names, forgets things and not to forget she is a Parsi.

You have been unpredictable, what can we expect next from you?

People say that we see you in a cop uniform all the time, so in my next film, I play a gangster. The film after that will be about motorcycle racing. I am also doing Satyamev Jayate part 2. So there are some fun films coming up.

I keep asking you this, but when will you go to Hollywood?

I have been offered stuff in the past, but have never really spoken about it. I would rather do a film that centres on me or a role that is substantially good that it convinces me to do it. But I have not tried too hard to get into the mainstream of Hollywood. I am content with acting in films here and producing films here. I would love to do a film that crosses all boundaries and borders; that everyone can see!

Today what inspires you, is it the desire to do good work?

Actually, that is bang on! You have answered the question. It is just the desire to do good work. It is not about the money or the fame. It is a different John Abraham today. I am like a beggar, I beg for appreciation and the minute I get it, I hold that appreciation in my palm, I close my fist and put it in my pocket. With each film I am trying to improve my craft. With Batla House, I tried to do exactly that, and it was so heartening to see the response of the audience.

So is that the plan?

I think with each film it is important that you keep improving yourself. As a producer, I want to set a benchmark, making different films. Vicky Donor, my first production was a clutter breaker. Madras Café was also a clutter breaker at that point of time. I want my next five productions to be clutter breakers.

Pagalpanti is in cinemas now

More For You

Eye Spy: Top stories from the world of entertainment
ROOH: Within Her
ROOH: Within Her

Eye Spy: Top stories from the world of entertainment

DRAMATIC DANCE

CLASSICAL performances have been enjoying great popularity in recent years, largely due to productions crossing new creative horizons. One great-looking show to catch this month is ROOH: Within Her, which is being staged at Sadler’s Wells Theatre in London from next Wednesday (23)to next Friday (25). The solo piece, from renowned choreographer and performer Urja Desai Thakore, explores narratives of quiet, everyday heroism across two millennia.

Keep ReadingShow less
Lord Macaulay plaque

Amit Roy with the Lord Macaulay plaque.

Club legacy of the Raj

THE British departed India when the country they had ruled more or less or 200 years became independent in 1947.

But what they left behind, especially in Calcutta (now called Kolkata), are their clubs. Then, as now, they remain a sanctuary for the city’s elite.

Keep ReadingShow less
Comment: Trump new world order brings Orwell’s 1984 dystopia to life

US president Donald Trump gestures while speaking during a “Make America Wealthy Again” trade announcement event in the Rose Garden at the White House on April 2, 2025 in Washington, DC

Getty Images

Comment: Trump new world order brings Orwell’s 1984 dystopia to life

George Orwell’s Nineteen Eighty-Four was the most influential novel of the twentieth century. It was intended as a dystopian warning, though I have an uneasy feeling that its depiction of a world split into three great power blocs – Oceania, Eurasia and Eastasia – may increasingly now be seen in US president Donald Trump’s White House, Russian president Vladimir Putin’s Kremlin or China president Xi Jingping’s Zhongnanhai compound in Beijing more as some kind of training manual or world map to aspire to instead.

Orwell was writing in 1948, when 1984 seemed a distantly futuristic date that he would make legendary. Yet, four more decades have taken us now further beyond 1984 than Orwell was ahead of it. The tariff trade wars unleashed from the White House last week make it more likely that future historians will now identify the 2024 return of Trump to the White House as finally calling the post-war world order to an end.

Keep ReadingShow less
Why the Maharana will be fondly remembered

Maharana Arvind Singh Mewar at the 2013 event at Lord’s, London

Why the Maharana will be fondly remembered

SINCE I happened to be passing through Udaipur [in Rajasthan], I thought I would look up “Shriji” Arvind Singh Mewar.

He didn’t formally have a title since Indira Gandhi, as prime minister, abolished India’s princely order in 1971 by an amendment to the constitution. But everyone – and especially his former subjects – knew his family ruled Udaipur, one of the erstwhile premier kingdoms of Rajasthan.

Keep ReadingShow less
John Abraham
John Abraham calls 'Vedaa' a deeply emotional journey
AFP via Getty Images

Eye Spy: Top stories from the world of entertainment

YOUTUBE CONNECT

Pakistani actor and singer Moazzam Ali Khan received online praise from legendary Bollywood writer Javed Akhtar, who expressed interest in working with him after hearing his rendition of Yeh Nain Deray Deray on YouTube.

Keep ReadingShow less