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Yash Raj Films dismiss reports about Ranveer working with Aditya Chopra in his next

Ranveer Singh is flying high with his successful career. He will be seen in a different avatar in films like Simmba, Gully Boy and 83. There were reports suggesting that Ranveer Singh is all set to team up with Aditya Chopra in his next directorial. However, YRF’s spokesperson refuted all such rumours by stating, “Yash Raj Films would like to categorically dismiss the report suggesting Aditya Chopra is directing his next with Ranveer Singh, as reported. As of today, Aditya Chopra has not finalized anything about his next directorial. He is immersed in all his productions for at least 1 more year before he begins thinking/planning his next.”

In a throwback interview, Ranveer was asked about working with Aditya Chopra, to which he had said, “I feel lucky and fortunate to be working for Aditya. He is a great guy. But he has never said good things to me. He just scolds me. He just says good job and not more than that.”


Talking about the failure of Befikre at the box office, Ranveer had said to a leading Indian entertainment portal, “Someone asked me recently, ‘How did you deal with the failure of Befikre?’ And I said I didn’t see it as a failure at all. For me, it’s a gift to collaborate with Aditya Chopra and be a leading actor in a mainstream Hindi film. Abhi picture successful hoti hai, toh sone pe suhaga. Agar nahi hoti hain, then also there’s nothing to be bogged down about. Because I’ve got exactly what I seek.”

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'The Devil Wears Prada 2' review roundup: Critics praise the cast, question the script

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  • Critics note its updated take on a changing fashion and media landscape
  • Reactions remain mixed, with questions over repetition and relevance

A familiar world, slightly reshaped

With The Devil Wears Prada 2, the story returns to Runway nearly two decades on, bringing back Anne Hathaway, Emily Blunt and Stanley Tucci alongside Meryl Streep’s commanding Miranda Priestly. Early reviews largely agree on one point: the cast remains the film’s strongest asset. Streep’s performance, once again, is described as precise and controlled, anchoring the film even when the narrative feels less certain.

Critics also point to the film’s attempt to reflect a changed industry. Runway is no longer defined by excess alone, but by shrinking budgets, digital pressures and a younger audience shaping trends. Miranda is shown adapting to this shift, even if reluctantly, while Andy re-enters a world she once left behind.

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