WOMEN must not see themselves as second class citizens and know that they too have arrived on the scene, Indra Nooyi, who has broken many glass ceilings as a businesswoman, said on Sunday (17).
“It does not matter, where you're born and what your heritage was, I think the US gives you a great opportunity to be anybody you want to be as long as you work hard, you contribute positively to whatever you work on and in and you have integrity,” Nooyi told in an interview.
Nooyi, 64, was on Sunday inducted into the prestigious National Portrait Gallery along with Amazon founder Jeff Bezos, Frances Arnold, Lin-Manuel Miranda and Earth, Wind and Fire.
The induction ceremony was marked with a star-studded gala that included former First Lady Michelle Obama and former Secretary of State Hillary Clinton, among others.
Nooyi said it sends the message to the people that the US is a great country to make your future in.
“I think going forward, people like us paved the path for women to be viewed as equal, powerful and contributing as anybody else. And, so women should not feel like second class citizens. They should know they too have arrived on the scene. And their contributions will also be noticed irrespective of your background,” she said.
“I think that's the key thing. To be an Indian American, to be included among business leaders in the portrait gallery basically says, here is a country that only cares about your contribution, not necessarily where you came from and who you are,” she said.
“It is a pretty special day today. Special because I've just begun to understand the value of the portrait gallery. I didn't know a portrait gallery existed because I had never been to one. So, I came to visit this gallery about a year ago when they informed me about this. I was simply blown away by the fact that such a gallery existed, that portraiture is a way to tell the story of the country and all the people who contributed to it,” she said.
The Portrait Gallery, she said, tells a beautiful story.
“It's not just a picture, it tells a story. If you go downstairs to the portrait gallery, there's a room that is now showcasing the women's suffragette movement. It's a fantastic story of how the whole thing evolved,” she said.
The fact that they are now including businesspeople and they are “beginning to tell the story of how various businesspeople of all kind born here, immigrated here, from whatever country, doesn't matter, all they say is you contributed to some thought or a change in the country, positive change and we appreciate you for that,” she said.
“The fact that they chose to put me as part of that is a bit emotional for me,” Nooyi said.
Responding to a question, Nooyi hoped her induction in the gallery is not just a message for women, but a message for all business people that “whether you are Indian American or any other American or just American American, as long as you conduct business with high integrity, as long as you make a positive change in society of significance, you will be perceived well in history, we will think about you positively.”
“Now, some of us may get included in the portrait gallery, some may not, and that's up to the portrait gallery. But I think, it's a wake-up call to all business people that you're more likely to be noticed if you make a positive change through business in the society, as long as you do it with a sense of commitment and with a sense of purpose,” Nooyi said.
The former Pepsico chief said she was informed about her induction about a year ago, when she made her first visit to the gallery.
“It's a walk down memory lane in history who made history. That it's spectacular,” she said.
“I came on the portrait gallery with gratitude for not anyone portrait, but for groups of portraits that gave me a window into the country. The one that probably is most memorable for me is the photograph of the women's Supreme court justices,” she said.
The president's gallery, she said, is fantastic.
“I mean, as a person, who was not born here, now to go to see the history of presidents and their contribution to the country, you almost, when you look at each of the portraits, the personality of the presidents jumps out at you,” she said.
“You look at George Washington's picture and the way it's lit and the way it's displayed, you feel like you were there, and George Washington was there. I say this because I was here when President Bush was president. I look at his portrait. Since I know him, I look at him and I go, I can understand how the portrait captured the essence of that president,” she explained.
“If you work backward to the presidents you know, like President Obama, very thoughtful portrait. You go back and look at each of the presidential pictures, you get a window into that precedent, which was fascinating for me,” she added.
But then as one goes around the gallery, it's not an individual portrait as opposed to how they accumulated portrait, she said.
“The women's suffragette movement is a fantastic room which tells a story. It's like a 'movie in still'. You go around and you hear the story and you see what really happened. It's not a movie. It's real life. And in many ways, you want to thank those women because they made the path for people like me. So I look at this and I go, thank God for some of these people who showed the way for women like me,” Nooyi said.
Music has inspired every aspect of Rick Ram’s life. The massively popular chutney soca star grew up surrounded by songs that shaped him as both an artist and individual. That journey led him to become an award-winning singer with a string of hits.
When Eastern Eye asked him to select his favourite songs, he chose ones filled with magic, meaning and cherished memories.
Tu by Sonu Nigam: When I was about 11, my mother Camla Ramoutar sang with a band called Melody Express and rehearsed at our home. One night, the lead singer did not show up, and they were practising this song. Jerry Beharry overheard me singing along and told me to perform it on stage. It became the first song I ever sang live.
Nache Man Mora Magan by Mohammed Rafi: Known as one of the most difficult songs to sing, this track encouraged me to pursue a music career. It was my first entry into Mastana Bahar, a respected platform that launched the careers of many artists.
Pretty Woman from Kal Ho Naa Ho: This song brought me my love and life partner, Vanessa Ramoutar. I entered a major competition in Trinidad and Tobago for the best cover version of this song. I did two versions with Xsitaaz Band and Caribbean Vibrations Band. We performed on a live TV show called Indian Variety, and I needed a dancer. That is when the beautifully talented Vanessa walked into my life.
Mitwa from Kabhi Alvida Naa Kehna: This film track is a personal favourite to sing live. It remains one of the sweetest songs ever composed.
Sapano Main Pyardi by Ramdeo Chaitoo: This was the first traditional chutney song I covered. It will always hold a special place in my heart because it represents Caribbean music.
Ro Na Kabhi Nahin Rona from Apna Desh: I recorded a cover version of this song in 2007 and was blessed with a beautiful baby girl that same year. She brought such light into our lives, and the song became a huge success. To commemorate that moment, we named our daughter after the track – Varonah. For her sweet 16, we created a special remix of it just for her.
Ah Wish I Was Single by Rick Ram: I have many original hits in the chutney soca genre, but this one stands out. In 2012, I recorded the song and entered two competitions. I placed third in the Chutney Soca Monarch and won my first title as South Super Saturday Chutney Soca Monarch.
Nanda Baba by Anand Yankarran: This iconic song, originally sung by the late, great legend Anand Yankarran, remains one of the greatest traditional chutney tracks. I remember calling Mr Yankarran to ask his permission to do a cover, just before he passed away. He was so excited and said he had never heard anyone sing it the way I did. I recorded it with his blessings.
Luuuzzaarr by Rick Ram: This song was born out of a difficult time, when my wife and I were being bullied. Rather than retaliating, we channelled that experience into creating something positive. Luuuzzaarr made a huge impact – and helped me win two titles: the 2024 Chutney Soca Monarch and the 103.1FM Chutney Soca Road March competition.
Party Like This by Rick Ram: This original song is dedicated to my little prince, my son Rick Junior. He is full of energy and watches everything I do. A reflection of him, I am proud of this track just as I am proud of him and everything he is. It has become his anthem.
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Tom Felton returns to the role of Draco Malfoy for the Broadway stage
For the first time since the final Harry Potter film wrapped over a decade ago, Tom Felton is returning to the wizarding world, but not on screen. Instead, the actor is headed to Broadway, where he’ll take on the role of an adult Draco Malfoy in Harry Potter and the Cursed Child. The stage production, which continues the story 19 years after the original books, will now feature one of its most iconic characters portrayed by the man who first brought him to life.
Felton will join the cast at New York’s Lyric Theatre beginning 11 November 2025, for a limited 19-week run until 22 March 2026. This also marks his Broadway debut, making the moment doubly significant. Not only is he the first actor from the original film series to step into the stage version of the Potter universe, but he’ll be playing Draco at the exact age the character is in the play, creating a rare full-circle moment for both the actor and the fans.
Unlike the sneering schoolboy we met in The Philosopher’s Stone, this Draco is a father now. Cursed Child picks up nearly two decades after the Battle of Hogwarts, with the next generation of witches and wizards, including Harry, Ron, Hermione, and Draco’s children starting their own journey at Hogwarts.
Speaking about the experience, Felton admitted that slipping back into Draco’s signature look affected him more deeply than expected. “The blond hair came back on, and I immediately started crying,” he said in an interview. “It felt like going back to school.” He reflected on how the role shaped his childhood and said stepping back into those robes was like “meeting Draco as an adult for the first time.”
Producers Sonia Friedman and Colin Callender called Felton’s casting “a powerful moment of nostalgia and evolution,” acknowledging how his presence bridges the film legacy with the stage story in a way that resonates deeply with longtime fans.
Since his time in the films, Felton has explored a mix of stage and screen roles, from the sci-fi blockbuster Rise of the Planet of the Apes to his stage debut in 2:22 A Ghost Story and the recent A Child of Science. He also published a memoir, Beyond the Wand, sharing his experiences growing up in the spotlight.
But this latest role has stirred a different kind of emotion. “It’s surreal,” he said. “I let go of that character 16 years ago. Now I get to explore him again with new responsibilities, regrets, and maybe redemption.”
Tom Felton makes his Broadway debut in Cursed ChildGetty Images
Harry Potter and the Cursed Child continues to be one of the most successful plays in Broadway history, having sold over 10 million tickets worldwide. Felton’s involvement is expected to bring in a fresh wave of fans, especially those who grew up with the original films. Presale for tickets begins 10 June, with general sales opening on 12 June.
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Bags of rubbish and bins overflow on the pavement in the Selly Oak area on June 02, 2025 in Birmingham, England.(Photo by Christopher Furlong/Getty Images)
MEMBERS of the Unite union voted by 97 per cent on a 75 per cent turn out in favour of continuing the industrial action in Birmingham, which began intermittently in January before becoming an all-out stoppage in March.
At the centre of the dispute is a pay row between the cash-strapped city council and workers belonging to Unite which says some staff employed by the council stand to lose £8,000 per year under a planned restructuring of the refuse service.
Unite general secretary Sharon Graham said a proposal by Birmingham City Council was not in line with an offer discussed in May in talks under a conciliation service.
She accused the Labour "government commissioners and the leaders of the council" of watering it down.
"It beggars belief that a Labour government and Labour council is treating these workers so disgracefully," she said. "Unite will not allow these workers to be financially ruined –- the strikes will continue for as long as it takes."
Although non-unionised workers have been collecting bins during the strike the industrial action continues to cause disruption to rubbish removal resulting in concerns about rats and public health.
The dispute in the city of over a million people, known for its industrial past and multicultural character, is an illustration of the budgetary pressures facing many other local authorities across the country.
A council spokesperson denied there had been any watering down of the deal.
"This is a service that needs to be transformed to one that citizens of Birmingham deserve and the council remains committed to resolving this dispute, the spokesperson said.
"We have made a fair and reasonable offer that we have asked Unite to put to their members and we are awaiting their response.”
Council defends ‘ambitious’ vision for city, reports LDRS
In another development, Birmingham council has defended an “ambitious” plan for the city’s future despite the vision being slammed as “devoid of reality”.
The local authority’s corporate plan sets out the priorities for Birmingham over the next three years and how it intends to overcome the issues which have recently plagued the council.
In a bid to make the city fairer, greener and healthier, the Labour-run council’s plan explores how it can tackle critical challenges such as housing need, health inequalities, unemployment and child poverty.
Bags of rubbish and bins overflow on the pavement in the Sparkbrook area on June 02, 2025 in Birmingham, England. (Photo by Christopher Furlong/Getty Images)
But the council’s vision came under fire during a cabinet meeting on Tuesday (3) with Conservative group leader Robert Alden pointing to its aspiration of improving street cleaning and waste services.
He went on to say the city’s bins service was currently not operating properly as the ongoing bins strike continues to take its toll.
“This plan is devoid of the reality of the situation the council finds itself in,” he argued. “That’s a fundamental problem as to why it will fail.
“Residents expect the city to balance the books and to clean the streets – this corporate plan doesn’t do it.
Councillor Alden added: “A lot of officer time and resources have been spent producing yet more colourful, lovely dossiers to hand out and claim that the future will be different.”
Acknowledging the financial turmoil which has plagued the authority, council leader John Cotton said the Labour administration had made significant progress in “fixing the foundations”.
He continued: “Fixing those foundations is essential if we’re going to deliver on ambitions for this city – and we should make no apology for being ambitious for Birmingham and its people.
“This is exactly what this corporate plan is about – it’s about looking forward to the future.”
Cotton went on to say the plan sets out the council’s “high level ambitions” and “major targets” for the city over the next few years.
“It’s also underpinned by a lot of detailed policy and strategy that’s come before this cabinet previously,” he said.
“It’s important not to just look at one document – we need to look at this being the guiding document that governs all the other work that this council is undertaking.”
Deputy leader Coun Sharon Thompson added: “We have to be ambitious for the residents of Birmingham – that is we are committed to doing whilst also fixing some of the issues which opposition [councillors] have highlighted.
“The world is changing, innovation is coming upon us and we cannot let Birmingham be left behind.”
She added that having a Labour government working with the council would “make a difference” when it came to tackling some of the city’s most pressing issues compared to the previous 13 years.
Birmingham City Council also has plans to transform its waste collection service in a bid to boost the efficiency and reliability of bin collections.
But the bins strike dispute between itself and Unite the union remains unresolved, with striking workers raising concerns about pay while the council’s leadership has repeatedly insisted that a “fair and reasonable” offer has been made.
The all-out citywide strike has been running since March and has attracted unwanted headlines from across the world, with tales of ‘cat-sized rats’ and rubbish mountains making headlines.
(AFP and Local Democracy Reporting Service)
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Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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A kushti bout continues until one wrestler pins the other’s back to the mud, regardless of how long it takes
Crowds cheer as muscular men in tight loincloths slap sacred scented soil on their bulging thighs and arms for a mud wrestling bout in India.
“When we fight, we sweat,” said 33-year-old Mauli Jamdade, a wrestling star in Maharashtra state, rubbing red-brown earth onto his body for each clash.
“The mud gives us grip and helps us grapple better.”
Unlike conventional wrestling matches played on mats with regulated draws, India’s mud wrestling is more raw, but has been the training ground for Olympic success. This style of wrestling, known as kushti or dangal, has millennia-old roots but emerged during the period of India’s Mughal rulers in the 16th century, blending traditional hand-to-hand combat with Persian martial arts.
There are no blows or kicking, but plenty of throws to the ground, and it remains hugely popular.
It took Jamdade over 15 minutes to defeat his rival, starting with a slow circling dance then twisting, turning and locking arms, before he pinned him down.
The bout ends when one wrestler pins his opponent’s back to the mud, irrespective of how long it takes.
Both men and women Indian wrestlers have won medals at the Olympics and Commonwealth Games in the more regulated form of the sport.
But it is the mud, not mat, version that is popular in swathes of rural areas, with supporters saying it is not just a spectacle but a tradition that many want to uphold.
Bank cashier Anil Harale ended his wrestling career after injuring his leg, but after work still slips out of his office clothes for a dirty wrestle. “I miss it,” said the 46-year-old, who hopes his “unfulfilled dream” will be realised by his teenage son, an aspiring wrestler.
Wrestler KD Jadhav, who took bronze at the 1952 Olympics – the first Indian to win an individual Olympic medal – began his sporting career as a mud wrestler in Kolhapur, a city in Maharashtra.
“It is from mud that wrestlers reach the Olympics,” said excited fan Sachin Mote, among hundreds cheering the wrestlers at a bout.
Kolhapur is a core base of the sport with its centuries-old residential gymnasiums known as talims.
Jamdade joined the Gangavesh talim aged 14. A picture of the Hindu monkey god Hanuman – a deity worshipped by wrestlers for his strength and devotion – gazes over waist-deep pits where the soil is dug.
The earth is mixed with turmeric, yoghurt and milk, as well as neem tree leaves and oil, before it is ploughed and smoothened across the ring.
For the wrestlers, the soil is sacred.
“It is everything,” said Jamdade. “There is nothing without it.”
More than a hundred wrestlers – some as young as 10 – train at the talim.
It is an austere life. The rigorous training includes waking up before dawn, running, hundreds of push-ups, rope climbing and grappling. Tobacco and alcohol are strictly prohibited, phone usage is restricted and pre-marital relationships are considered a distraction.
For Jamdade, the first year at the talim was all about gaining weight, and that is an expensive affair.
“There are people who weigh 125-130 kilos (275-285 pounds),” he said.
“To fight with them, and match their strength, I need to be at least 120 kilos.”
So when he is not in the ring or training, Jamdade focuses on eating. That includes at least five kilos of goat meat each week, some 70 egg whites, 24 apples, leafy vegetables and dry fruits.
He washes that down with at least 21 litres of milk, 14 litres of sweet lemon juice and a protein shake made with almonds, cashews, honey, cardamom seeds, honey and milk.
His monthly food bill totals £258 but the prize money he has won helps his family, who are from a poor farming background.
Winnings range from a few hundred pounds to £1,200 – more than the annual average income of an agricultural household in India.
While the popularity of more organised wrestling on mats has grown, Jamdade believes mud bouts have a safe future as a core part of village fairs.