South Korean star OK Taec-yeon, popular with Indian K-drama fans for shows such as Vincenzo, says he enjoys a lot of Indian content and often wonders what it would be like to appear in an Indian film or show.
The musician-actor is currently seen in Prime Video fantasy drama HeartBeat where he plays a half-human and half-vampire forced to share a house with a cold-hearted person.
Responding to the enormous enthusiasm for Korean shows in India, Taec-yeon told PTI in a virtual interview from Seoul that he would do his best to "reciprocate that love".
He hasn’t been to India and says he would love to as soon as possible. “I enjoy a lot of Indian films and content and it's quite loved in Korea too. Sometimes, while watching some of the Indian content, I would think to myself, 'What would it be if I were to appear in one of those’?" "Not just the content, I know there is so much more that India has to offer...," the 34-year-old actor added.
HeartBeat, which premiered on Monday on the streamer, also stars Yoon So-Hee of Ghost Doctor fame, Won Ji-An of D.P. and If You Wish Upon Me, and debutant Park Kang-Hyun. Taec-yeon said he was attracted to the series because it gave him a chance to play a vampire. He was particularly loved in India for his negative turn as a corrupt and violent chaebol (a second-generation conglomerate heir) who is pitted against Song Joon-Ki's titular consigliere in “Vincenzo”.
Taec-yeon, who is familiar with his roles in Secret Royal Inspector & Joy and Bring it on, Ghost, is also famous as the rapper of the Korean boy band 2 PM. The Korean star, who spent his foundation years in the US and is proficient in English, Korean, and Japanese, credited streaming services for popularising K-content all over the world.
"Korean dramas, now we call them K-dramas, have been around for a long time and people have enjoyed them. But obviously, it is quite a recent development that it is being loved so widely all across the world. I think it is all thanks to the many streaming services as well as the efforts they spend in many subs and dubs and, of course, thanks to the global audiences who watch and enjoy our content," he said. The actor is hoping "HeartBeat" will enjoy similar popularity. Ji-An, 23, who stars opposite Taec-yeon in the show, said she was drawn to it because the series seemed light-hearted and had room for some fun.
On the question of K-drama's global popularity, she said, "Since my acting career hasn't been that long, I honestly haven't been able to feel it personally. But I feel very grateful to hear that. All I can say is that I will be responsible and dutiful going forward." So-Hee, 30, said she joined "HeartBeat" because she always wanted to do a fantasy drama. "... I would have loved to play a vampire but I play a character who has more money and power than a vampire so I was very happy," she said. Kang-Hyun, 33, credited Korean content for its popularity globally. "I think Korean people have a particularly strong love of content. And it's also because of the authenticity and genuineness that we bring through dramas... Anything that comes from the heart is universal. That may be why they are so loved," he said.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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