Tollywood heartthrob Vijay Deverakonda, who will soon set his foot in Bollywood with Dharma Productions’ Liger, on Tuesday announced his next film. Titled JGM, which is short for Jana Gana Mana, the war film will be directed by filmmaker Puri Jagannadh and marks their second consecutive collaboration after Liger.
The makers announced the film at a grand event held in Mumbai where Deverakonda, dressed in military uniform, arrived in a chopper at a helipad. The actor also released the title poster of the film. It features a team of paratroopers descending into India, which has been turned into a battleground.
Sharing his excitement about working on JGM, Deverakonda said, “I am supremely excited about JGM. It is one of the most striking and challenging scripts. The story is special and it will touch every Indian. I am honoured to be a part of Puri’s dream project. Looking forward to working with Charmme and her team. My character in JGM is refreshing which I have not done earlier and I am sure it will leave an impact on the audiences.”
Apart from writing and directing, Jagannadh is also co-producing the film along with Charmme Kaur and filmmaker Vamshi Paidipally.
“I am extremely happy to unveil the announcement of our next project ‘JGM’. It feels great to collaborate again with Vijay and JGM is a strong narrative which is THE ultimate action entertainer,” said Jagannadh.
Meanwhile, Deverakonda and Jagannadh are waiting for the release of their pan-India film Liger. The upcoming film also stars Ananya Panday in the lead role. Boxing legend Mark Tyson also essays an important role in the film which revolves around an Indian MMA fighter taking on other foreign fighters. Liger is set to enter theatres on August 25, 2022.
Talking about how he collaborated with Karan Johar on the film, Deverakonda said at the event, “I thoroughly enjoyed working on the Indian film Liger. Karan (Johar) had seen my previous films Arjun Reddy (2017) and Dear Comrade (2019). He did not ask me anything. He just said, ‘I love you as an actor. I want to make a film with you’ and a few months later, when we had Liger, he came on board. And I am very grateful to him for giving me this opportunity. Karan can thank me after the release because we will give him a huge blockbuster. I want it to be huge because I want this decision that he has made, a terrific decision, and I want him to be happy with his decision because if Liger becomes a huge success, he will make more such decisions. Several other talented actors will get the opportunity to do a national film, a big-budgeted film.”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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