‘Veer-Zaara’ at 20: 10 reasons Yash Chopra movie remains an all-time Bollywood classic
The timeless love story starring Shah Rukh Khan, Preity Zinta and Rani Mukerji was filled with great moments, memorable dialogues, deep emotions and unforgettable music.
Shah Rukh Khan and Preity ZInta in 'Veer-Zaara'
By Asjad NazirNov 11, 2024
LEGENDARY filmmaker Yash Chopra was rightly regarded as the king of Bollywood romance.
One of the ace director’s finest works in this genre was cross-border love story Veer-Zaara, which was released on November 12, 2004, and became the highest grossing Bollywood movie of that year. The timeless love story starring Shah Rukh Khan, Preity Zinta and Rani Mukerji was filled with great moments, memorable dialogues, deep emotions and unforgettable music.
Eastern Eye decided to mark the 20th anniversary of the movie by revisiting it and presenting 10 reasons why it remains an all-time Bollywood classic.
Great cast: The filmmaker assembled a superb cast led by Shah Rukh Khan, Preity Zinta and Rani Mukerji, who were all big box-office stars. They were surrounded by a strong supporting cast that included Manoj Bajpayee, Amitabh Bachchan, Hema Malini, Anupam Kher, Boman Irani, Divya Dutta and Kirron Kher.
Direction: This was the last truly great movie directed by Chopra, who is considered one of Bollywood’s greatest ever filmmakers. Veer-Zaara had all the signature hallmarks associated with the iconic director including eye-catching locations, beautiful music and a glittering star cast. By balancing romance, drama and social commentary, Chopra brought the wonderfully written story to life in the way that only he could, and filled it with memorable moments from start to finish. He also got the entire cast, in their varied roles, to elevate the material with their performances. It resulted in a visual and emotional spectacle.
Magnificent music: In what became a Bollywood first for a major commercial movie, the songs were composed by a music director who had passed away long ago (in 1975). That masterstroke of taking unused tunes of late composer Madan Mohan resulted in superb songs like Tere Liye, Main Yahaan Hoon and Do Pal. His son, Sanjeev Kohli, helped recreate the music and combined it with soulful lyrics by Javed Akhtar. The music is not only entertaining, but it enhances the emotional impact of the film. Not surprisingly the soundtrack filled with diverse musical influences including Punjabi folk and Sufi won multiple awards and became the highest-selling Bollywood soundtrack of that year.
Strong performances: The story-driven film based on real human emotions demanded the cast be on top of their game. Khan and Zinta delivered perfectly pitched performances as starcrossed lovers from different sides of the border, including in their older age. Their multi-layered performances won praise. The strong supporting cast led by Mukerji added depth to Veer-Zaara, while Bajpayee, Bachchan, Malini, Anupam and Kirron and Irani all gave the film further gravitas.
Cinematography: Although Veer-Zaara is very much about deep emotions, it is also visually spectacular. Anil Mehta confirmed just why he is one of the greatest Bollywood cinematographers from the modern era as he captured the beauty of the eye-catching sets, whether it was inside a palatial mansion or in rural Punjab. He helped create a vivid and immersive setting that enhanced the storytelling, making it a feast for the eyes.
Rani Mukerji in the film
Strong women: The movie may have been headlined by Khan, but what really gave it power was the strong female characters. Zaara, played by Zinta, was far removed from the stereotypical subservient woman, and was shown as a strong, independent woman who makes significant choices for her life, which reflected modern values within a traditional setting. Mukerji’s strong crusading lawyer character, Saamiya Siddiqui, fights against all odds for justice. Even the older female characters have their own steely determination, all of who offered a collective fresh perspective of females in Hindi cinema.
Writing: Perhaps the biggest hero of Veer-Zaara was the writing. With his well-crafted screenplay, Aditya Chopra offered up a timeless love story that could quite easily have been made in any era of Bollywood, including today. The cross-border romance about an Indian Air Force pilot and a Pakistani woman delivered universal themes of love, sacrifice, hope and going against outdated traditions. Everything from the protagonists to the poignant emotions were relatable to audiences of all ages. The story was also filled with memorable dialogues and important social commentary.
A scene from the hit movie
Messaging: Although Veer-Zaara gained popularity for being a musical romance, it has a lot of important messaging, including cross-border unity between warring neighbours India and Pakistan. This is cleverly done by focusing on the personal stories of the characters rather than long-running political tensions between the two nations. It also promotes messages of peace, understanding, religious tolerance, and the futility of political and social barriers.
In addition, Veer-Zaara was a film about justice and the triumph of humanity over prejudice and hatred, which led to discussions about love, peace and unity. The various themes added extra layers to the film, which definitely made it more than just a love story.
Culturally respectful: Most movies on both sides of the border usually represent the other country and culture in a discourteous way. Veer-Zaara was notable for being a respectful portrayal of both Indian and Pakistani cultures. This included Pakistani and Muslim customs, traditions and lifestyle. Great care was taken not to alienate viewers from either side of the border, which remains rare in Bollywood and Lollywood. This balanced representation was rightly praised for fostering a sense of mutual respect and resulted in the film becoming globally popular.
Emotions: The great narrative structure of setting Veer-Zaara over two time periods and stitching it together with an unforgettable interval, resulted in a film that tugged at the heartstrings from start to finish. Whether it was the deep love, sacrifice, hope, heartbreak or a touching reunion, ace director Chopra ensured audiences connected with those emotions, and having a rainbow of feelings consolidated their connection to the film. Instead of trying to shock audiences, the filmmaker allowed them to emotionally experience the immersive film and those feelings remain to this day.
Did you know?
Shah Rukh Khan was first choice to play his role. When Kajol refused the role of Zaara, it was offered to Preity Zinta, who took lessons in Urdu in order to improve her diction.
The role of lawyer Saamiya Siddiqui was based on Pakistani human rights activist Asma Jehangir. Aishwarya Rai Bachchan was the first choice to play that character, but an earlier falling out with Shah Rukh Khan on the sets of Chalte Chalte led to Rani Mukerji being cast in that role.
The film’s costumes were masterminded by fashion designer Manish Malhotra, except for Shah Rukh Khan’s, which were specifically created by filmmaker Karan Johar.
Yash Chopra described Veer-Zaara as a humble tribute to his home in Punjab, and to the feeling of togetherness of people on both sides of the border.
The initial title that was considered was Yeh Kahaan Aa Gaye Hum, which is a song title from Chopra’s movie Silsila (1981).
There are several deleted scenes that didn’t make it to the final cut, but were later included in the DVD release.
• Meenakshi Jayan bags best actress at Shanghai International Film Festival’s Asian New Talent Awards • Wins for her role in Victoria, the only Indian film in competition this year • Victoria is directed by Sivaranjini J and backed by Kerala’s Women Empowerment Grant • Jayan prepared for her role by working at a beauty parlour and learning the Angamaly accent
Indian actress Meenakshi Jayan has won the best actress award at the 2025 Shanghai International Film Festival (SIFF), recognised in the Asian New Talent section for her role in the Malayalam film Victoria. Directed by debutant Sivaranjini J, the film was the only Indian entry in competition this year.
Jayan plays a young beautician from Angamaly, Kerala, navigating a day of personal turmoil as she plans to elope with her Hindu boyfriend, despite her Catholic family’s objections. Her quiet rebellion is interrupted by a neighbour’s rooster, meant for a church festival, setting off an emotional spiral filled with conflict, faith, and self-discovery.
To fully immerse herself in the role, Jayan spent two months working in a local beauty parlour and trained with a dialect coach to master the Angamaly accent. Her grounded, realistic performance had already earned her the best performer title at the Independent and Experimental Film Festival Kerala (IEFFK) earlier this year.
The film, funded by the Kerala State Film Development Corporation under its Women Empowerment Grant, premiered at the International Film Festival of Kerala (IFFK), where it picked up the FIPRESCI Award for best Malayalam film by a debut director.
India makes its mark on the international festival circuit
Jayan’s win is a significant moment for Indian independent cinema, especially regional films. Victoria stood out not just for its storytelling but also for its production support aimed at empowering women filmmakers.
At the same festival, As the Water Flows from China won best film in the Asian New Talent section, and Where the Night Stands Still, an Italy-Philippines collaboration, earned Liryc Dela Cruz the best director title. Shi Pengyuan won best actor for Water Can Go Anywhere.
In the main competition, Kyrgyz film Black Red Yellow won best feature. Japan’s On Summer Sand and China’s Wild Nights, Tamed Beasts shared the jury grand prix. Wan Qian won best actress in that category, while Portugal-Brazil co-production The Scent of Things Remembered earned José Martins best actor.
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Bianca Censori and Kanye West walking hand in hand in New York City
Bianca Censori was spotted in NYC on 21 June wearing a sheer top and leather micro shorts.
Kanye West dressed in his usual covered-up style with a pop of blue in his shoelaces.
The couple’s appearance follows a reconciliation earlier this year after a brief split.
Censori has drawn criticism for her increasingly revealing outfits and recent distracted driving allegations.
Bianca Censori turned heads once again as she stepped out in New York City with her husband, Kanye West, wearing a sheer black top with no bra and ultra-short leather shorts. The couple were spotted walking through the city on Saturday, 21 June, continuing their string of public appearances in bold fashion choices and controversial moments.
The Australian model and Yeezy designer, known for her fashion, paired her see-through top with open black stilettos and newly styled long hair with feathered bangs, a departure from her previous slicked-back bun look. The 30-year-old’s outfit left little to the imagination, once again igniting online chatter about her fashion evolution and public persona since marrying West in December 2022.
Censori's revealing look in NYC quickly made the rounds online, fuelling both admiration and criticism. While her daring wardrobe has become a signature, this appearance came days after she was seen in an edible candy bra set on another city outing, raising fresh questions about her public image.
Her fashion choices often reference Kim Kardashian, West’s ex-wife, from beachy waves to plunging bodysuits. Social media comparisons are frequent, especially as Censori adopts a similar visual style with a more explicit edge.
Kanye West and Bianca Censori file lawsuit against celebrity dentist Dr. Thomas Connelly, alleging reckless drug administration and exploitation Youtube Screengrab
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The couple’s latest appearance comes just months after a reported breakup in February, triggered by West’s ongoing controversies, including antisemitic statements and the promotion of offensive merchandise. A source close to the situation had described that phase as “potentially unsurvivable” for their marriage.
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Trisha’s post with Vijay and her dog ignites curiosity
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Trisha’s mother’s response deepens fan speculation
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Ezra Miller attends the Los Angeles premiere of Warner Bros. "The Flash"Getty Images
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While Miller did not revisit each allegation directly, including arrests and troubling behaviour between 2020 and 2022, they acknowledged the emotional impact of those years. “Not that I don’t hold a lot of remorse for the things I did,” they said, “but I’m really grateful for the lessons that came with that abyss.”
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Ezra Miller attends the Apple Store Soho presentation Getty Images
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Trailer is geo-blocked in India; film to release overseas on 27 June.
Netizens accuse Diljit Dosanjh of being “anti-national”.
Diljit Dosanjh’s much-anticipated horror-comedy Sardaar Ji 3 will not be screened in Indian cinemas. Instead, the film will only be released in international markets on 27 June, after calls for a boycott intensified online due to the inclusion of Pakistani actors, particularly Hania Aamir. The move follows the tragic Pahalgam terror attack and renewed enforcement of the entertainment industry’s ban on cross-border collaborations.
The Federation of Western India Cine Employees (FWICE) wrote to the Central Board of Film Certification (CBFC), requesting that Sardaar Ji 3 be denied clearance. Their objection stems from the casting of Pakistani actors, including Hania Aamir, Nasir Chinyoti, Daniel Khawar, and Saleem Albela, at a time when India-Pakistan relations are strained following the April attack that left 26 people dead.
In line with government directives discouraging any partnerships with Pakistani artists, the makers dropped plans for a domestic release. Director Amar Hundal’s film now gears up solely for an international audience.
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Trailer blocked in India, Diljit faces social media heat
On 22 June, Diljit Dosanjh shared the trailer on Instagram, writing: “Sardaar Ji 3 releasing 27 June OVERSEAS only. FADH LAO BHOOND DIAN LATTAN.” The YouTube trailer, however, is not accessible in India due to geo-blocking. While teasers and songs remain available, the trailer featuring Hania prominently has been restricted.
Sardaar Ji 3 features Diljit as a ghostbuster exorcising spirits from a haunted UK mansion. Hania Aamir plays a fellow ghost hunter, while Neeru Bajwa adds a romantic twist. But the film’s quirky humour has been overshadowed by the strong online backlash.
Many netizens called Diljit “shameless,” accusing him of prioritising career over country. Some even demanded his removal from upcoming films like Border 2. For now, Sardaar Ji 3 heads to a global audience, leaving behind a fierce debate in its wake.