WHETEHR it’s love triangles, star-crossed lovers, or couples bridging social divides, Bollywood has long been built on a foundation of formula-driven romances. However, across the decades, some films have dared to do things differently, offering unique takes on love.
With Valentine’s Day around the corner, Eastern Eye has curated a watchlist of distinctive romantic films from Bollywood, listed in chronological order.
Mahal (1949): This cult classic kick-started Bollywood’s spooky love story genre. The tale of a man who believes he has been reincarnated and is being visited by the ghost of a lost love paved the way for gothic fiction in Indian cinema. Ashok Kumar and Madhubala delivered strong central performances in this love story, which isn’t quite what it seems.
Mahal
Khandan (1965): A remake of the Tamil blockbuster Bhaaga Pirivinai (1959), this film revolves around a divided family, but at its heart lies a moving love story. A kind-hearted woman (Nutan) falls for a partially paralysed man (Sunil Dutt), a role that won him the Filmfare best actor award. The award-winning soundtrack includes the unforgettable song Tum Hi Meri Mandir, Tum Hi Meri Pooja.
Khandan
Guide (1965): A leading film star playing the role of an adulterer would still be surprising today, which is why this classic, made 60 years ago, was ahead of its time. Waheeda Rehman portrays an unhappily married woman who finds love with a guide (Dev Anand). Packed with stunning songs and a shocking twist, the film’s bold subject matter led to calls for it to be banned.
Guide
Pagla Kahin Ka (1970): Another film ahead of its time that doesn’t get the recognition it deserves, this story follows a musician (Shammi Kapoor) who takes the blame for a murder to protect his best friend and pretends to be mentally unwell. Committed to an asylum, he later discovers hidden truths and descends into real madness. In the midst of this turmoil, he unexpectedly finds love with a kind doctor.
Pagla Kahin Ka
Andaz (1971): Best remembered for Rajesh Khanna’s cameo in the iconic song Zindagi Ek Safar HaiSuhana, this film offers much more. It tells the story of a widower (Shammi Kapoor) who unexpectedly falls in love with a single mother (Hema Malini). The romance between single parents struck a chord with audiences and made the film stand out.
Koshish (1972): Bollywood has rarely portrayed disability well, which is why this landmark film remains unique more than 50 years after its release. Sanjeev Kumar and Jaya Bhaduri deliver stunning performances as a deaf and mute couple navigating life in an unempathetic society. Written and directed by Gulzar, the emotional drama beautifully explores a different side of love.
Koshish
Khatta Meetha (1978): For decades, Bollywood romances focused on young love, but writer-director Basu Chatterjee offered something different with this story of two elderly widowers finding love in their later years. Ashok Kumar and Pearl Padamsee shine as the couple who shock their children and society by deciding to marry.
Ek Nai Paheli (1984): Typically, young couples come together in love stories, but this Hindi remake of the Tamil film Apoorva Raagangal flips the script. A headstrong young man (Kamal Haasan) falls for an older woman (Hema Malini), while her daughter (Padmini Kolhapure) falls for an older widower (Raaj Kumar), who turns out to be the young man’s father.
Eeshwar (1989): This heart-warming film, which won a well-deserved Filmfare award for best story, follows a simple, mentally challenged man (Anil Kapoor) who falls in love with a widow struggling to raise her young son. A Hindi remake of the Telugu classic Swathi Muthyam, it blends great music with raw human emotion.
Lamhe (1991): Hindi cinema has always embraced love triangles, but none have been as unique as this one. Anil Kapoor plays a man torn between the memory of a deceased older woman he once loved and her identical-looking daughter, decades later. Filmmaker Yash Chopra crafted two cross-generational romances, with Sridevi portraying both an older woman in love with someone else and, decades later, her orphaned daughter, who gradually warms the heart of an older man.
Lamhe
Dil To Pagal Hai (1997): While not immediately thought of as a unique love story, this film broke conventions. Apart from being Bollywood’s first proper Valentine’s Day film, it offered an unconventional romance between two individuals who fall in love while rehearsing for a stage show – mirroring what unfolds between them in real life. Shah Rukh Khan and Madhuri Dixit’s chemistry, along with majestic musical numbers, made it a classic.
Saathiya (2002): A remake of the Tamil film Alaipayuthey (2000), this film explores what happens after a couple gets together. It’s a cleverly told story about a man searching for his wife who doesn’t come home one day. Through flashbacks, we see how they fell in love, got married, and slowly drifted apart. The romantic musical, starring Rani Mukerji and Vivek Oberoi, highlights the importance of not taking love for granted.
Saathiya
Cheeni Kum (2007): This romantic comedy shocked audiences upon release. Amitabh Bachchan plays a 64-year-old confirmed bachelor who finally finds love with a feisty 34-year-old (Tabu). The unconventional romance explores their relationship and the objections raised by those around them – including her furious father.
7 Khoon Maaf (2011): Though this black comedy centres on a murderous woman, its core theme is romance. Based on Ruskin Bond’s short story Susanna’s Seven Husbands, the film follows a woman (Priyanka Chopra) searching for love, only to keep killing her deeply flawed husbands. Each murder is connected to a different deadly sin.
Barfi (2012): This fairy tale-like romantic comedydrama beautifully explores the bond between a deaf-mute man and two contrasting women, one of whom is autistic. Ranbir Kapoor and Priyanka Chopra deliver outstanding performances in a film filled with a rainbow of emotions. Despite borrowing elements from multiple Hollywood films, Barfi remains a unique love story.
The Lunchbox (2013): This masterpiece presents a love story between two people who have never met. A lonely widower and an unhappy housewife form an emotional connection through handwritten letters exchanged via a wrongly delivered tiffin box. The internationally acclaimed film, featuring stellar performances from Irrfan Khan and Nimrat Kaur, proves that love can find you in the most unexpected ways.
The Lunchbox
Dum Laga Ke Haisha (2015): This sleeper hit offered a refreshingly different take on romance. Ayushmann Khurrana and Bhumi Pednekar brilliantly portray a mismatched couple – a self-centred young man reluctantly marries an overweight woman. Initially indifferent, he slowly learns what true love really means. With a beautifully unique ending, the film offers valuable life lessons in love.
There have been many Hindi cinema projects inspired by Hollywood films, and Sarkar ranks among the finest. The brooding political crime drama, which paid tribute to the epic 1972 gangster film The Godfather, became a gritty, homegrown tale of power, loyalty and justice.
Directed by Ram Gopal Varma and set in Mumbai’s morally murky corridors of influence, the film centred on Subhash Nagre – a man feared, respected and mythologised. Played with majestic restraint by Amitabh Bachchan, the story followed Nagre’s control over the underworld, political power centres and a grey zone where justice was delivered through unofficial means. His sons, the hot-headed Vishnu (Kay Kay Menon) and the more composed Shankar (Abhishek Bachchan) – became central to this tale of betrayal, legacy and redemption.
A still from Sarkar, inspired by 'The Godfather' and rooted in Indian politicsIndia Glitz
Released on July 1, 2005, it marked a turning point in Indian cinema, celebrated for its storytelling, atmospheric visuals and memorable performances. Eastern Eye marks its 20th anniversary with 20 fascinating facts about the film.
1. The main character, Subhash Nagre, was loosely inspired by real-life figures such as Indian politician Bal Thackeray.
2. Unlike most Bollywood remakes of international cinema, Ram Gopal Varma openly acknowledged that Sarkar was heavily inspired by The Godfather.
3. Varma had originally planned to make the same film in the early 1990s, with Sanjay Dutt and Naseeruddin Shah in the lead father and son roles. Dutt’s legal troubles led to the project being shelved.
4. Varma had initially signed Amitabh Bachchan for another film titled Ek, but he scrapped that script and instead focused on making Sarkar with him.
5. Interestingly, the first film Amitabh and Abhishek were supposed to appear in together was their home production Ranveer, co-starring Sanjay Dutt and directed by Rajkumar Santoshi. The project was shelved after its launch.
Sarkar became a landmark gangster film in Indian cinemaIndia Glitz
6. Although Bunty Aur Babli (released in May 2005) marked their first on-screen appearance together, Sarkar was the first project the father and son signed as co-stars. Both actors delivered powerful performances that reflected their on-screen synergy and off-screen bond.
7. The success of Bunty Aur Babli followed by Sarkar marked a major turning point in Abhishek Bachchan’s career. After struggling to establish himself since his 2000 debut Refugee, he went on to win multiple Best Supporting Actor awards and earned wide critical acclaim.
8. Varma was working on Naach simultaneously with Abhishek and declared that he was a better actor than Amitabh. Abhishek appreciated the compliment but responded that no one is better than his father.
9. As this was newcomer Katrina Kaif’s third film, she was still working on her Hindi language skills – resulting in all her dialogues being dubbed by a voice artist. She had earlier debuted with Amitabh in Boom (2003), but had no scenes with him in Sarkar.
The film introduced a uniquely Indian take on the mafia genreRotten Tomatoes
10. Supriya Pathak, who played Amitabh’s wife in the film, had previously acted with him only once – in Shahenshah (1988), where she portrayed a sister figure.
11. This remains the only Ram Gopal Varma film to feature Anupam Kher.
12 . Sarkar broke the Bollywood norm of including traditional song-and-dance numbers. Instead, music was used exclusively in the now-iconic background score, which enhanced the film’s realistic tone.
13 . The haunting ‘Govinda Govinda’ chant, integral to the film’s atmosphere, was originally composed for Varma’s 1994 Telugu film Govinda Govinda. (Amitabh Bachchan had initially questioned its relevance in Sarkar.)
14. Kay Kay Menon revealed that his role in Sarkar gave him confidence and wider recognition. He said, “It marked a turning point in my career, where I felt truly acknowledged for my work and could confidently present myself as an established actor.”
Set in Mumbai, Sarkar portrayed the dark world of parallel justiceRotten Tomatoes
15. The acclaimed film went on to spawn the sequels Sarkar Raj (2008) and Sarkar 3 (2017).
16. A 2014 Telugu remake titled Rowdy was made with veteran actor Mohan Babu and his real-life son Vishnu Manchu in the roles originally played by the Bachchans. Although it received positive reviews, it met with only moderate success.
17. The film is archived at the Academy of Motion Pictures Library.
18. Sarkar is referenced in Ed Glaser’s book How The World Remade Hollywood, which explores international remakes and reinterpretations of iconic American films.
Ram Gopal Varma’s Sarkar marked 20 years of influence and acclaimIMDb
19. Earlier this year, Amitabh revealed that he rewatched Sarkar for the first time since its 2005 premiere and wrote in his blog: “I was absolutely amazed at the quality of the film, its direction, and above all – this is not a father speaking – dazzled by Abhishek’s performance. What restraint, what close-ups, what eye expressions, what presence, what a performance!”
20 .Other Bollywood films loosely inspired by The Godfather include Dharmatma (1975), Aakhri Sanghursh (1986), Dayavan (1988), Zulm Ki Hukumat (1992), Aatank Hi Aatank (1995), Sapoot (1996) and The Power (2021). However, Sarkar arguably remains the most faithful – and finest – adaptation.
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The year 1975 was significant in Indian cinema for newly crowned superstar Amitabh Bachchan
The year 1975 was significant in Indian cinema for newly crowned superstar Amitabh Bachchan, as he starred in the two biggest films of that year, and also his career, Deewaar and Sholay.
These blockbusters cemented his position at the top. In between their releases came Mili, Hrishikesh Mukherjee’s decidedly different tearjerker.
Known for his non-starry social dramas, the acclaimed producer-director delivered a message-driven story about Mili (Jaya Bhaduri), a terminally ill but bubbly young woman, and the profound impact she has on those around her – including depressed alcoholic Shekhar, played by Bachchan. The real-life couple headlined a multi-layered film anchored by subtle, deeply emotive performances.
Eastern Eye marks 50 years of the underrated classic on June 20 by presenting the 10 best scenes from this story of hope, anguish and learning how to live.
Enter the grouch: Known for her pranks and cheerful attitude, Mili is taken aback by new neighbour Shekhar’s aloofness. His introduction, during the haunting Badi Sooni Sooni Hai song, shows him as a tormented alcoholic. It establishes the contrast between the two main characters – she smiles through life’s challenges, while he seeks refuge in alcohol.
Visual highlights from MiliRotten Tomatoes
Confrontation: Unable to understand Shekhar’s solitude and unfriendliness, Mili ropes in the children from their building to disturb his peace in protest. What begins as an immature territorial clash soon reveals Mili’s intuitive response to the darkness surrounding him. Her inner child recognises and challenges the negativity threatening their otherwise pleasant environment.
Their innocence and kindness melt his hardened exteriorIMDb
Compassion: After provoking Shekhar, the children apologise sincerely. Their innocence and kindness melt his hardened exterior, and he invites them, along with Mili, to play on his terrace. In the song Maine Kaha Phoolon Se, Shekhar, glass still in hand, watches them dance and smiles for the first time. The warmth of this moment even leads him to request tea instead of whisky in the next scene, to his servant’s delight.
Visual highlights from Mili
In the song Maine Kaha Phoolon SeIMDb
Crossroads: In a drunken breakdown, Shekhar slashes his wrist and is saved by Mili. For the first time, she shows visible anger and tears. Her outburst marks a new level of closeness in their friendship and signals the beginning of something deeper. In his vulnerable state, Shekhar is moved by Mili’s scolding – a sign of care he desperately craves.
The raw emotions of every characterInstagram/ hindifilimography
Romance: Shekhar’s growing vulnerability draws him closer to Mili. He begins confiding in her about childhood trauma, his mother, and the root of his pain. He is receptive of her solace and outlook on life. Their bond strengthens as they exchange notes when Mili falls ill. He experiences joy for the first time, unaware of the seriousness of her condition.
The heart-rending scene between father and daughterInstagram/ hindifilimography
Tragedy: The film reaches its most emotional point when Mili’s father (Ashok Kumar) learns that she has only days to live. The harrowing scenes that follow reveal the raw emotions of every character, from shock to grief to quiet acceptance. The heart-rending scene between father and daughter, with Kumar and Bhaduri in each other’s arms, delivers an emotional poignancy audiences can relate to.
The woman who taught him how to liveRotten Tomatoes
Role reversal: Initially unable to process the truth about Mili’s illness, Shekhar has a change of heart about leaving after confronting some hard realities. The woman who taught him how to live is dying, and he feels betrayed by fate. Determined not to give up, he sets out to explore every possible option that might offer her a chance of recovery.
He sets out to explore every possible option Rotten Tomatoes
Selfless love: Unaware that Shekhar already knows the truth, Mili urges her father not to tell him about her illness. Having changed him for the better, she fears that the news will undo his progress and send him back into despair. In that moment, she puts his well-being above her own.
Having changed him for the betterInstagram/ hindifilimography
Proposal: In the film’s penultimate scene, its message becomes clear – the purpose of life is happiness. Shekhar realises he can fulfil one of Mili’s dreams by marrying her. He proposes not out of pity or obligation, but love. Their decision to embrace a short but meaningful life together speaks volumes.
Fifty years later, those sentiments still ring trueInstagram/ hindifilimography
Farewell: The story, told in flashback, returns to its starting point as the newlyweds leave for Switzerland in search of a cure. Mili’s father waves to their aircraft, perhaps knowing she may never return. As the plane takes off, the audience is left with a lasting message – that hope should never die. Fifty years later, those sentiments still ring true.
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Aamir Khan’s iconic transformation in Bollywood over the decades
Aamir Khan returns to the big screen this month in Sitare Zameen Par, a heart-warming Bollywood remake of the Spanish comedy-drama Campiones. He plays a disgraced basketball coach who takes on an unexpected challenge with a team of individuals with special needs.
Sporting a look unlike any from the past decade, the film – due out on 20 June – adds to the many transformations he has embraced over his career, from shifting hairstyles to dramatic facial hair.
Eastern Eye uses this new role as a chance to revisit the superstar’s evolving on-screen appearances.
Yaadon Ki Baarat (1973): An eight-year-old Aamir Khan made his film debut in a song sequence of this smash hit, produced and directed by his uncle Nasir Hussain. It marked the first time cinema audiences saw him on screen.
The actor’s evolving style from youth to maturity getty images
Qayamat Se Qayamat Tak (1988): After working in further films as a child star and assistant director, the baby-faced actor was launched as a leading man with the hit romantic musical. He established himself with that same clean-cut look in subsequent films.
Aamir Khan embracing vintage looks with classic charmgetty images
Baazi (1995): This action thriller failed at the box office but is remembered for Khan dressing in drag. The striking female get-up was arguably the only memorable aspect of an otherwise forgettable film.
Rangeela (1995): In this musical hit, Khan played a street-smart ruffian and debuted a rugged new look with heavy stubble. The image shift helped him fully inhabit the role and showcased a different side of him to audiences.
Bold and dramatic changes defining Aamir Khan’s careergetty images
Ghulam (1998): Heavily inspired by the 1954 Hollywood classic On the Waterfront, this film saw Khan blend ruggedness with a more heroic edge. His portrayal of a hoodlum with boxing skills left a lasting impact.
Dil Chahta Hai (2001): With its fresh haircuts and urban styling, Farhan Akhtar’s directorial debut introduced a new wave of contemporary cool to Hindi cinema. Khan’s image underwent a complete makeover as part of the film’s trendsetting aesthetic.
From rugged to refined Aamir Khan’s versatile appearancesgetty images
Mangal Pandey The Rising (2005): After a four-year hiatus, Khan returned with his most dramatic transformation yet – long hair and an epic moustache that brought to life the spirit of the 19th-century freedom fighter.
Rang De Basanti (2006): This story of youthful defiance gave Khan a refreshed haircut. In historical flashbacks, he adopted other appearances inspired by the past, adding further layers to his portrayal.
Ghajini (2008): In this remake of a Tamil film – itself inspired by Hollywood drama Memento – Khan adopted a dramatic new look with a muscular physique and buzz cut that intensified the film’s emotional and action-driven edge.
Memorable film moments showcasing Aamir Khan’s unique stylegetty images
3 Idiots (2009): Khan turned back the clock in this record-breaking film, transforming his appearance to convincingly play a young engineering student. He changed his weight, hairstyle and mannerisms to suit the role.
Delhi Belly (2011): Producing this crime caper, Khan made a cameo in a song sequence where he donned a retro disco look. Funky glasses, glittery costumes and exaggerated 70s flair helped him stand out in yet another memorable appearance.
Talaash The Answer Lies Within (2012): As a serious police officer, Khan adopted a subdued look – short hair, a neatly trimmed moustache and a haunted expression, completed by a simple police uniform.
Dhoom 3 (2013): To play identical twins with different personalities, Khan adopted a muscular physique, sharp haircut, tight outfits, a bowler hat and intense expressions. This gave him another memorable identity.
Aamir Khan’s blend of classic and contemporary fashiongetty images
PK (2014): Portraying an alien, Khan had to create an entirely unfamiliar look. He did this by pushing out his ears, widening his eyes and pairing innocent expressions with mismatched clothes to enhance the character’s quirky charm.
Dangal (2016): Although he appeared as a younger, muscular version of his character, Khan’s look in this record-breaking movie was defined by older age. He transformed himself with extra weight, grey hair and weather-worn expressions.
Secret Superstar (2017): In this acclaimed film, which he also produced, Khan played a flamboyant music director. Leather jackets, tight trousers, eccentric hairstyles, earrings, facial hair and a rockstar swagger made it one of his most over-the-top looks.
Thugs of Hindostan (2018): The actor pierced his nose for this swashbuckling period film. With long curly hair, a scruffy beard, old-fashioned clothes and roguish expressions, he embraced the character’s mischief and flair.
Aamir Khan’s dedication to authentic character portrayals getty images
Laal Singh Chaddha (2022): In this remake of Forrest Gump, Khan portrayed his character across different stages of life. From clean-shaven youth to a heavily bearded older man, he showcased a broad spectrum of looks in a single film.
Sitare Zameen Par (2025): In the Hindi remake of Campiones, Khan plays a short-tempered basketball coach. After decades of dramatic transformations, the 60-year-old returns to a look that closely mirrors his everyday appearance.
Rang De Basanti (2006): This story of youthful defiance gave Khan a refreshed haircut. In historical flashbacks, he adopted other appearances inspired by the past, adding further layers to his portrayal.
Ghajini (2008): In this remake of a Tamil film – itself inspired by Hollywood drama Memento – Khan adopted a dramatic new look with a muscular physique and buzz cut that intensified the film’s emotional and action-driven edge.
3 Idiots (2009): Khan turned back the clock in this record-breaking film, transforming his appearance to convincingly play a young engineering student. He changed his weight, hairstyle and mannerisms to suit the role.
Delhi Belly (2011): Producing this crime caper, Khan made a cameo in a song sequence where he donned a retro disco look. Funky glasses, glittery costumes and exaggerated 70s flair helped him stand out in yet another memorable appearance.
Talaash: The Answer Lies Within (2012): As a serious police officer, Khan adopted a subdued look – short hair, a neatly trimmed moustache and a haunted expression, completed by a simple police uniform.
Dhoom 3 (2013): To play identical twins with different personalities, Khan adopted a muscular physique, sharp haircut, tight outfits, a bowler hat and intense expressions. This gave him another memorable identity.
Cinematic milestones reflected in Aamir Khan’s on-screen imagegetty images
PK (2014): Portraying an alien, Khan had to create an entirely unfamiliar look. He did this by pushing out his ears, widening his eyes and pairing innocent expressions with mismatched clothes to enhance the character’s quirky charm.
Dangal (2016): Although he appeared as a younger, muscular version of his character, Khan’s look in this record-breaking movie was defined by older age. He transformed himself with extra weight, grey hair and weather-worn expressions.
Secret Superstar (2017): In this acclaimed film, which he also produced, Khan played a flamboyant music director. Leather jackets, tight trousers, eccentric hairstyles, earrings, facial hair and a rockstar swagger made it one of his most over-the-top looks.
Thugs of Hindostan (2018): The actor pierced his nose for this swashbuckling period film. With long curly hair, a scruffy beard, old-fashioned clothes and roguish expressions, he embraced the character’s mischief and flair.
Laal Singh Chaddha (2022): In this remake of Forrest Gump, Khan portrayed his character across different stages of life. From clean-shaven youth to a heavily bearded older man, he showcased a broad spectrum of looks in a single film.
Sitare Zameen Par (2025): In the Hindi remake of Campiones, Khan plays a short-tempered basketball coach. After decades of dramatic transformations, the 60-year-old returns to a look that closely mirrors his everyday appearance.
Bollywood legend Raj Kapoor is best remembered for his brilliant films, beautiful music and timeless cinematic legacy, which includes a famous family of stars.
His impressive body of work, which entertained generations – including Barsaat, Awaara, Shree 420, Chori Chori, Sangam, Mera Naam Joker, Bobby, Prem Rog and Satyam Shivam Sundaram – is widely known. But beyond the many milestones, impact and his larger-than-life persona, there are rare facts about Kapoor that make him even more fascinating.
Born on December 14, 1924, he passed away on June 2, 1988, aged 63. Eastern Eye marks his death anniversary this week by taking a deeper dive into his life and revealing 20 things you may not know about him.
Name: The superstar’s birth name was Ranbir Raj Kapoor. The name ‘Raj’ was also given as the middle name to all his brothers. His grandson, actor Ranbir Kapoor, is named after him.
Bari-DadiFacebook/ Society
Debut: Kapoor made his debut as a child artiste in Inquilab (1935) before taking on a lead role in Neel Kamal (1947). However, his first appearance on screen was in a lesser-known Bengali film, BariDadi, as a very young child.
Beginning: Unlike star kids today, Kapoor did not receive any special privileges. The son of legendary actor Prithviraj Kapoor started at the bottom – sweeping studio floors and working as a clapper boy.
Kapoor discovered several leading talentsDigital Studio India
Young sensation: Did you know that Kapoor was only 24 when he founded his iconic production banner RK Films in 1948? That same year, he also produced, directed and starred in Aag.
Discovery: Kapoor discovered several leading talents, including launching teenage sensation Dimple Kapadia in Bobby (1973). Actress Nimmi was also discovered by him – she was visiting a shoot when Kapoor offered her a role in his 1949 hit Barsaat, which she accepted.
Raj Kapoor ANI
Music: Shankar–Jaikishan, who delivered some of Bollywood’s greatest soundtracks – including Awaara, Shree 420, Chori Chori, Yahudi, Junglee, Professor, Janwaar and Brahmachari – were working in Kapoor’s father’s theatre company when he gave them their first film break, composing for Barsaat.
Nargis and Raj Kapoor in BarsaatFilmiGeek
Record-breaker: At just 25, Kapoor’s 1949 production Barsaat became the highest-grossing Hindi film of its time. Soon after, while he was still in his 20s, he built his own film studio.
Inspiration: Charlie Chaplin had a profound influence on Kapoor. The Indian actor was moved to tears when he finally met his idol.
Poet: Renowned lyricist Shailendra, who wrote evergreen songs such as Awaara Hoon (Awaara), Mera Joota Hai Japani (Shree 420), Ajeeb Dastan Hai Yeh (Dil Apna Aur Preet Parai), Dost Dost Na Raha (Sangam) and Aaj Phir Jeene Ki Tamanna Hai (Guide), was first spotted by Kapoor at a poetry gathering. He offered him the chance to write for films.
Near miss: Kapoor’s 1951 classic Awaara broke box-office records and took Hindi cinema global, but he almost didn’t produce, direct and star in it. Writer Khwaja Ahmad Abbas had initially offered the story to Mehboob Khan, but withdrew it after objecting to his casting choices (Ashok Kumar and Dilip Kumar as father and son). He later handed the story to Kapoor, starting a dream partnership that included Shree 420 (1955), Jagte Raho (1956) and Bobby (1973).
Pathbreaker: Kapoor used striking locations in his films, but with Sangam (1964), he pioneered the trend of shooting across international sites – including London, France and Switzerland – setting a precedent for other producers.
Fight: At the premiere of Sangam, a heated argument broke out between Kapoor and writer Inder Raj Anand. Anand reportedly slapped Kapoor. Kapoor retaliated by having him banned from Bollywood, resulting in Anand losing 18 film projects, and subsequently suffering a heart attack. The two later reconciled.
Few realise his brothers-in-law included actors Prem Nath and Prem Chopra Bollywoodshaadis
Relations: Most fans know of Kapoor’s famous family members across generations – including Shammi, Shashi, Rishi, Kareena, Karisma and Ranbir Kapoor. But few realise his brothers-in-law included actors Prem Nath and Prem Chopra.
All-rounder: Affectionately called “the great showman”, Kapoor was best known as an actor, director and producer. But he was also a skilled musician and contributed creative ideas for the songs in his films. He was a respected film editor too.
Hidden gem: While Kapoor is best known for classics he starred in or directed, he also produced Boot Polish (1954), regarded as one of the finest children’s films ever made in Bollywood. It won multiple awards and remains a hidden gem in his body of work.
Raj Kapoor and Nargis during movie shootBollywoodshaadis
Heartbreak: The affair between Kapoor and Nargis is well known. After she married Sunil Dutt, Kapoor was reportedly so heartbroken that he burned himself with cigarettes, drank heavily and cried for days.
Other affair: Few know about Kapoor’s extra-marital relationship with actress Vyjayanthimala. Rishi Kapoor revealed that his mother temporarily moved into a hotel with their children and gave Kapoor an ultimatum to end the affair, which he did.
Failure:Mera Naam Joker (1970) is now seen as an all-time classic, but it was a commercial disaster on release and nearly bankrupted Kapoor. He bounced back with the low-budget Bobby (1973), which became a massive hit.
Cooking: Away from films, Kapoor had a passion for cooking – it was how he relaxed. Though he loved simple home-cooked meals, the self-confessed foodie also knew fine dining well and regularly hosted lavish dinner parties.
Friendship: After the record-breaking success of Andaz (1949), Kapoor and Dilip Kumar never acted together again, leading many to assume they were rivals. In fact, they shared a deep friendship and were both born in Peshawar. Kapoor even offered Kumar a lead role in Sangam (1964), letting him choose between the two parts. Kumar was devastated by Kapoor’s death and was by his side in hospital during his final days.
Perhaps the biggest Bollywood celebration this year is the 50th anniversary of the iconic film Sholay, which smashed box-office records when it was released in 1975.
But what most Hindi cinema fans may not realise is that another film released that same year (technically) made a bigger profit – with a much higher return on investment. In that regard, it remains perhaps the most profitable Bollywood movie in history.
Hindu devotional drama worked miracles at the box office IMDb
That micro-budget film, Jai Santoshi Maa, achieved something so miraculous it has never been replicated. The second-highest box-office grosser of 1975, it earned more than all-time classics released that year, including Deewaar, Dharmatma and Chupke Chupke – all led by superstars. Despite having no big stars, no lavish sets, minimal marketing and being made on a shoestring budget, the Hindu devotional drama worked miracles at the box office after its release on May 30, 1975.
Eastern Eye marks the landmark film’s 50th anniversary by revisiting its remarkable story and impact, one largely forgotten over time.
The film was written with its limitations in mind, using minimal sets and focusing on emotion IMDb
Struggling actor Vijay Sharma made the leap to directing with this deeply religious drama. At a time when Bollywood was dominated by action films headlined by big stars, he secured only a modest budget – thought to be around `500,000 (£5,000) – from low-profile producer Satram Rohra.
With such limited funds, there was no scope for elaborate sets, special effects, a large cast or any major names. Kanan Kaushal, previously seen in minor supporting roles, was cast in the lead. Anita Guha, who had some success in the 1950s but was mostly inactive by the 1970s, was brought in for a guest appearance as the divine title character.
With such limited funds, there was no scope for elaborate sets, special effects, a large cast or any major names Scroll.in
Bharat Bhushan, once a major star in the 1950s and early 60s but by then largely forgotten, took on a role out of necessity. Trilok Kapoor – younger brother of Prithviraj Kapoor and uncle to Shammi, Raj and Shashi – was also struggling for work and joined the cast.
What the film lacked in glamour, it made up for with a powerful, spiritually resonant soundtrack. Composer C Arjun and lyricist Kavi Pradeep, both relatively obscure at the time, delivered career-best work despite budget constraints.
Unable to afford Lata Mangeshkar or Asha Bhosle, they turned to their lesser-known sister, Usha Mangeshkar. They did, however, manage to get Manna Dey and Mahendra Kapoor to sing one song each. The film was written with its limitations in mind, using minimal sets and focusing on emotion.
The film became a case study in how faith can fuel fandomIMDb
The story followed a pious woman who remains devoted to the goddess Santoshi Maa despite enduring severe hardship, poverty and abuse from her in-laws. Her unwavering faith is ultimately rewarded when the goddess intervenes to restore justice and peace.
When the film was ready to be released, no major distributor would take it. A smaller company finally agreed to give it a limited release, and then something extraordinary happened. It's simple storytelling, emotional arc and devotional songs struck a deep chord with audiences. Unlike the more extravagant mythological films of earlier decades, Jai Santoshi Maa was intimate, emotional and spiritual.
It felt less like watching a film and more like experiencing a prayer. What the film lacked in advertising, it made up for with astonishing word of mouth. Its appeal extended beyond the religious – the emotional story of a woman’s resilience resonated especially with female viewers.
Songs like Main To Aarti Utaru Re Santoshi Mata Ki had entire theatres singing along. While wealthier audiences flocked to watch star-studded blockbusters, grassroots viewers embraced everything about this modest devotional film, especially its message of hope.
Cinema halls screening the movie were transformed into makeshift temples, with patrons arriving barefoot, applying vermillion on their foreheads and distributing prasad after screenings. In some places, audiences performed prayers before the film began. Prasad counters even appeared inside theatres – unheard of in Indian cinema until then.
There were female-only screenings and reports of coconuts being broken at theatre entrances. In rural areas, entire villages organised trips to the nearest towns to catch a glimpse of the goddess on screen. Traditional moviegoers were replaced by worshippers, many of whom wept during the film and sang bhajans in the aisles.
As one historian recalled, “Watching Jai Santoshi Maa wasn’t like watching a movie – it was like participating in a collective act of worship.”
Cinemas that had initially rejected the film scrambled to secure it, leading to a dream run across India. When Sholay released a few months later, it crushed most of the competition, except Jai Santoshi Maa, which continued its successful run. In fact, had Sholay not been released, the devotional drama would likely have earned even more.
While record-breaking films like Sholay returned 10 to 15 times their investment, Jai Santoshi Maa reportedly earned over 100 times its budget. One journalist wrote, “Sholay gave us fire and bullets, while Jai Santoshi Maa gave us faith and devotion – and the box office bowed to both.”
Despite its massive earnings, reports suggest the producer was cheated by distributors and saw little profit. Yet the legacy of Jai Santoshi Maa went far beyond box office success.
Following its release, Santoshi Maa temples sprang up across India. Calendars, posters and religious books featuring her image flooded markets.
The film became a case study in how faith can fuel fandom, inspiring similar devotional films and later mythological television serials.
Lead actress Kanan Kaushal became so adored that fans often greeted her with reverence. Anita Guha, who played the goddess, was so strongly associated with the role that she was referred to as “Santoshi Maa” in public, with some people even seeking her blessings.
In an era dominated by big budgets and big stars, Jai Santoshi Maa remains a timeless reminder that faith and storytelling can achieve what no spectacle can. It had no brooding heroes, no bullets, and not a single superstar – but it accomplished something no other film has matched.
Remakes and similar concepts followed, but none could replicate its divine success. As director Vijay Sharma later said, “We thought it would do okay in devotional circuits. But the response was something else – a tidal wave of emotion and faith.”