POPULAR ACTOR ON HIS WHIRLWIND JOURNEY, FUTURE HOPES AND CONTRACTING COVID-19
by ASJAD NAZIR
A NEW wave of young talent is set to make 2021 exciting and one to look out for is rising Indian TV star Akshit Sukhija.
The rising Indian star has gone from modelling in Delhi as a 17-year-old to pursuing an acting career in Mumbai and despite not being formally trained, delivered a winning debut in drama serial Silsila Badalte Rishton Ka. He followed that up with a popular lead role in Colors TV drama Shubharambh, which recently went off air after one year and over 170 episodes, but it has set him up for a bright career.
Eastern Eye caught up with Akshit Sukhija to speak about his Shubharambh journey, life in lockdown, contracting Covid-19 and future hopes.
What has the experience of acting in Shubharambh been like?
My life changed after Shubharambh, and in terms of acting it taught me a lot, including so many technical aspects. If I talk about acting, I evolved as an actor and saw drastic changes in myself in the last 175 episodes. I saw myself going from 10 per cent to 90 per cent. My channel, production team and everybody else have been happy with my work, which I am thankful for. The whole experience has been so great. I feel so lucky I did this show and character (Raja), which made me realise I love this profession. I loved my profession more and more everyday thanks to Raja.
What was the memorable highlight from the show’s journey?
Exactly before the lockdown, we were shooting the part where Raja gets to know about the reality of Mota Papa, which was a major turning point of our show and my character’s journey after 80 to 90 episodes. But then lockdown happened and shoots stopped. We shot for up to 22 hours a day straight to bank episodes, before full lockdown. I still remember how powerful that scene was and what we went through to shoot it. That section of the story would have been even more powerful, including a one-page monologue from Raja, but changes had to be made due to lockdown. Despite that, I will remember the day we shot as it was the major highlight of our show.
How disappointed are you it has gone off after a year?
Honestly, I am not disappointed, but a little upset because, as you can understand, when you work with a great team for 15 months you get attached to the environment, entire team, producer, TV channel and characters. So, it’s a little upsetting, otherwise, I am proud the show ran for a year and very excited to explore myself as an actor going ahead. I am happy I will get to do something great in another project, but do feel Shubharambh would have worked for six months more.
How did you cope with getting Covid-19?
Physically, I was fine the day I tested positive and didn’t have a fever. But as I tested positive, I followed all the protocols and self-isolated myself. I had to live for 14 days in a corner of the house alone, which was mentally tough. The show was still running, so the storyline had to change. I was feeling fine and not able to do my work, which was the worst feeling. So, those 14 days of quarantine were mentally very exhausting and worse than the three months that we were all in lockdown.
Do you think the lockdown has changed you in any way?
Lockdown has changed me a little bit. I have learned that we are used to having luxuries, but can live our life with basic necessities. I also realised the huge difference between living alone and with family. It was far lovelier staying with parents during this time. I have heard that people were feeling lonely and going into depression. Fortunately, this had not happened with me as I was with my parents during the 100 days of full lockdown. So, I learned the importance of family.
What else did you learn?
I learned many things about our industry and acting. I saw how we changed the way of doing things and adapted to the situation, including how I portrayed my role.
What is the acting plan going forward?
I am open to every kind of platform right now, be it movies, OTT or TV. If I like a script or project, I will take it up.
Do you have a dream role?
I have so many! The first would be Shah Rukh Khan’s character in My Name Is Khan or from Don. Khilji from Padmaavat, shows like the original Vampires Diaries, and a genre that gives me a chance to play a grey character.
Who would you love to work with?
Right now, there is no wish list to work with anyone in particular. I just want to work with good people like Pankaj Tripathi sir – if I get to work with him, I’m sure I’ll get to learn many things.
What shows do you enjoy?
I don’t watch TV shows much, but I binge watch American and British series on Netflix and Amazon Prime.
What inspires you?
I am a big fan of Shah Rukh Khan sir and Bohemia paji. Both life stories are similar in that they have risen up from tough beginnings to achieve great things and receive so much respect. Their dedication towards their profession and journey of not giving up through tough times inspire me. Other than that, my parents inspire me as they never stopped me from doing anything and have been very supportive. Without my parents, it would have been difficult and that is why they inspire me every day. They taught me that rather than doing bad things, I should invest myself in good things.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.