ITALY arrested three men who they believe trafficked up to 200 people aboard a wooden boat that smashed apart on rocks off southern Italy last Sunday (26), killing at least 64 people, police said on Tuesday (28).
Lieutenant colonel Alberto Lippolis said a Turkish man and two Pakistani nationals had sailed the boat from Turkey to Italy despite the terrible weather and been identified by the survivors as "the main culprits of the tragedy".
"According to initial investigations, they allegedly asked the migrants for about 8,000 euros ($8,485) each for the deadly journey," said Lippolis, commander of a finance police team in the region of Calabria. "All three have been arrested."
The boat hit rocks and broke up early last Sunday in heavy seas near the town of Steccato di Cutro on the toe of Italy.
Rescuers pulled a dead man from the sea on Tuesday (28), bringing the number of bodies retrieved so far to 64, including about 14 children. There were 80 survivors, who said that the boat had been carrying between 150 to 200 migrants.
"We will carry on searching ... the sea until we are certain that we have found everyone," said Rocco Mortato, a member of the underwater diving team of the fire brigade.
The boat had set sail from the port of Izmir in western Turkey towards the end of last week. Rescuers said most of the migrants came from Afghanistan, with the others from countries including Iran, Somalia and Syria.
Pakistan's foreign ministry said 20 of its citizens had been on the boat, and 16 of them had survived but four were missing.
A Pakistani official tasked with fighting human trafficking said the number of people trying to leave Pakistan was growing because "of the deterioration in the economic situation and lack work."
The official said on condition of anonymity that there were an estimated 40,000 Pakistanis trying to enter European countries each year.
A child puts a candle outside the Crotone Palasport, the funeral home for the victims, to pay tribute to the migrants who died the day before after their boat sank off Italy's southern Calabria region, in Steccato on February 27, 2023. (Photo by ALESSANDRO SERRANO/AFP via Getty Images)
The Save the Children charity said on Twitter it was supporting survivors from Afghanistan, Pakistan, Somalia and Syria, including 10 minors who had been travelling with their families.
"There are many missing minors," it wrote.
Sergio di Dato, head of the Doctors Without Borders (MSF) team offering psychological support to the survivors, said there were cases of children orphaned in the disaster.
"One Afghan 12-year-old boy lost his entire family, all nine of them - four siblings, his parents and other very close relatives," he told journalists.
At Le Castella, where a 15th-century fortress dominates the shoreline, an AFP journalist witnessed the coastguard recovering the body of a woman who looked to be in her early 20s.
Local officials said the search was ongoing for around 20 people still believed missing, though survivors have given differing versions as to how many people were originally on the boat.
Forensic police set about identifying the victims, issuing an email address to which relatives searching for loved ones could send distinguishing details, from eye and hair colour to tattoos or piercings.
The tragedy has fuelled a debate on migration in Europe and Italy, where the recently elected right-wing government's tough new laws for migrant rescue charities have drawn criticism from the United Nations and others.
Italian prime minister Giorgia Meloni said in an interview on Monday (27) that she had written to European Union institutions calling for immediate action by the bloc to stop migrant boat trips so as to prevent more deaths.
"The more people depart, the more risk dying," she told RAI public television. "The only way to tackle this issue seriously, with humanity, is to stop the departures."
Meloni's government pushed through a controversial law last week that forces migrant aid charities to perform only one life-saving rescue mission at a time before heading directly to ports, which are often far away.
Critics say the measure violates international law and will result in more people drowning.
Hundreds of thousands of migrants have reached Italy by boat over the past decade, fleeing conflict and poverty back home.
The United Nations Missing Migrants Project has registered more than 20,000 deaths and disappearances in the central Mediterranean since 2014, including more than 220 this year, making it the most dangerous migrant route in the world.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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