SCOTLAND SET MOVIE PORTRAYS THE IMMIGRANT EXPERIENCE
by ASJAD NAZIR
SCOTTISH politician turned producer Tasmina Ahmed-Sheikh OBE has made the leap from parliament to cinema with new movie Sacch, which goes on general release this week.
The ambitious film shot in Scotland aims to bring together British, Pakistani and Indian cultures. Born in London and brought up in Scotland, Tasmina has brought together new and established talent for the romantic drama, including Scottish debutant actress Elysee Sheikh. The romantic drama revolves around two men, unaware they are brothers, falling in love with the same woman, which leads to hidden family secrets coming out.
What led you to producing a film?
When I first heard the script, I felt it was a beautiful story that needed to be told to a larger audience. Movies and filmmaking is something I have always been passionate about. Once we had the right script, it felt right to go into producing the film.
How did you select the subject and why did you shoot in Scotland?
Sacch is the brainchild of my husband Zulfikar Sheikh, and the subject matter is a portrayal of his personal creative take on British culture and its adoption by his Asian community. Scotland is a historic destination with beautiful castles. No Pakistani film has been shot there, which made me want to do it. The stunning locations have added to the feel and character of the film. We also thought it would be a good way of integrating cultures through movies.
How did you decide on the cast?
The cast was the director’s choice. We have a good mix of debutants, as well as experienced actors such as Javed Sheikh and Uzma Gillani. We have the extremely talented Elysee Sheikh starring opposite the equally talented Asad Zaman Khan and Humayoun Ashraf. They bring a sense of youthfulness and hope into the film. There are also the wonderful Fazila Qazi, Ayesha Sana and Nauman Masood. The entire cast was so dedicated and hardworking, we couldn’t have asked for more.
What is your own favourite moment in the movie?
What I love about Sacch is that it is an honest portrayal of the dichotomies, trials and tribulations of the Asian community in the UK. Sacch covers a range of topics as they impact each character’s life and intertwine to bring together a picture of life for so many British Asian families in the UK. There are so many moments that are impactful and meaningful that it would be impossible to pick one.
Who are you hoping connects with the film?
Through Sacch, we aim to unify the Pakistani, Indian and British culture, and foster community respect, as well as dignity. We aim to connect with these audiences. Sacch for me epitomises diversity. I hope that, specifically, the Asian community responds to this film and appreciates British culture. I hope this brings us one step closer to bridging the cultural divide.
What is the plan going forward in terms of filmmaking?
Well, this is our first venture into this industry, and it’s a huge playing field with so many creative people sharing important messages. But we’ve seen how our passion for this project has fulfilled us in a way we’ve never experienced before. Hopefully, there will be many more projects to come because films are such a good way to address things that are often overlooked. I feel it is a great privilege to be able to convey your message through art and to be able to change or impact someone’s life even if it is in a small way.
Tell us more?
I really engaged with the process, and it made me want to do more projects like this in the future, seeing as there are so many things left that I feel need to be brought into popular discourse. Hopefully, there will be something new.
What is your own favourite movie?
My favourite movie is Casablanca. I love that era, and the intense
romance and sacrifice for the sake of true love.
What inspires you?
I feel the values of community, respect and dignity are all important. Making sure that there is some progress in the process of achieving these ideals acts as a motivating factor for me. I see all the talented women who worked on this film, and the strength and ability that they brought to the production process, as well as the overall project. It is the stories of others who struggle to get what they want, be it equality between gender, race, ethnicity, among others, that inspire me. It drives me to go out and use the resources I have to make a difference.
Why should we watch the film Sacch?
It is truly such a beautiful story, which is entertaining and thought provoking. It subtly brings to light the cross-cultural divide that still exists in Britain, as well as shows the audience what the immigrant experience is like. My husband feels it encapsulates British culture in the sense that it is the expected way of life of minorities, and it is a project that’s very close to his heart, so we’ve all put a lot of effort into it. The acting is phenomenal. They are all characters and issues that quite a few people will be able to relate to, and that makes it a very engaging film to watch.
THE Jain community in London came together for a historic celebration, honouring five teenagers who successfully completed the eight-day Athai Tap fast, one of the most respected spiritual practices in Jainism.
The children – Moksh Shah, Labdhi Mehta, Mithil Shah, Svara Gandhi, and Dylan Shah – each from different families, were recognised for their discipline, devotion, and inner strength. Athai Tap involves abstaining from food for eight continuous days, a test of both body and spirit, undertaken as a way of seeking spiritual progress and self-control, according to a statement.
More than 300 members of the community gathered at the Potters Bar Derasar to mark the milestone earlier this month. The event began with the teenagers arriving in a limousine before walking down a red carpet, where they were greeted with cheers, blessings, and warm embraces.
The programme reflected the joy and unity of the occasion. Mothers of the tapasvis performed a graceful welcome dance, siblings gave heartfelt and creative introductions, while fathers joined together in a lively stage act. Devotional Jain songs were played, before the celebration concluded with a spirited Raas Garba dance that saw people of all ages joining in with colour and energy.
For many in attendance, the event was more than a celebration of fasting. It was a reminder of the strength of faith, the value of cultural roots, and the inspiration that young people can provide when they commit to tradition and spirituality, the statement added.
Attendees described the event as a proud moment for London’s Jain community.
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Enninful also gave his view on a recent American Eagle campaign featuring actress Sydney Sweeney
Former British Vogue editor-in-chief Edward Enninful says “anti-woke” rhetoric is influencing fashion.
He warns the industry is reverting to European and super-thin beauty standards.
Enninful has launched a new inclusive media venture, EE72, with Julia Roberts on its debut cover.
He dismisses rumours of a fallout with Anna Wintour, saying she supported his departure from Vogue.
He also commented on recent advertising controversies, including Sydney Sweeney’s American Eagle campaign.
Fashion industry ‘in flux’
Edward Enninful, the former editor-in-chief of British Vogue, has warned that fashion risks going backwards on diversity, with super-thin and European looks once again dominating as the beauty norm.
Speaking on BBC Radio 4’s Radical with Amol Rajan during London Fashion Week, he said that “anti-woke” and anti-diversity sentiment was “having a moment.”
“I think we’re potentially going back to an industry that’s just sort of, ‘one type is the norm, being European is the norm, being super-thin is the norm’,” he said.
Launch of EE72
Enninful, who left British Vogue in 2023, has launched a new media platform called EE72, describing it as “inclusive.” Its first quarterly print edition highlights the beauty of women over 50 and features Julia Roberts, 57, on the cover.
The title takes its name from Enninful’s year of birth, 1972. He said he felt it was “the perfect time” to return to the industry, which he described as “in flux” and still facing “a lot of work to be done.”
Champion of diversity
Born in Ghana, Enninful came to London as an asylum seeker. He became fashion director of i-D magazine at 18 before being appointed as the first Black editor-in-chief of British Vogue. He used the role to champion broader representation, saying he wanted to reflect “the world we live in today.”
Asked if he believed an “anti-woke moment” was taking place, he agreed, saying: “Woke is a dirty word. We see what’s happening in the world politically. So anything that’s not deemed as normal or the norm is seen as wrong.”
Departure from Vogue
Enninful also addressed speculation about his relationship with Dame Anna Wintour, who is stepping down as editor-in-chief of American Vogue after 37 years.
He dismissed claims of a falling out, explaining: “When I took the job, I gave myself five years and I did six. Anna asked me to give them a year’s notice so they could find my replacement, who turned out to be Chioma Nnadi. So it was my decision to leave.”
He said Wintour had been “very supportive,” adding: “Anna and I, we text each other all the time. You’re going to see us together.”
Advertising controversy
Enninful also gave his view on a recent American Eagle campaign featuring actress Sydney Sweeney, where the strapline “Sydney Sweeney has great jeans” drew criticism.
Some suggested the wordplay implied a racially exclusive beauty standard, while others said the outrage was exaggerated. Enninful commented: “I thought people really read into it probably deeper than I would have… But then on the other hand, I guess if you have a blonde woman sitting there talking about her jeans, it will trigger some people.”
He concluded that the reaction reflected how “the population is quite divided.”
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The findings come from a UK survey of more than 12,000 women
Survey of more than 12,000 UK women finds heavier, longer periods linked to long Covid
Symptom severity rises and falls across the menstrual cycle, worsening during periods
Tests reveal inflammation in womb lining and hormonal changes, but no damage to ovaries
Iron deficiency risk may exacerbate fatigue, dizziness and other common long Covid symptoms
Study highlights link between long Covid and menstrual changes
Women with long Covid are more likely to experience longer and heavier periods, putting them at increased risk of iron deficiency, researchers have found. The findings come from a UK survey of more than 12,000 women, which also showed that the severity of long Covid symptoms fluctuated across the menstrual cycle and often worsened during menstruation.
Findings from UK survey
Between March and May 2021, 12,187 women completed an online survey. Of these, more than 1,000 had long Covid, over 1,700 had recovered from the virus, and 9,400 had never tested positive. The study revealed that women with long Covid reported heavier and longer periods, as well as more frequent bleeding between cycles, compared with other groups.
A follow-up survey with 54 women showed that symptoms worsened in the two days before and during menstruation, pointing to a strong link between hormonal changes and long Covid severity.
Biological markers and test results
Researchers also analysed blood samples from 10 women with long Covid. These tests showed excessive inflammation in the womb lining and elevated levels of the hormone dihydrotestosterone, both of which may drive heavier menstrual bleeding. Importantly, there was no evidence that long Covid damaged ovary function.
Risks of iron deficiency
Heavier periods increase the risk of iron deficiency, which is already common among women of child-bearing age. Symptoms of iron deficiency — such as fatigue, shortness of breath and dizziness — overlap with common long Covid complaints, leaving women particularly vulnerable.
Dr Jacqueline Maybin of the University of Edinburgh, who led the work, said the findings could pave the way for more tailored treatments for women. “Our hope is that this will allow us to develop really specific treatments for women with long Covid who are suffering with menstrual disturbance. It may also lead to female-specific treatments for long Covid itself.”
Global and national impact of long Covid
An estimated 400 million people worldwide are living with or recovering from long Covid. In England alone, nearly 2 million people self-report as having symptoms lasting more than four weeks after infection. More than 200 symptoms have been recorded, with the most common including fatigue, brain fog, breathing difficulties, digestive problems, headaches and changes to smell and taste.
Expert views on treatment potential
Dr Viki Male, a reproductive immunology specialist at Imperial College London, said the findings support a biological explanation for the link. “Inflammation in the uterus is associated with heavy menstrual bleeding, so this could be the link between long Covid and prolonged or heavy periods,” she explained. She added that anti-inflammatory drugs already used to treat heavy periods may also be effective for women experiencing this symptom as part of long Covid.
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The discovery coincides with Bradford’s City of Culture celebrations
Research for the World Curry Festival uncovered evidence of a curry house in Bradford in 1942.
Cafe Nasim, later called The Bengal Restaurant, is thought to be the city’s first.
The discovery coincides with Bradford’s City of Culture celebrations.
Festival events will include theatre, lectures, and a street food market.
Historic discovery in Bradford’s food heritage
Bradford’s claim as the curry capital of Britain has gained new historical depth. Organisers of the World Curry Festival have uncovered evidence that the city’s first curry house opened in 1942.
Documents revealed that Cafe Nasim, later renamed The Bengal Restaurant, once stood on the site of the current Kashmir Restaurant on Morley Street. Researcher David Pendleton identified an advert for the cafe in the Yorkshire Observer dated December 1942, describing it as “Bradford’s First Indian Restaurant”.
Festival organisers confirm findings
Festival founder Zulfi Karim said the discovery ended long-standing debate over which was Bradford’s first curry house. For years, different establishments had laid claim to the title, including restaurants from the 1950s and the Sweet Centre in 1964.
“This was during the Second World War, so it’s hard to imagine what ingredients they had access to with rationing,” Mr Karim said. “Even the current owner of Kashmir Restaurant thought it only went back to the 1950s.”
Bangladeshi roots of curry in Britain
Mr Karim highlighted the role of Bangladeshi immigrants in establishing Britain’s curry houses, noting that many early arrivals to the UK were former Navy workers. “That’s 80 years plus now since we’ve had a curry house in Bradford and that’s a huge story,” he added.
World Curry Festival 2025
The festival, first launched in Leeds in 2008, is being held in Bradford this year as part of the City of Culture 2025 celebrations. Running from 15–29 September, it will feature a mix of food, culture and performance.
Highlights include:
Theatre of Curry: A staged reading of Balti Kings (1999) by Sudha Bhuchar and Shaheen Khan, with curry served during the interval.
Supper club experiences.
Talks by Dr Amir Khan on nutrition and preserving authentic recipes.
Preserving the future of curry
Mr Karim stressed the importance of supporting the industry, which faces challenges due to a shortage of new talent.
“We need to keep it local, keep it authentic, and encourage people to enjoy it but also learn to cook at home,” he said.
Finding romance today feels like trying to align stars in a night sky that refuses to stay still
When was the last time you stumbled into a conversation that made your heart skip? Or exchanged a sweet beginning to a love story - organically, without the buffer of screens, swipes, or curated profiles? In 2025, those moments feel rarer, swallowed up by the quickening pace of life.
We are living faster than ever before. Cities hum with noise and neon, people race between commitments, and ambition seems to be the rhythm we all march to. In the process, the simple art of connection - eye contact, lingering conversations, the gentle patience of getting to know someone - feels like it is slipping through our fingers.
Whether you’re single, searching, or settled, the landscape is shifting. Some turn to apps for convenience; others look for love in cafés, gyms, workplaces or community spaces. But the challenge remains the same: how do we connect deeply in a world designed to move at lightning speed?
We’ve become fluent in productivity, in chasing careers, in cultivating polished identities. Yet are we forgetting how to be fluent in intimacy? When was the last time you sat across from someone and truly listened - without checking your phone, without planning the next step, without treating time like a currency to be spent?
It’s a strange paradox: we have more access to people than ever before, yet many feel more isolated. Fun is always available - dinners, drinks, nights out, fleeting encounters - but fulfilment is harder to grasp. Are we mistaking access for intimacy? Are we human, or are we slowly adapting into versions of ourselves stripped of those raw, humanistic qualities - vulnerability, patience, tenderness - that once defined love?
Perhaps we’ve grown comfortable with the fast exit. It’s easier to ghost than to explain. Easier to keep moving than to pause. But what does that cost us? What do we lose when romance becomes a checkbox on an already overstuffed to-do list?
The truth is - the heart doesn’t move at the pace of technology or ambition. It moves slowly, awkwardly, with a rhythm that resists acceleration. Maybe that’s the point. Love has always lived in the messy spaces - hesitant pauses, nervous laughter, words spoken without rehearsal.
So the real question for 2025 is not “Have we gone too far?” but “Can we afford to slow down?” Can we still allow ourselves the sweetness of beginnings - the chance encounters, the unplanned moments, the quiet courage to be open?
Because in the end, connection is not about speed or access—it’s about presence. In a world that won’t stop moving, choosing to be present might be the bravest act of love we have left.