By Kalpesh Solanki and Shailesh Solanki
FEW entrepreneurs have left their imprint on Britain as Kirit Pathak.
A pioneer with a bold vision to ‘be on every plate in the world’, he revolutionised Britain’s culinary habits by making the Patak’s brand a mainstay of every curry-loving household.
From humble beginnings, Kiritbhai transformed his father’s modest Indian food business to become one of the country’s biggest food brands.
In the mid-1960s, Kiritbhai’s father Lakhubhai and our father Ramniklal Solanki were contemporaries who shared a love of literature and Indian culture. Lakhubhai encouraged our father to start Garavi Gujarat and the first issue of the paper carried a Patak’s advert.
Our father often told the story of Lakhubhai coming to our small terraced house in north Wembley, London, when the first issue was launched on April 1, 1968. Encouraging him to persevere with the endeavour, Lakhubhai reassured our father of his full support.
Our father never forgot that early backing and it was the start of a friendship that would endure for six decades and through three generations.
Kiritbhai was a pioneer and trailblazer in his own right. His vision to have his products on every supermarket shelf and on every plate required a missionary zeal, untold ingenuity and acute entrepreneurial flair. Kiritbhai possessed these qualities in abundance.
With his wife Meenaben, they recruited professional managers, introduced ISO 9000 standards in all areas of the production process and rebranded Patak’s to appeal to a broader audience. The results were startling and Patak’s became the first Asian brand to hold the accolade of Britain’s fastest-growing food brand for two consecutive years in 1993 and 1994.
With slick marketing and innovation that enabled Britons to prepare and enjoy high-quality Indian food in their own kitchens, the Patak’s brand continued its relentless growth in both the UK and the world over.
Despite this enormous success Kiritbhai retained personal attention to sourcing the highest quality ingredients. It was a finely honed skill he developed over the years and one he, no doubt, inherited from his father.
As publishers of Asian Trader, the leading magazine for the grocery industry, we have had a ringside seat witnessing the battle between major brands for supremacy in the supermarket sector. It is dominated by some of the world’s biggest food groups, but only two south Asian players broke through into the mainstream in those early days and both are pioneers in their own right – Patak’s and Tilda Rice.
It was a matter of great pride for us to chronicle this remarkable success in our titles, and it is a testament to Kiritbhai’s tenacity in realising his audacious vision.
When he sold the business to Associated British Foods, he did so with a heavy heart, but in the knowledge that they would be good custodians and adhere to the values of the Patak’s brand.
The sale of the Patak’s business in 2007 was again a pioneering step. He was one of the first Asian entrepreneurs to exit his business at the height of the market and it was a formula that has now been followed by many others.
Kiritbhai never forgot his roots and was a regular attendee at the Asian Trader Awards which celebrate the success of Asian retailers. He often remarked that he loved that large British companies gathered to pay tribute to the Asian community and our contribution to the grocery sector.
He was a deeply spiritual man and often spoke to us about his early morning meditation and daily recitals of the Bhagavad Gita which sometimes ran late into the evening. Kiritbhai not only shared his wisdom like an elder brother but also sent us books to read.
His passing is a profound loss not just to the Pathak family but to all those who were fortunate enough to have been touched by his love and generous spirit.
We pray that Kiritbhai’s divine soul rests in eternal peace.








Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



