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“Things are bound to get better,” says David Dhawan

There is no denying the fact that the Coronavirus pandemic has brought everyone to their knees. It has been more than 100 days since billions of people have not stepped out of their homes. Millions of people have lost their jobs and thousands of businesses have shut their shops. The way the number of COVID-19 patients is rising in India, nobody knows exactly when things will regain normalcy in the country.

Though the situation is only getting worse with each passing day, well-known filmmaker David Dhawan feels that we all need to be calm and composed for some more time. “Everyone needs to be patient. Things are bound to get better, hopefully, in the next two-three months,” says the filmmaker.


The successful director was working on his next directorial offering Coolie No. 1 with son Varun Dhawan and newcomer Sara Ali Khan when India went into nationwide lockdown. As film shoots are expected to resume soon, he wants to go to the sets again.

“I want to start working as soon as things come under control. But till then, like everyone else, I also have to take all the precautions. That is why since the start of lockdown, my wife (Karuna Dhawan) and I have not stepped out of the house since March-end,” he informs.

Senior Dhawan is happy to know that the television industry has begun production after a complete halt of three months. “I am sure it must not be easy. They must be facing challenges on a daily basis but kudos to them for still going ahead. (It’s) still uncertain when the film industry can get back to the sets.”

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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