FUNNYMAN RUSSELL PETERS BRINGS HIS DEPORTED WORLD TOUR TO THE UK
HE MAY have started out in tiny clubs as the lone Asian telling jokes on stage in 1989, but today Russell Peters is one of the greatest stand-up comedians on the planet.
The amazing success has crossed cultural boundaries and enabled him to connect with perhaps the widest cross-section of audiences of any stand-up comedian working today.
That is why there is great excitement about the Canadian funnyman returning to the UK for the Deported World Tour this month, with shows in London, Birmingham and Leeds.
Eastern Eye caught up with Russell to talk about his remarkable journey in comedy, forthcoming shows, getting older, motivation and more...
When you started out, did you ever imagine packing out huge arenas around the world?
I never imagined that in my wildest dreams. I started in 1989 and at that time was the first and only Asian guy doing it. My only goal was to make a living. By making a living, I mean earning a modest amount of money working weekends and just living my life.
Today you are a superstar of comedy but you seem to cope with the pressure really well. Or is that just great acting?
I don’t look at it as pressure because they are already there to see you, so all you have to do is make them laugh. The hardest part of comedy is winning the audiences over.
You always bring something new. Where do you get your material from or do you have a joke genie?
(Laughs) No, I just live life. My act over the years has become more autobiographical, and that is what it is! People are coming to hear my take on certain things. My take on marriage, being a father or struggling with getting older, and not really understanding that I have to act like an adult now.
When you are putting personal stuff out there through comedy, do you find it liberating or that you are exposing too much?
You have got to be honest in this business and the more, so to speak ‘naked’ you are up there, the funnier it is because the more truthful it is. The audience can sense if you are being truthful, when you are fabricating or if you are straight up being dishonest with them. And they have no problem calling you on it.
Some of your most epic jokes have been about your late father, but are you turning into him as you are getting older?
Day by day, yes, I would say I am. It’s not in the broad stroke, but in the little minute details. I get mad when someone leaves a light or TV on when they are not in the room. (Laughs) I get mad over silly things. People go: ‘What is wrong with you?’ and I am like: ‘Shut up, it shouldn’t be like this’.
Your observations of women are amazing; do they have their guards up around you now?
I am sure that they do have their guards up, but as you get older you mellow a little bit. I will be 48 this year and it will be my 29th year of comedy. Your observations of women become more sightful and less insightful.
Who is the funniest person that you know in real life?
Jheez, I know a few people who are really funny. I have a friend named Jamie who is a little person but hilarious. He has one of the sharpest senses of humour I have ever heard in my life. He is not a performer by any means but is quick, sharp and funny. We call him the wolf.
Are you under pressure to be funny in real life or are you one of those tortured geniuses who is really serious?
(Laughs) No, I am always just me! If I make a joke, I make a joke; if I don’t, I don’t. But nine times out of ten I am gonna find the funny in something.
What don’t you find funny?
Comedy is so subjective. What I may not find funny, someone else may find funny. I am not a big fan of slapstick, but the French love it. (Laughs) But what do the French know?
You are not like other Canadian comedians, including those who came before, and have a more universal relatable brand of comedy. How come you didn’t follow the Canadian crowd?
I think that if I had followed the rest of the Canadian crowd, I wouldn’t be where I am at today. You don’t become a leader by following. I never wanted to fit in.
What can we expect from the London shows?
I know you are supposed to say this when you are promoting your shows, but if you look online, including social media like Instagram and the comments on my current tour, this is the first time I have had all positive feedback. People on this one are saying that I seem at my best right now, and I’ll take it.
How do UK audiences compare to others?
I have spent so much time in the UK. I lived and worked there from 1995 to 2002. So for me it feels like a homecoming every time I come back. I feel like I understand the people and don’t need to be that: ‘What do you guys do over here?’ I’m not the whacky American who comes over and doesn’t know you.
Your series Indian Detective is on Netflix; what was the experience of doing that?
I loved it! I had a really great time shooting it and it has been really well received. I need people to hit up Netflix and ask them when will it be coming back, and if it’s not coming back, why not?
You act really well, but why don’t you do more of it?
I would love to do more acting, but again it is about being connected in that world. Hollywood is very cliquey and they don’t like people who make it on their own as they can’t control you then. You are not their product and not their Frankenstein. They like to create their own Frankenstein and I am not that guy because the fans created me and then the fans maintained me. So with everything I do, I think of the fans more than anybody else.
You are self-made and have had an amazing career, but what is the best advice anyone ever gave you?
The best advice I ever got was from George Carlin in 1992. He said get on stage as much as you possibly can. Even if you are at a bar and there is a band playing and they take a break, ask if you can go do five minutes. And don’t get into this business because you want to become rich or famous, get into it because this is all you think you can do. That is why whether I made it or didn’t, I would still be doing this.
Today, what inspires you?
To just stay motivated. There are so many things I still feel need and want to do. I stay focused and want to prove a point. There are some people who say you have nothing prove, but in my head I still have tonnes to prove.
Why do you love comedy?
(Laughs) Because it affords me the lifestyle that I am now living, number one, and I genuinely like to see people laughing and having a good time. I like to be responsible for that.
Finally, can you give a message for your army of fans?
I would like to say thank you for always consistently supporting me over the years and not treating me like a flash in the pan. That means a lot to me, and that is why whenever I come back I always return with a new act and try to be better every time I show up.
The Deported World Tour will be at the Arena Birmingham on Tuesday April 24, The SSE Arena, London (Wembley) on Thursday April 26 and Leeds’ First Direct Arena on Saturday April 28. Tickets are on sale from www.russellpeters.com and www.aegpresents.co.uk
Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the unsubscribe link in our emails. We will use your email address to personalize our communications and send you relevant offers. Your data will be stored up to 30 days after unsubscribing.
Diplomacy competes for attention in a crowded news cycle.European Council president Antonio Costa, Britain’s prime minister Keir Starmer and European Commission president Ursula von der Leyen with members of the Royal Navy in central London last Monday (19), during a summit aimed at resetting UK–EU ties
THERE is just too much news. The last month probably saw more than a year’s worth of events in more normal times – a new Pope in Rome, continued war in Ukraine, escalating conflict in Gaza, and the relief of India and Pakistan agreeing a ceasefire after a fortnight of conflict.
Domestic and global events that might once have dominated the news for a week can now come and go within hours. The biggest-ever fall in net migration – 2024’s figure half of 2023’s, according to Office for National Statistics data released last Thursday (22) – did not even get a brief mention on any of last Friday (23) morning’s newspaper front pages. It would have been a very different story if net migration had doubled, not halved, but falling immigration risks becoming something of a secret.
On the same evening as the UK-EU ‘reset’ summit, the UK government issued its strongest criticism of Israel in living memory. A joint statement with Canada and France described conditions in Gaza as ‘intolerable’, the language of Israeli ministers as ‘abhorrent’, and its expanded military operation as ‘egregious’. Germany did not join the trio, yet Chancellor Merz’s explanation that Germany would exercise more restraint in its criticism of Israel than others, for historical reasons – made his own calm but stark warning about breaching international humanitarian law more striking.
Israel had strong diplomatic support after the October 7 Hamas attack, but has never been this isolated. The administration of US president Donald Trump has not joined the public criticism, but is much cooler to Benjamin Netanyahu than in Trump’s first term, with sharp private clashes over diplomacy versus war with Iran.
Trump’s second term has turned the Oval Office into a reality politics show, giving the president the ‘main character’ energy he craves. He is at war with the courts and universities at home, last week seeking to ban all international students from Harvard.
America’s allies must second-guess his impulsive unilateralism on security and trade. The February clash with Ukraine’s president Volodymyr Zelensky sent shockwaves around the world. Trump is now frustrated that conceding so much to Russian president Vladimir Putin achieved nothing – except losing leverage. Repeating the trick last week, ambushing South African president Cyril Ramaphosa with fabricated footage of a racist conspiracy theory about the genocide of white farmers, had a weary familiarity. There was sympathy for Ramaphosa at home and abroad. Trump lacks any evident tariff strategy, simply hiking and suspending rates to maintain surprise. Business expects little stability while the Trump presidential gameshow runs.
Prime minister Sir Keir Starmer has the opposite instincts and personality to Trump, believing in a rules-based world order – both on principle and in Britain’s enlightened self-interest as a middle power. Starmer’s challenge is to show that cooperation can work – for security, trade and boats in the Channel too. Whitehall sees progress in a volatile world in the trade deal with India, mitigating some of Trump’s car tariffs at least, while prioritising the UK-EU reset.
The ‘Brexit betrayal’ headlines had little impact on public opinion, where there is broad pragmatic permission to pursue closer UK-EU ties within current ‘red line’ commitments – ruling out single market membership, at least this parliament, to avoid a return to Brexit trenches.
Despite fierce clashes at Westminster over the value and cost of the Chagos Treaty, that seemed one controversy too many for most people to process.
The Starmer government’s juggling of events saw its biggest domestic Uturn, heeding criticism of its plan to means-test the winter fuel allowance for pensioners.
The irony is that this became the government’s most famous decision because chancellor Rachel Reeves did not just include it in her first budget, but led with it as a symbol of ‘tough choices’ for fiscal responsibility. Backbench pressure to reduce child poverty by scrapping the twochild cap on welfare has been accepted too. These U-turns send the government back to the drawing board after its first year.
This summer and autumn, it must not only revise plans for spending and taxation, but also articulate a public narrative – a strategy that explains what the government’s choices amount to, and why. A comparative strength of populist insurgents is that they offer a simpler story about a complex world than their mainstream rivals.
News fatigue is rising across countries, according to Reuters Institute research conducted over the past decade. Around four in 10 people are avoiding the news – for a variety of reasons. If everything, everywhere, all at once remains the theme of politics and global affairs, the risk is more people will simply switch off.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Actor babil khan recently had a public breakdown on instagram, sharing a concerning video that was later deleted. those close to the 27-year-old son of the late star irrfan khan have since said he is doing fine. however, the incident highlights the urgent need to take mental health more seriously across all areas of society, including among high-profile figures in the film industry. it also serves as a reminder that anyone who is struggling should be encouraged to reach out for help.
Babil Khan
POOR ADVERT
It was recently revealed that, in terms of brand endorsements, Ananya Panday is one of the most visible celebrities on Indian television. The fact that an actress with limited talent and an underwhelming film record has become a go-to face for advertisers reflects the current state of popular culture in India. While she cannot be faulted for making the most of these opportunities, one would hope that those investing in such campaigns could find more compelling representatives to promote their products.
Ananya Panday
FILM FESTIVAL HERO
The annual UK Asian Film Festival delivered a vibrant 27th edition with another action-packed programme celebrating cinema. Founder and festival director Dr Pushpinder Chowdhry deserves particular praise for being the driving force from day one and providing a valuable international platform to filmmakers from around the world.
The great British champion told me the festival’s strong ethos has always inspired the dedicated team to use their platform to challenge norms, build empathy and bring communities together. She explained: “The festival themes have always focused on the universal search for identity, connection, and purpose. The films and events we select include stories of displaced immigrants, quests for love, and negotiations between heritage and modern life.
The festival has received strong support from dedicated individuals, communities, and businesses, who believed in our work, reinforcing the idea that storytelling remains a vital force for unity in a divided world. “In an era marked by fear and division, the festival’s programming emphasised that it is not people we should fear, but the forces that seek to silence or divide us.”
SOCIAL MEDIA SUICIDE
One of the most damaging effects of social media influencers is the way they can create unrealistic expectations for young people, including follower counts. Tragically, this pressure recently contributed to the suicide of content creator Misha Agrawal, just two days before her 25th birthday.
Despite building a solid brand and a strong following on Instagram, the founder of Misha Cosmetics reportedly took her own life after falling short of reaching one million followers. This is heartbreaking when you consider that many public figures have large numbers of fake followers. Her death serves as a stark reminder that much more needs to be done to safeguard the mental health of those consumed by online validation.
If you are struggling, help is available. Samaritans offers free, confidential support 24 hours a day on 116 123 or via email at jo@samaritans.org.
Misha Agrawal
PERMISSION TO RETURN
There is another chance to catch the acclaimed theatre production Permission, which had its UK premiere last year. The multi-layered story, which moves between a Heathrow immigration line and a rooftop in Karachi, will be staged at Tara Theatre in London from May 30 to June 7. Writer Hunia Chawla said the play, starring Rea Malhotra Mukhtyar and Anisa Butt, “will make you think, laugh and cry at the same time.”
Permission
BOLLYWOOD’S BAD EXCUSE
It seems as if those connected to Hindi cinema are shamelessly using the current conflict between India and Pakistan to save face.
The recent Bollywood concert headlined by Salman Khan and Madhuri Dixit was cancelled with the Kashmir terror attack cited as the reason – though it was more likely due to poor ticket sales.
Similarly, the last-minute cancellation of Bhool Chuk Maaf, starring Rajkummar Rao, was blamed on cross-border tensions. In reality, this time-loop comedy had generated little buzz or advance interest and seemed destined to flop. Producers had planned to quietly shift the film to a streaming platform, but cinema owners in India took the matter to court, forcing a theatrical release this week. When the film inevitably fails, it may only confirm what many suspected from the start.
Bhool Chuk Maaf
STORY OF A DREAM TEAM
One of this year’s standout music collaborations is between internationally renowned Norwegian music producer Alan Walker and rapidly rising Indian hip hop star King. Their newly released, genre-defying track Story of A Bird is a powerful dance-pop anthem described as a global creative rallying cry. The fusion of Walker’s signature atmospheric EDM production with King’s raw lyricism resonates strongly with a new generation on the rise. These self-made music stars have bridged cultures and sounds, while celebrating the unstoppable spirit of those who dare to dream.
King and Alan Walker
MAGNIFICENT MARK
The recently released season five of comedy series Man Like Mobeen is packed with hilarious moments from start to finish, thanks to its marvellous characters and strong performances. While co-creator Guz Khan is brilliant in the title role, the standout star is once again Mark Silcox, who shines in his superb supporting role as Uncle Shady. He owns every scene he appears in with his deadpan delivery and is so good that a spin-off series – or even a movie – centred on him would be entirely justified. The full season is now available on BBC iPlayer and is well worth watching.
Mark Silcox and Guz Khan
MESMERISING MANASI MANASI
Manasi Ghosh showed exactly why she recently won Indian Idol 15 with stunning performances during her recent UK concerts.
Touring with fellow finalists Anirudh Suswaram and Sneha Shankar, the wonderfully talented singer swept across the stage like a tornado, delivering a terrific range of tracks. Her performance was perfectly complemented by strong stage presence and a charming personality that instantly endeared her to audiences. It is no surprise that this versatile singer won the long-running music reality show and if this UK tour, organised by Rock On Music, is anything to go by, she has a spectacular future ahead.
HIRAN’S HAMLET HURRAH
Hiran Abeysekera has quietly but powerfully established himself as one of the most compelling stage actors of his generation. From his Olivier Award-winning turn in Life of Pi to his recent haunting portrayal of Nathuram Godse in The Father and the Assassin, Abeysekera has brought an intensity, precision and emotional intelligence that continue to captivate audiences.
This autumn, he takes on the demanding title role in Hamlet at the National Theatre’s Lyttelton stage. Few parts test an actor’s range like Shakespeare’s tortured Dane, and few contemporary performers are as well-equipped to take it on. With his gift for balancing vulnerability and charisma, Abeysekera is likely to deliver a Hamlet that feels both deeply human and viscerally modern. This is unlikely to be just another Shakespeare revival, but a potential milestone for one of British theatre’s brightest talents. As his ascent continues, this role may well cement Abeysekera’s place among the greats.
Hiran Abeysekara
Keep ReadingShow less
Starmer polarised opinion within his own party by using language that is not his own
So who was prime minister Sir Keir Starmer trying to sound like on immigration? Not Enoch Powell, surely, though independent former Labour MP Zarah Sultana alleged the ‘rivers of blood’ speech was quoted with intent. Downing Street scrambled to declare any faint echo unintentional. Briefing that Starmer was really summoning the spirit of Roy Jenkins instead - since Labour's most liberal multiculturalist home secretary did not want unlimited immigration - did not reflect his tone.
The prime minister’s language was deliberately tough - much tougher than the white paper he was recommending. Its principles - controlling migration, to bring the record numbers down, while welcoming contributors, managing impacts and promoting cohesion - could resonate across a Labour electoral coalition which includes migration sceptics, liberals and many ‘balancers’ in between.
Yet, Starmer polarised opinion within his own party by using language that is not his own to parrot arguments he cannot fully believe. Starmer began by co-opting Vote Leave’s slogan “take back control”. “Everyone knows what that slogan meant for immigration”, he said.
Yet on Brexit Day in 2020, Starmer was telling his party members he could respect the referendum result, while bringing back free movement (though he later made the opposite pledge to the general public). Starmer’s foreword citing the ‘incalculable damage’ of high immigration felt like clunky plagiarism of former Conservative home secretary Suella Braverman’s warnings about societal collapse. If Starmer believes that too, his white paper should go further towards eliminating net migration, not merely reducing it.
Starmer knows that he did not inherit an ‘open borders’ policy - since the chaotic asylum backlog he inherits was the product of ceasing to process claims. The prime minister could have spoken for this white paper using social democratic arguments that he does believe. At Labour’s last conference, Starmer defended ‘legitimate concerns’ on migration and the need to bring numbers down. Nobody called that Powellite, as it was fused with a repudiation of racism and a clear statement it was ‘toxic’ to blame the migrants who had come to Britain for policy failures of the government.
A measured critique this week from 25 leaders across faith, asking Starmer to lower the temperature noted that the language of ‘incalculable damage’ risks failing this test. A calmer Starmer narrative could still be scathing about the last government saying one thing and doing the opposite. He could be more specific about the promises he can keep to reduce immigration. He was well placed to commit to halving net migration within his first two years in office. A public bruised by broken promises might only believe it when they see it. 460,000 fewer visas in 2024 means the Office of National Statistics will this week report the significant start in cutting net migration within the first six months.
Labour previously opposed a net migration target, so Starmer should offer a Labour argument about why the rate of inflow matters. His most coherent point would be that he wants housing supply to outpace population change comfortably. That is impossible when annual net migration soars above one per cent of the population - but possible if this government committed to keeping that rate below 0.5 per cent - half of the level inherited - while managing it down further where consistent with its growth, training, NHS, climate and education missions. That two-thirds of the public support a new UK-EU youth mobility deal shows the pragmatic permission for managed migration too.
This calmer Starmer should reject the failed tactic of plucking numbers from the air for immigration in five years’ time - and promise instead to report back every year to parliament on numbers, impacts and future policy. That could challenge rivals with slogans about lower levels to make their numbers add up, too. That is how the real-world pragmatists might take back control of the politics of immigration.
Instead, we are debating Powell. Starmer’s contentious “island of strangers” soundbite worried out loud about wanting integration, which Powell declared impossible. But his white paper lacks a coherent agenda on integration. It proposes more migrants - outside graduate jobs - should be guest-workers. More temporary migration sounds like a recipe for more ‘strangers’ as neighbours.
The government proposes that some people who will settle permanently should wait twice as long before becoming British - but offers no evidence about why that would promote integration, not impede it. The distracting guessing game about immigration echoes from past speeches was the symptom of a vacuum in this government’s voice and thinking.
After five years as a party leader, Starmer has yet to offer a substantial public argument about diversity or integration. The conversation about his government’s future is dominated by political tactics - slicing and dicing which voter segments to engage in four years time. Yet the core challenge for the prime minister of this modern Britain is to find his own voice to speak to us all, together, at the same time.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Earlier this year, I wrote about how Akshay Kumar and Ajay Devgn have collectively damaged Bollywood by flooding audiences with a stream of largely terrible films – most of which flop. That trend continued with Devgn’s sequel Raid 2, which underperformed at the box office. Now, Akshay Kumar looks set to carry the baton on 6 June with the dreadful-looking Housefull 5 – a mindless franchise film packed with a cast well past their prime.
Ajay Devgn
BIG FOOD FAIL ACTRESS Chhaya Kadam recently came under fire after reportedly claiming to have eaten the meat of protected wildlife species in India – including mouse deer, wild boar, monitor lizard and porcupine. The Plant and Animal Welfare Society has called for her prosecution. The star of award-winning films such as All We Imagine As Light and Laapataa Ladies will now likely think twice before making any more bizarre confessions.
Chhaya Kadam
ANOTHER DUTT DISASTER
Though he has found some success playing antagonists in regional films, Sanjay Dutt has continued his disastrous run of Bollywood flops with the recently released comedy horror The Bhootnii. The 65-year-old once again proved he cannot spot a strong Hindi project – with another film rejected by both critics and audiences. Like many older stars, he needs to rethink his choices and pursue age-appropriate roles in well-written productions – or consider retiring gracefully. He will next appear in a smaller supporting part in the mindless-looking comedy Housefull 5.
Sanjay Dutt
DILJIT’S CHOICE DILEMMA Diljit Dosanjh has been unstoppable – delivering stunning success in music and standout performances in diverse films. That remarkable rise was reflected in his debut appearance at the Met Gala, where he wore a regal outfit that turned heads. With the Punjabi superstar at an all-time high, now is the time to make smart choices – and avoid projects like the forthcoming comedy No Entry 2, where he will star alongside Bollywood actors Arjun Kapoor and Varun Dhawan, both of whom have struggled at the box office and will likely be given more attention. Diljit must recognise his immense value and opt for stronger projects – like his newly released single Buck, a collaboration with global K-pop sensation Jackson Wang. He should continue pursuing global platforms such as the Met Gala – and steer clear of silly film choices.
Diljit Dosanjh at the Met Gala
CINEMA GREAT HAS DIED Indian film director and cinematographer Shaji N Karun has died at his home in Thiruvananthapuram, aged 73. He made a significant impact on Malayalam cinema with acclaimed films such as Piravi (1988), Swaham (1994) and Vanaprastham (1999). Although the gifted filmmaker may not have received the recognition he truly deserved, his rich and diverse body of work stands as a lasting legacy.
Shaji N Karun
AN EMMY NOD Sharmeen Obaid-Chinoy has added to her impressive list of international honours with a nomination at the upcoming 46th Annual News and Documentary Emmy Awards for Diane von Furstenberg: Woman in Charge, co-directed with Trish Dalton.The film, which focuses on the iconic fashion designer and was made by an all-female crew, is nominated in the outstanding business and economic documentary category. The two-time Academy Award-winning Pakistani filmmaker has more exciting work ahead – including a film set in the Star Wars universe.
Sharmeen Obaid-Chinoy with Diane von Furstenberg
KING KHAN IS BIG WINNER
Most ageing Bollywood actors over 50 have seen a sharp decline in recent years – except Shah Rukh Khan. While Aamir Khan, Salman Khan, Akshay Kumar, Hrithik Roshan and Ajay Devgn have struggled to recapture their past glory, Shah Rukh remains in high demand after a string of recent successes.
He made global headlines after walking the red carpet at this year’s Met Gala in a striking outfit, and there are unconfirmed reports that Hollywood is keen to bring him into the Marvel universe.
The others may land the occasional minor hit, but none currently match Shah Rukh’s enduring star power.
Like Amitabh Bachchan before him, he now seems poised to enter an exciting new phase of meaningful projects – and if he finally steps into Hollywood, it would only strengthen his extraordinary legacy.
Shah Rukh Khan at the Met Gala
BROWN GIRL DUO DELIGHTI recently watched a work-in-progress version of Brown Girls Do It Too: Mama Told Me Not To Come – and it was spectacularly funny. Even as a rough cut, the popular podcast duo Poppy and Rubina drew a large (predominantly female) crowd, who roared with laughter at the bold, unapologetic material. That is why the upcoming previews of their fully developed show at Soho Theatre in London – running from 10–14 June – are highly recommended ahead of its scheduled Edinburgh Fringe run.
Brown Girls Do It Too: Mama Told Me Not To Come
SOORAJ’S LAST CHANCE SALOO After three flop films – Hero (2015), Satellite Shankar (2019) and Time To Dance (2021) – actor Sooraj Pancholi will be hoping to make it fourth time lucky with his new release Kesari Veer. Unfortunately for him, the historical action drama has generated little buzz and appears headed for yet another costly Bollywood failure. Rather than marking a fresh start for the actor – recently acquitted in the long-running Jiah Khan suicide case – this may signal the end of any meaningful film career.
Kesari Veer
HISTORY GIRL HUSAIN
The new series Who Do You Think You Are? includes an extraordinary episode featuring Mishal Husain.
The popular broadcaster embarks on a global journey, tracing her family ancestry to a royal court in 19th-century India – before an unexpected turn takes her to America.
There, she uncovers a surprising link to forefathers who played a key role in the American Revolution, which helped the country gain independence. Not only is it a rare episode of the BBC show to spotlight someone of South Asian heritage, it also offers a fascinating glimpse into history and tells a powerful story.
It would be remarkable to see a similar programme in India or Pakistan, with well-known South Asian figures exploring their family roots.