The Great Gatsby’s ‘last Daisy’ ready to blossom beyond stage
ACTRESS SAFEENA SAYS PLAYING ICONIC CHARACTER WAS AN INTENSE EXPERIENCE.
By POOJA SHRIVASTAVANov 16, 2022
PLAYING “last Daisy” in The Great Gatsby – London’s longest running immersive play – is an honour in itself, feels actress Safeena Ladha, adding that while it saddens her to say goodbye to this “very complex” character, she is now ready to explore beyond the stage.
The Great Gatsby is running at Gatsby’s Mansion within Immersive|LDN in Mayfair until January 7, 2023, which will be its final season in London. Its final extension has been officially announced, bringing its triumphant run of over seven years to an end.
First conceived in 2015 by director Alexander Wright and producer Brian Hook, The Great Gatsby has subsequently run in 14 other venues worldwide. It first came to London in 2017 but was forced to close in March 2020 due to pandemic. It was one of the first shows to re-open under socially distanced conditions before subsequent lockdown. It finally reopened in September 2021.
The Great Gatsby is an immersive play, inspired by the seminal twenties’ novel of the same name. Narrated by Nick Carraway (depicted by Greg Fossard), the play revolves around Jay Gatsby (played by Elliot Liburd), a millionaire who has become the talk-of-the-town thanks to his lavish, indulgent parties in the hopes of attracting the attention of his former flame Daisy Buchanan.
Safeena Ladha
Eastern Eye got in touch with the 25-year-old British actress playing the iconic role of Daisy as she spoke at length about her experience with the play, her background, Asian artists’ representation and future plans. “I keep forgetting that January is so soon. To be the last Daisy is an honour. It’s sad, because I’ve enjoyed playing her. It had been an amazing journey where I got a chance to develop my character over a long period of time,” said the actress.
Daisy is not just any female lead. Her character is complex and her choice between Gatsby and her husband is one of the main conflicts, around which the plot revolves. Playing Daisy has been an intense experience, said Ladha, adding that she feels that over time, the character has been rubbing off on her a little bit – “sometimes in a good way and sometimes in not very good way”.
“When I initially started, I thought I am not like her. But the more I have been playing her, the more I can see some similarities or maybe it’s just that she has influenced me in some ways.
“I still don’t think we are exact same person. But in some ways, I am or I have slightly had moments of ‘oh, that was a little bit more Daisy of me than the normal’,” said the actress.
“She has a tendency to over think and panic. And sometimes, I find myself just like over thinking things. I think there are more similarities between us now than when I first started,” said the actress.
Jessica Hern as Jordan Baker and Hugh Stubbins as Nick Carraway in the play
Born and brought up in London, Ladha has always been inclined towards performing arts, starting from different dance forms and then moving to drama and acting. Speaking about her background, she revealed how she “fell in love” with this world of arts at a very young age and how her parents were always supportive towards her choices.
“I started with ballet. And then it all kind of snowballed from there. I was quite young when I must have said I want to do acting as well. My parents were super supportive. They happily paid for both me and my sister to go to dance and drama school, which I’m obviously so grateful for because it used to add up to a lot of money. And my dream one day is to be able to pay them back,” said the actress.
“I remember always wanting to do it. Like I don’t ever remember there being a time where I thought that I wanted to do anything else as a job,” said the actress, adding that she found an “amazing acting teacher” with whom she also did her first professional acting job at an age of 19.
“I was lucky enough to work with actors who were a good a few years older than me, and so therefore had more experience than me. And at that point I had no professional experience,” the actress told Eastern Eye.
Ladha made her West End debut as Stick Lady Love in StickMan Live at the Leicester Square Theatre.
While auditioning for The Great Gatsby, Ladha said she went ahead with “not just Daisy in mind” but for any female character. Understandably, when she landed with this prominent lead role after multiple rounds of auditions and workshops, it came as “best shock ever”.
Playing such a role in the timeless classic required Ladha to undertake extensive research.
“I read the book and then I also re-watched the newest movie, just to see how she was played by someone else to kind of get a visual idea. Both helped.
“Furthermore, what I did was I looked at people’s essays on the book, to understand how they see this character. That was very interesting as everyone has varying opinions and it was eye-opening to know how people perceive things differently,” the actress said, adding she also understood a lot while doing the show.
“The audience has varying opinion of me – some not like Daisy very much. Especially at the end of the show, when she makes that decision between Tom (her husband) and Gatsby, which is obviously the eternal kind of struggle for her, people either get on board or they don’t,” she said, adding that such a divide in public opinion tends to escalate more in immersive plays as people get to know different sides of characters closely.
Greg Fossard as Rosy Rosenthal in the play.
Immersive play implies the play’s environment is designed to deliver an all-encompassing experience, from the moment audience enters the audience Gatsby’s Mansion and come into main jazz bar area. The first scene happens where almost all characters speak and audience starts to get an idea of who everyone is. As the play proceeds, people are pulled into different rooms and areas where they get to witness different characters closely.
The play is designed in such a way that no matter where people go, or follow, they get to witness key scenes together but “with a slightly different perspectives on things depending whom they followed at different points”, said the actress.
“People who have been with me quite a lot throughout the show have seemed to have enjoyed it. So I’m assuming that they hopefully don’t feel like they missed out on anything.
As The Great Gatsby comes to its final leg in London, Ladha is excited for next phases in her career and is looking forward to appear on both small and big screen. “I am open to whatever comes next. I’d like to stay open to things in the sense of not limiting myself and explore more. I would like to try a bit more screen. I don’t know why but I’ve always wanted to do like an action sequence. It’s just one of those things I’d love to do.”
Over the aspect of Asian artists’ representation, Ladha has mixed feelings yet feels “things are changing in a good way”.
“It’s nice to see more Asians on screen who are just playing like a normal British Asian, someone who belongs here. I overall find it positive in terms of what’s being put out there for Asian actors to apply in an audition. But I also feel there is going to be a certain amount of stereotyping to an extent. At the same time, things are also changing in a positive way.
“I myself haven’t experienced anything negative yet. We are seeing more Asians in a range of roles, which is good. And I can definitely say that after playing Daisy,” she concluded.
After a smash-hit UK debut, India’s most-watched crowd-work comedy duo is back – and this time, they’re armed with an even wilder new show. Abishek and Nirmal: The Great Indian Positivity House invites audiences into a bizarre world where you can anonymously confess your darkest deeds and most questionable opinions.
Staged at Soho Theatre in London from July 21–25, the show will then head to the Edinburgh Fringe in August. It promises their signature fast-paced crowd work and razor-sharp improvisation. With no two shows ever the same, they aim to make every night unrepeatable and unforgettable. Eastern Eye caught up with the dynamic duo to talk about comedy chemistry, on-stage secrets and their biggest influences.
What made you two want to team up?
Abishek: We come from similar backgrounds, consume similar content, and laugh at each other’s jokes. A middle-class upbringing, a love for theatre, and a shared passion for the same kind of humour brought us together.
Did you both expect to become such a successful double act?
Nirmal: It struck me early on during touring. Initially, we’d do 20 minutes each and then come together for the final 20, which audiences really enjoyed. We soon realised our on-stage chemistry worked. We’re also both very physical with our humour and play off each other well. (No innuendo intended.)
What’s been your most memorable moment as a duo?
Nirmal: After every show, we’d go out with some audience members and ask them to show us around their city. I think our last day at Edinburgh Fringe was epic – we were up till 4 am dancing, drinking pints, with a flight back to India at 8 am. Total chaos. Abishek: Touring internationally will always be a core memory. I’ll never forget our first show in Dubai – it felt so surreal. We genuinely felt taller than the Burj Khalifa that day!
How would you describe your brand of comedy?
Abishek: We do a lot of crowd work and improv. Our biggest strength is our physical comedy, combined with (self-proclaimed) impeccable chemistry on stage.
What drew you to interactive comedy?
Nirmal: I love stand-up, but it takes a year or two to build a solid hour. Audience-interactive shows let us flex our improv muscles and keep it fresh every night. We never ran out of shows this way. And repeat audience could enjoy our shows too. It’s liberating – we get to respond to the exact moment we’re in. And we love being surprised by the crowd.
What’s the biggest challenge of interactive comedy?
Abishek: You never know how a joke will land. You have to read the room well and only prolong an interaction if the person is clearly enjoying it.
With no two shows ever the sameInstagram/ theabishekkumar
How much of your routine is planned in advance?
Nirmal: The beginning, middle, end, and format are always set. But that’s it. We’ve built our shows on the road, so we keep adding and experimenting with new bits.
What’s the secret to great improvisation?
Abishek: Ride the scene’s energy – no matter how dumb the premise sounds. Go with the flow. BS with full conviction!
How do you stay in sync on stage?
Nirmal: It’s muscle memory at this point. I know when he’ll take a punchline or jump in, and he knows when I’ll interrupt. It’s built over time by doing this again and again.
What has performing in the UK been like?
Abishek: Amazing. We’ve toured the UK multiple times now, and every visit feels like coming home, thanks to the huge Indian diaspora.
How do UK audiences compare to those in India?
Nirmal: I love our international audiences – they come for a sense of familiarity. They’re away from home, and our references, language, and vibe create that comfort. For at least an hour and a half, it feels like home.
The beginning, middle, end, and format are always setInstagram/ theabishekkumar
Do you have creative differences – and how do you manage them?
Abishek: We do, but we don’t shy away from tough conversations. We’re brutally honest with our feedback and open to change. That’s the healthy part of this duo.
Tell us an embarrassing secret about each other.
Nirmal: When Abishek is sleep-deprived, he goes full chaos mode – like an elephant about to mate. He starts doing sixth-grade-level pranks on everyone around. This is a 30-year-old man. Abishek: Nirmal has to poop before every show. The moment the announcement plays, he’s off to the loo.
Who are your comedy heroes?
Abishek: Robin Williams, Russell Peters, Jim Carrey, Adam Sandler, Ricky Gervais... and Indian legends like Nagesh and Crazy Mohan, who’ve had a huge influence on me. Nirmal: Kanan Gill, Rahul Subramanian, Kenny Sebastian, Hasan Minhaj, Aziz Ansari and Dave Chappelle.
Why should people come to your London shows?
Nirmal: To feel like you’re in South India for a whole hour. It’s better than the North. (I say this in jest.) I could have said I’m joking, but I had to say jest, didn’t I? It is a nice word though.
Abishek & Nirmal: The Great Indian Positivity House at Soho Theatre in central London from July 21-25. www.sohotheatre.com
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Grenfell Uncovered, Netflix’s new feature-length documentary about the 2017 Grenfell Tower disaster, has been widely praised by reviewers and early viewers for its serious and emotionally resonant portrayal of one of the UK’s worst modern tragedies.
Directed by Olaide Sadiq, the film retraces the events leading up to the fire that claimed 72 lives and sparked a national reckoning over building safety, housing policy, and corporate responsibility.
Reviewers highlight structured storytelling and emotional impact
Critics have noted that while the film does not introduce new findings beyond what was already published in the 2024 final report of the Grenfell Inquiry, it succeeds in conveying the scale and depth of the disaster to a global audience. Several reviewers praised the documentary’s editing, with The Guardian calling the timeline “agonisingly well-paced” and noting its ability to balance personal accounts with broader systemic failings.
The film weaves together the first 999 call, testimony from bereaved families, and a detailed exploration of decisions made by companies and public authorities. Reviewers have drawn attention to how the documentary contrasts human loss with what the inquiry called a “merry-go-round of buck-passing” by corporations and officials.
Personal stories placed at the centre
The emotional core of Grenfell Uncovered, according to several reviews, lies in the personal testimony from those who lost loved ones. These are presented alongside findings about companies such as Arconic and Celotex, which the public inquiry found engaged in “systematic dishonesty” in relation to the cladding materials used on the tower.
Critics have said the film powerfully illustrates how profit motives, weak regulation, and political decisions intersect with devastating human consequences.
Praise for Netflix’s decision to commission the documentary
Media observers have commended Netflix for producing a one-off film on such a politically sensitive topic at a time when many streaming platforms are opting for safer, more commercial programming. Some called it a “rare act of public-interest filmmaking” and noted that, despite global trends favouring true crime and celebrity-driven content, Grenfell Uncovered focuses on accountability and justice.
- YouTubeYouTube / Netflix
Political figures featured in the film
The film includes an interview with former Prime Minister Theresa May, who addresses criticism of her response to the fire, particularly her decision not to meet survivors during her first visit to the site. Reviewers have pointed out that while May has previously expressed regret, the interview adds weight to the film’s broader themes of inaction by those in power.
Other institutions, including the Cameron government, the Royal Borough of Kensington and Chelsea, and the London Fire Brigade, are also examined in relation to their roles in the lead-up to and aftermath of the fire.
A reminder, not a revelation
While some reviewers noted that the documentary does not reveal much beyond what was already known, they argue that it is an important retelling for audiences who may not have followed the inquiry closely. In this context, critics say the film succeeds in its aim: to remind viewers of the tragedy’s preventability and the need for lasting change.
Grenfell Uncovered is currently available to stream on Netflix.
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Priyanka Chopra opens up about an on-set injury while filming Heads of State
Priyanka Chopra Jonas has opened up about a minor but shocking accident that occurred while filming her new action-comedy Heads of State, which premieres on Prime Video on 2 July. Appearing on The Tonight Show Starring Jimmy Fallon, the actor recalled how she injured her face during a high-intensity scene, losing a piece of her eyebrow in the process.
The incident took place during a rainy stunt scene that required her to fall and roll on the ground as the camera closed in. “The camera operator came in a little closer, I came in a little closer, and boom! The matte box hit me right here,” she said, pointing to her eyebrow. “It took out a chunk. I was lucky it didn’t take my eye.”
Despite the bleeding cut, Priyanka didn’t halt filming. Instead, she reached for surgical glue, patched herself up on set, and wrapped up the day’s shoot. “I didn’t want to come back and shoot in the rain again,” she joked.
In the film, Chopra plays Noel Bisset, a sharp MI6 agent pulled into chaos after a diplomatic mission unravels. She stars opposite John Cena and Idris Elba, who play the heads of state she’s tasked with protecting. The actor shared that her character does a fair amount of the heavy lifting when it comes to action, including hand-to-hand combat and stunts.
While discussing the film, Chopra also spoke about the off-screen dynamics with her co-stars. She revealed that Cena and Elba hadn’t met before the shoot, so she stepped in to ease the introductions. “I was like the buffer. I had to make sure we didn’t just start punching each other,” she laughed.
She also mentioned how the set was filled with laughter, banter, and plenty of pranks, most of them aimed at her. “I guess I was the easy target,” she admitted.
Directed by Ilya Naishuller, Heads of State features an ensemble cast including Paddy Considine, Carla Gugino, Jack Quaid, Stephen Root, and Sarah Niles. The film will be available in English, Hindi, Tamil, Telugu, Malayalam, and Kannada.
Up next, Chopra is set to appear in SSMB 29 with Mahesh Babu and The Bluff, where she plays a reformed pirate.
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Priyanka Chopra enjoys traditional Indian feast at Vikas Khanna’s NYC hotspot
Priyanka Chopra Jonas found a taste of home far from home this week. The global star, alongside her manager Anjula Acharia and friends, enjoyed a memorable meal at Michelin-starred chef Vikas Khanna's New York City restaurant, Bungalow.
Honouring heritage and handicrafts over dinner
Khanna shared a touching glimpse into the evening on Instagram. He focused on the restaurant's beautifully adorned glass ceiling, explaining its deeper meaning. "Everyone asks why we decorate it daily when some might not notice," Khanna wrote. His reason was personal: "It’s not just for guests below, but for loved ones watching over us from above. Today, I adorned it especially for Malti Marie Chopra Jonas."
The gathering doubled as a tribute to the upcoming Rath Yatra festival and specifically honoured the skilled artisans of Sambalpur and Western Odisha. Videos showed Khanna tying traditional Sambalpuri handkerchiefs around Priyanka and Anjula's wrists as a meaningful cultural gesture. The rainy NYC backdrop added to the intimate atmosphere.
A satisfied star and return visits
The Indian feast clearly hit the spot. Priyanka reshared a video from Anjula showing Chef Khanna expertly serving dishes, captioning it simply: “Still in a food coma. You’re the best host, Vikas.” Pictures revealed a relaxed Priyanka dressed smartly in a black dress and matching blazer, posing happily with Khanna and her group. This was her second return trip to Bungalow; she previously dined there last year with her husband Nick Jonas, thanking Khanna then for "a taste of home."
While young daughter Malti Marie was mentioned in Khanna's heartfelt caption about the ceiling dedication, she wasn't visible in the shared photos or videos. Fans can next catch Priyanka on screen in the action film Heads of State, streaming on Prime Video 2nd July, where she stars alongside John Cena and Idris Elba.
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Katy Perry and Orlando Bloom clash over space flight as breakup rumours grow
Things seem rocky between long-time couple Katy Perry and Orlando Bloom, with new reports suggesting an argument about Perry’s recent space flight may have added fuel to an already burning fire.
The pop star, who joined an all-female crew for a Blue Origin flight in April, reportedly didn’t get the reaction she hoped for from Bloom. A source claims the actor called the trip “embarrassing” and “ridiculous” during a heated exchange, leaving Perry hurt and confused by the lack of support. Despite publicly backing her before the launch and even being photographed at the site, Bloom allegedly changed his tune behind closed doors.
This tension comes as Bloom prepares to attend Jeff Bezos and Lauren Sánchez’s wedding in Italy this month, but without Perry. The irony? Bezos’ company made Perry’s space journey possible. According to insiders, Perry is upset that Bloom is “insisting” on going to the wedding, especially since she considers the couple her friends, not his. Meanwhile, she’ll be away on her Lifetimes tour and unable to attend herself.
Katy Perry and Orlando Bloom’s space row highlights deeper riftGetty Images
Career struggles and solo appearances spark breakup rumours
While Perry’s upcoming absence from the Bezos wedding has been chalked up to work obligations, sources say there’s more beneath the surface. Reports claim that the singer’s recent career disappointments, particularly the underwhelming reception of her album *143*, have added pressure on the couple’s relationship. Though Bloom was said to be supportive during the aftermath, the stress allegedly caused a noticeable strain between them.
The pair, who got engaged in 2019 and share a four-year-old daughter named Daisy, have weathered storms before, including a brief split in 2017 and a postponed wedding due to the pandemic. But insiders now suggest the relationship may be nearing its end, with one source bluntly stating, “It’s over. They’re just waiting for her tour to wrap before making it official.”
Orlando Bloom slammed Katy Perry’s space flight during argument as insiders say split is imminentGetty Images
Adding to the speculation, Perry was recently spotted without her engagement ring in Melbourne, just days after performing the breakup anthem I’m Still Breathing onstage in Sydney. Her tour ends on 7 December, and many believe the couple might make an announcement soon after.
Neither Perry nor Bloom has commented publicly on the reported fallout. But if the talks are true, a love story that began in 2016 may quietly come to a close before the year does.