LEADING British-Asian musician Talvin Singh OBE is set to perform his Mercury prize winning album 20 years after its release at a top London festival next month.
The composer is set to perform tracks from his 1998 album Ok, as well as debuting material from his new album, which is due out later this year.
The concert takes place at London’s Royal Festival Hall in early May, as part of the Southbank Centre’s Alchemy festival.
“It feels amazing to revisit the Ok album,” Singh told Eastern Eye. “There are a lot of memories attached to the record and it’s been quite a few years now [since it’s release].”
The album, which won Singh the prestigious Mercury Prize award in 1999, is a combination of electronica and Indian classical music. In putting the “innovative” album together, he travelled across London, Okinawa, Mumbai and New York to work with various artists.
“There are a lot of memories attached to the travel log of the record,” he revealed.
Admitting it was difficult to translate the record in a live environment as the album featured such a variety of instruments and artists, Singh said he has had to push his imagination to make sure the live performance worked well.
“I thought we should revisit this particular piece of music and not necessarily have it performed exactly the same as it was on the record, but give it a slightly different perspective,” the tabla player said.
Alchemy festival goers will also hear new material from the 47-year-old’s upcoming EP and album, expected to be released later in the year.
The Royal Festival Hall concert is an exciting one for Singh, who has not performed there since 2013. He recalled the “great” memories of performing at the venue from the early days of his career. “I love the Royal Festival Hall,” he said.
Having not released an album since 2011, Singh also acknowledged the importance of performing live.
“I haven’t put out a record for so many years and so [performing live] is what I’ve been doing and surviving on and enjoying,” he said. “It’s very important, but the studio is also important – they are equally enjoyable, so I am passionate about both of them.”
As well as his own successful solo career, in which he became known as the pioneer of Asian Underground music, the composer has collaborated with several established artists including Madonna, Björk and Massive Attack. Talking about working with other artists, Singh explained it was important to work with musicians who can influence you.
“Music is a reactive art form, so you can influence what they do. It’s all about that interplay and that harmonic major of creating a wavelength because you don’t really talk when you’re with a musician,” Singh said. “You just play music and you usually talk afterwards, so it is more of a telepathic communication which happens between one musician and another.”
Suffolk-based Singh cites nature as an influential marker on his work. In the last five years that he has been living in the east coast county, the natural environment and habitat of the area has been a major inspiration, especially for his new work.
“I think every time you’re inspired, it is by different aspects of what you experience,” he said.
An established tabla player, Singh has been praised for making Indian classical music available to a wider, more contemporary audience. He admitted that as an artist, he is still exploring the percussion instrument and its authenticity.
“That is why it is called classical music or a classical instrument because you always go back to what was left off and slightly deeper into the anthology of the instrument and its repertoire,” Singh said.
Speaking at a business event, she basically said her village roots made it harder.
Directly named SRK, calling him a Delhiite with a convent education.
Threw "brutal honesty" out there as her secret weapon.
You can already imagine the social media frenzy this kicked off.
It's the latest salvo in the whole insider-outsider war that never ends.
Well, she's done it again. Kangana Ranaut, now MP, just reframed the entire Bollywood struggle debate with one comparison. At a recent industry gathering in Delhi, she got to talking about her success. And then she brought up Shah Rukh Khan. Not with nostalgia. She positioned her own journey from a no-name Himachal village as the tougher path against his, what she termed, convent-educated Delhi background, and it obviously sparked reactions online.
Kangana says coming from a small village and being brutally honest shaped her journey in Bollywood Getty Images
So what did she actually say?
Her exact words: "Why did I get so much success?" she asked the room. Classic Kangana, starting with a question she's about to answer herself. "There is probably nobody else who came from a village and got such success in the mainstream. You talk about Shah Rukh Khan. They are from Delhi, convent-educated. I was from a village that nobody would have even heard of, Bhamla." And the punchline is that she believes it's her "brutal honesty" that did the trick.
Kangana calls brutal honesty her secret weapon in the film industryGetty Images
Let's talk about these two different worlds
Look at the facts. Kangana. Bhamla. Left at 15 for Mumbai, a kid with no roadmap. Her fight in the industry is well-documented, every step a battle she talks about. Four National Awards though, that's huge. Then Shah Rukh. Delhi. Lost his parents young, sure. But he cut his teeth on TV, became a name before he even hit films. His Mumbai move in '91 led to... well, to being King Khan. Both stories are about making it from nothing. But nothing means different things depending on your postcode, apparently.
Shah Rukh Khan’s Delhi upbringing gets compared to Kangana’s village struggleGetty Images
And the fallout?
It's a mess online, obviously. You have one side cheering her on for saying the quiet part out loud: that a village girl with no English has a steeper hill to climb than a guy from the capital. Then the other side is just exhausted. They're saying it's a cheap shot, that it diminishes Khan's own loss and grind. Does this debate even go anywhere? It just seems to recycle every few months. But people click. They always click.
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